Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Pretty Girls Mass Market Paperback – April 26, 2016
|New from||Used from|
This month's Book With Buzz: "Little Fires Everywhere" by Celeste Ng
From the bestselling author of Everything I Never Told You, a riveting novel that traces the intertwined fates of the picture - perfect Richardson family and the enigmatic mother and daughter who upend their lives. See more
Frequently bought together
Customers who bought this item also bought
An Amazon Best Book of October 2015: Karin Slaughter's new stand-alone novel grabs you from the start and doesn't let go - even after you turn the final page. While taking a break from her popular Will Trent and Sara Linton series, but staying true to form, Slaughter presents readers with a new set of complex characters masterfully woven together in Pretty Girls, a psychological thriller about a family torn apart by (almost) unspeakable tragedy. From the mind-blowing character of Paul, to the sweet and sensitive perspective of Julia's father, Slaughter leaves nothing left to be desired. There were more than a few times while reading Pretty Girls where I stopped myself, mid-page, taken aback - not just from the dark and twisted storyline unfolding before me, but also by the realization of how much I was loving every word. This book is certainly disturbing at times, shocking at others, and scary enough to have you checking over your shoulder while you read late into the night, unable to put it down. -- Penny Mann--This text refers to the Audio CD edition.
“The author’s trademark of complex plots coupled with character studies makes Pretty Girls another standout.” (Associated Press)
“Stunning family.... Certain to be a book of the year.” (Lee Child)
“Slaughter’s eye for detail and truth is unmatched. . . . I’d follow her anywhere.” (Gillian Flynn)
“One of the boldest thriller writers working today.” (Tess Gerritsen)
“Her characters, plot, and pacing are unrivaled among thriller writers.” (Michael Connelly)
“Breathtaking…. Fiction doesn’t get any better than this.” (Jeffery Deaver, New York Times-bestselling author of Solitude Creek and The Skin Collector)
“Searing, searching, soulful: a major achievement.” (Kathy Reichs, #1 New York Times-bestselling author of Speaking in Bones)
“A hell-raising thriller…a genuinely exciting narrative driven by strong-willed female characters who can’t wait around until the boys shake the lead out of their shoes.” (New York Times Book Review)
Top customer reviews
However, recently I was sent an ARC of Pretty Girls, a book that promised a deep mystery about a serial killer. I don’t know why, but I fell for it. One lazy afternoon, I curled up with it. At first, the premise was intriguing. A father of a missing daughter is writing a long letter to her, to let her know what she missed while absent. Not knowing whether she was dead or alive, he persisted. From that we see the rest of the family and how they reacted to the loss. Two remaining daughters go in different directions, forever marked from the loss and the constant wondering about her whereabouts.
The sisters, Claire and Lydia, are as different as possible. One tough and able, moving forward despite addiction issues and violence. The other, simply checking out of life to let her amazing husband make all decisions for her and spending her time as a socialite. Both women still seethe with rage but keep it hidden.
Now, stop if you are wary of spoilers. I won’t be too specific, but I will try and explain why this is one of the most appalling books I’ve ever read. Instead of giving up, I had to continue reading to see if it was truly as awful as I imagined. It was.
After Claire’s husband dies, her life unravels quickly, and it’s discovered that her husband was not as he seemed. She handles this by falling apart, finally reaching out to her distant sister Lydia (found urinating on his grave) to help her figure out what to do. From here the novel dissolves into a violence-soaked whodunit wherein both sisters fight and argue while at the same time trying to solve the problem and see if they can find their lost sister too. Improbability becomes the underlying theme.
Claire is an especially bizarre character: smart but without a shred of emotion (except tennis-invoked rage). She’s benign and boring, and her existence is pinned to her outrageous beauty. She’s unsympathetic and spoiled. Her beauty is mentioned endlessly, as Lydia's chubby body is as well. I'll get back to this, it's important!
What ensues next is an urgently-paced effort to find the killer, one who rapes women with machetes and uses waterboarding as torture with his own urine. Yes, you read that right. Branding, dismembering, burning skin: ho hum. It becomes so common, nearly every page, that one stops being shocked. And that’s what disturbed me the most. I felt sick, like I was contributing to such violence just by reading this. Was it giving potential serial killers ideas? Was this misogyny intended to make us reflect on the wonderful sisterhood that tries to rid the planet of the monster? Or reflect simply on horrifying images?
Did the female author find it necessary to use this to fuel our interest? To show that women are most often the victims of violent crime? Maybe she had a message, but it’s lost in the violence itself.
One thing I noted was that nearly all the women in the story face such brutality. They are graphically described by their body parts, what happens to them, and inventive ways to torture them. They are literally in pieces. Unlike anything you think you’ve seen on Forensic Files or any number of horror films. And they are categorized with generic labels: either beautiful, or fat, or well-dressed, or frumpy, or rich, or poor. No further explanation or revelation. Labels. From a female author, that was a surprise.
And yet, the men. The men in the story remain fully functional. Their bodies are not chipped away at. They are not described in such helpless positions with no way of escape. They remain whole, despite a whole bunch of women hanging from cattle hooks, disemboweled, and violated. In fact, the only real comment the author makes about the men in the novel is a strange obsession with their mustaches, commenting on nearly every single one. And they are not given superficial labels.
Of course, this “mystery” is of the “no one can be trusted” variety and yet very little makes it where you care. As it appears, beyond the suspension of disbelief, is that everyone is a criminal. It’s too vast a conspiracy with little explanation for how it began. Events in the first part are never tied to latter parts. Motive is what appears to be lacking.
The author then tries to solve it and tie it up in a few last improbable chapters that are actually laughable. The sisters try and save each in other in a last ditch effort at unity but are so dazzlingly naïve that you want to smack them yourself. It is refreshing that the problem is solved by two women rather than the inevitable bored male detective who usually comes in to save the day. But that's not enough to salvage this gory mess.
And of course, everyone lives happily ever after.
I’m off mystery novels like this now for a good long time, if not forever. A violent world surrounds us, so sinking into this sewer of ugliness is not going to make anyone feel good. Except perhaps a serial killer who is bored and looking to up his game (for which this may serve as a "how to" manual. It’s that awful. I don’t know how popular this author is, probably very, but in my small little voice I have to say what she’s written is disturbing and hateful and as misogynistic as anyone could be accused of being. She’s not done a service for women by creating characters that solve crime, she’s created women that are eternal victims, who even in their victory are disappointing and weak. That itself is a crime.
The author's last name? Slaughter. Go figure that one out. If it's a pseudonym, I can't imagine a more apt one.
Thanks, but no thanks, to Century Publishers for the Review Copy.
This book will grab you and not let go, and it will move faster and faster through all of the twists and turns, until you reach the climactic crescendo!!
Karin did it again.
Karin has a way of making you feel that you are right the middle of this frightening tale.
When a murder brings two estranged sisters back together secrets are discovered, and their lives are put in more danger. With no one to trust they go to find answers themselves.
This book didn’t have a hero. There was no need for one. Lydia and Claire didn’t need one. They just needed each other. Karin has always written women very well. Strong and no nonsense. From Sara Linton (Grant County/ Will Trent) to Kate and Maggie (Cop Town) and now Lydia and Claire. Claire may not have started strong but what counts is when she needed her back bone, she stepped up. I have to admit that my favorite time of year is when the time comes when an announcement comes of a new Karin Slaughter is going to be released.
Most recent customer reviews
It had a lot of twists and turns.
Was pretty gruesome and some details may be hard for some to read.Read more