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Presonus Eris E5 Pair - Pair of High-Definition 2-way 5.25 inch Near Field Studio Monitors
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- 5.25-inch (E5) / 8-inch (E8) Kevlar low-frequency transducer
- 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
- 70 (E5) /130 watt (E8), Class AB biamplification
- Front-firing acoustic port for superior bass-frequency reproduction
- Midrange (6 dB, continuously variable), HF (6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
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This item Presonus Eris E5 Pair - Pair of High-Definition 2-way 5.25 inch Near Field Studio Monitors
|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Sold By||Austin Bazaar||Pro Audio Land||Eat My Beats, Inc.||AMAZING-PRIME-AUDIO||Crazy Dave's Music||Amazon.com|
|Item Dimensions||20 x 20 x 20 in||12.5 x 22.5 x 17.3 in||13 x 22 x 30 in||28 x 28 x 28 in||15 x 25 x 11 in||16 x 14 x 21 in|
|Item Weight||10.2 lbs||25.8 lbs||47 lbs||53.45 lbs||33 lbs||28.8 lbs|
5.25-inch (E5) / 8-inch (E8) Kevlar low-frequency transducer 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer 70 (E5) /130 watt (E8), Class AB biamplification Front-firing acoustic port for superior bass-frequency reproduction Midrange (6 dB, continuously variable), HF (6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
Top customer reviews
I use them in my project studio in an apartment and they are perfect for that use. Nice clear bass and mids, not too harsh treble. I have them on stands at ear level and the stereo image is excellent.
I find them much better than the KRK/Alesis equivalents, and almost as good as the ADAMs in this size bracket, at a quarter of the cost.
One of the things I like is that protection comes out the box so I won't have to worry as much about replacing my near field monitors anytime soon whereas I already have replaced my original M-Audio AV30's and upgraded to the AV40, which in my mind, no doubt has about the same amount as time left on them. For all the audio production people I like to leave these monitors in the control room and use my M-Audio pair to work casually with but when it comes to the studio I can monitor audio on the loudspeaker or even just listen for an extended period without any fatigue which is thanks to a very accurate true high-definition detail.