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Priceless Jazz
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| Listen Now with Amazon Music |
|
Priceless Jazz 4: Johnny Hartman
"Please retry" | Amazon Music Unlimited |
| Price | New from | Used from |
|
MP3 Music, June 17, 1997
"Please retry" | $7.99 | — |
What do customers buy after viewing this item?
Track Listings
| 1 | They Say It's Wonderful |
| 2 | Dedicated To You |
| 3 | Lush Life |
| 4 | You Are Too Beautiful |
| 5 | In The Wee Small Hours Of The Morning |
| 6 | Don't You Know I Care (Or Don't You Care I Know) |
| 7 | If I'm Lucky |
| 8 | I Just Dropped By To Say Hello |
| 9 | How Sweet It Is To Be In Love |
| 10 | My Ship |
| 11 | The More I See You |
| 12 | These Foolish Things |
| 13 | Waltz For Debby |
| 14 | Let Me Love You |
Editorial Reviews
Priceless Jazz Collection is a compilation that intends to give neophytes an affordable introduction to Johnny Hartman's Impulse! recordings. Although purists and collectors will find this sampler incomplete and inconsequential, it nevertheless gives new listeners a good idea of Hartman's music during the '60s by featuring such fine cuts as "Lush Life," "These Foolish Things," "They Say It's Wonderful," "I Just Dropped By to Say Hello," and "In the Wee Small Hours of the Morning." ~ Leo Stanley, Rovi
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 5.5 x 4.94 x 0.45 inches; 3.25 Ounces
- Manufacturer : Impulse Records
- Date First Available : January 20, 2007
- Label : Impulse Records
- ASIN : B0000001WG
- Number of discs : 1
- Best Sellers Rank: #229,548 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #768 in Classic Broadway Vocalists
- #2,218 in Traditional Jazz & Ragtime (CDs & Vinyl)
- #3,243 in Vocal Jazz (CDs & Vinyl)
- Customer Reviews:
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Then, when I read Billy Collins' poem likening Hartman's voice to the smoke of a forgotten cigarette curling up from an ashtray sitting atop a baby grand piano in the dark hours of early morning (I hope I'm not doing the poem a terrible disservice - I don't have the words - or should I say lyrics - memorized; only the feelings the poetry stirs in me!), I could have died and gone straight to heaven. (Maybe I did.)
Johnny Hartman's Everything, and Billy Collins' Poetry-and-Everything, are a perfect fit. Buy this CD and get your hands on a copy of the slender, perfect book, "The Art of Drowning," and see what I mean.
It is a shame that Johnny Hartman was never as widely recognized for his wonderfulness as he most certainly should have been. He was and is the best. It's not fair to music lovers everywhere that he is no longer around to perform. Moreover, it is terribly unfair to me that I wasn't around to meet Johnny Hartman, and that Billy Collins is not my next door neighbor. We could talk about jazz and poetry and I would buy my sugar from a little shop in town, one cup at a time. To replace the cup I had borrowed the day before...
Having listened to him for a few months, I can tell that his voice works best with small bands. He didn't record many songs in front of big orchestras or lush, syrupy string sections. This is probably why he didn't achieve pop status and is identified more with purist jazz; it is also why his recordings sound more timeless. You do not have to be a jazz fan to love his album.
By all rights, Hartman should be as famous or more so than Tony Bennett, Johnny Mathis, Nat King Cole, and a dozen other "crooners" who, in my opinion, couldn't approach his incredible nuance and emotional power.
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