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PreSonus Eris E4.5 2-Way Powered Studio Monitors (Pair)
- 4.5 inch Kevlar low frequency transducer
- 1 inch (25mm) ultra low mass silk dome high frequency transducer
- 50 watt Class AB amplification (25w/side)
- Acoustic tuning controls for Midrange, HF, High Pass , and Acoustic Space settings for accurate mixing contour
- RF interference output current limiting, over temperature, transient, and subsonic protection
- 100 dB maximum continuous SPL, 70 Hz - 20 kHz frequency response
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From the manufacturer
PreSonus Eris E4.5
2-Way Active Studio Monitors: Accuracy Defined.
Step up to serious, 2-way professional studio monitors with Eris
Make your music stand out with accurate mixes
What sets Eris High Definition Active Studio Monitors apart from comparably-priced competitors is Eris’ ability to create accurate mixes—mixes that sound good on other playback systems, on iPod headphones, on TV commercial soundtracks, and even on your kid brother’s cheap computer speakers.
The answer for that poor 'home studio' sound
If you ask anyone who listens to a lot of new music submissions, they’ll tell you that a surprising number of mixes submitted from home studios are out of balance. Muffled or boomy bass. Indistinct or ear-splittingly loud vocals. Harsh or muffled treble; etc.
Why? Because the monitors used to mix these songs weren’t telling the truth. The path to hearing the truth is only achieved when you have the tools to make your monitors work with your studio acoustics.
Hear what you've been missing and create better mixes
Eris gives you the tools you need (and an easy to understand manual) so that you can acoustically tune your monitors to your room and your musical genre, hear what you've been missing, and produce better mixes.
- 4.5-inch Kevlar low-frequency transducer
- 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
- Optimized, resonance-suppressing internal bracing
- 100 dB maximum continuous SPL
- Professional adjustments fit the monitors to your studio and application
- Automatic protection from RF interference, output current limiting, over-temperature, transient and infrasonics
High quality components and flexible controls bring high definition sound to your studio
Solid construction and quality components for superior sound
As you expect from PreSonus, Eris active studio monitors deliver the goods through a combination of well-designed Kevlar low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls. But this is just the start; the real magic happens when the sound hits your ears. Plus, Eris are lightweight, compact and look as professional as they sound so you can feel comfortable adding them to your studio.
The controls you need for accurate playback in any studio environment
Acoustic Space tailors the frequency response of Eris to accommodate for for the three most studio common monitor placements. Midrange and High Frequency controls are designed to address situations when mixing in spaces with high reflective surfaces or acoustic treatment, and Low Cutoff helps coordinate the bass output of your Eris monitor system when used with Subwoofers like the Temblor T10. Lastly, Input Gain lets you optimize the signal-to-noise ratio of the audio coming into Eris through its three flexible input options (RCA, TRS, XLR).
Powerful enough for any studio, yet affordable enough for any budget
PreSonus products, including Eris active studio monitors, are used every day on radio, TV, streaming music, online videos, and movie and gaming soundtracks. PreSonus makes the technology that audio engineering professionals use to record, broadcast and deliver high fidelity audio yet Eris-series speakers remain ultra-affordable, making them a terrific value. And with three models, you can easily find the Eris monitor that best suits your studio needs.
|Eris E3.5 (Pair)||Eris E4.5 (Pair)||Eris E5||Eris E8||Eris E44||Eris E66|
|Type||2-way 3.5 inches Studio Monitors||2-way 4.5 inches Studio Monitors||2-way 5.25 inches Studio Monitor||2-way 8 inches Studio Monitor||2-Way 4.5 inches MTM Studio Monitor||2-Way 6.5 inches MTM Studio Monitor|
|Inputs||1- stereo 1/8 inch, 2- balanced ¼ inches TRS, 2- unbalanced RCA||1- stereo 1/8 inch, 2- balanced ¼ inches TRS, 2- unbalanced RCA||1- balanced XLR, 1- balanced ¼ inch TRS, 1- unbalanced RCA||1- balanced XLR, 1- balanced ¼ inch TRS, 1- unbalanced RCA||1- balanced XLR, 1- balanced ¼ inch TRS, 1- unbalanced RCA||1- balanced XLR, 1- balanced ¼ inch TRS, 1- unbalanced RCA|
|Frequency response||80 Hz - 20 kHz||70 Hz - 20 kHz||53 Hz - 22 kHz||35 Hz - 22 kHz||55 Hz - 22 kHz||45 Hz - 22 kHz|
|LF / HF amplifier power||25W per speaker (not biamped)||25W per speaker (not biamped)||45W / 35W||75W / 65W||50W / 35W||80W / 65W|
|Peak SPL (@ 1 meter)||100 dB||100 dB||102 dB||105 dB||103 dB||106 dB|
|LF / HF driver||3.5 inches Kevlar / 1 inch silk dome||4.5 inches Kevlar / 1 inch silk dome||5.25 inches Kevlar / 1 inch silk dome||8 inches Kevlar / 1.25 inch silk dome||Dual 4.5 inches Kevlar / Single 1.25 inch silk dome||Dual 6.5 inches Kevlar / Single 1.25 inch silk dome|
|EQ||High/mid variable control (-6 to +6dB)||High/mid variable control (-6 to +6dB)||High/mid variable control (-6 to +6dB)||High/mid variable control (-6 to +6dB)||High/mid variable control (-6 to +6dB)||High/mid variable control (-6 to +6dB)|
|Low cut||Flat, 80 Hz, 100 Hz||Flat, 80 Hz, 100 Hz||Flat, 80 Hz, 100 Hz||Flat, 80 Hz, 100 Hz||Flat, 80 Hz, 100 Hz|
|Acoustic space control||Flat, -2 dB, -4 dB||Flat, -2 dB, -4 dB||Flat, -2 dB, -4 dB||Flat, -2 dB, -4 dB||Flat, -2 dB, -4 dB|
|Dimensions||5.6 inches (w) x 6.4 inches (d) x 8.3 inches (h)||6.42 inches (w) x 7.09 inches (d) x 9.45 inches (h)||7 inches (w) x 7.68 inches (d) x 10.24 inches (h)||9.84 inches (w) x 11.77 inches (d) x 15.12 inches (h)||14.3 inches (w) x 7 inches (d) x 7 inches (h)||18.1 inches (w) x 8.5 inches (d) x 9.8 inches (h)|