- Audible Audio Edition
- Listening Length: 13 hours and 21 minutes
- Program Type: Audiobook
- Version: Unabridged
- Publisher: BMA and British Classic Audio
- Audible.com Release Date: October 31, 2013
- Whispersync for Voice: Ready
- Language: English
- ASIN: B00GCF3BZI
- Amazon Best Sellers Rank:
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Pride and Prejudice - the 200th Anniversary Audio Edition Audible – Unabridged
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Top Customer Reviews
This new annotated edition appeals to modern readers on many levels beyond being a pretty package of a beloved classic. Austen is renowned for her witty dialogue and finely drawn characters, but not for her elaborate physical descriptions or historical context. When PRIDE AND PREJUDICE was originally published in 1813, this brevity was accessible to her contemporary readers who assumed the inferences, but after close to two hundred years words have changed their meaning, insinuations and subtle asides have become fuzzy, and cultural differences from Regency to twenty-first century are worlds apart. Anyone can read PRIDE AND PREJUDICE and follow the narrative, but it is so much more enjoyable if you can read it on an expanded level understanding it in social, cultural and historical context. Editor Patricia Meyer Spacks has not only added extensive notes on plot, characters, events, history, culture and critical analysis from a vast array of Austen and literary scholars, but added her own personal insights and observations from years of reading Austen and her experience as a college professor. From shoe roses to Fordyces Sermons to military floggings to the 19th-century meaning of condescension, readers will be informed and enlightened on every aspect related to the novel, the author and her times. In a nut shell, she has vetted great resources, gathered nuggets of knowledge and placed them at our feet.
As with all of Austen's characters, this new annotated edition of PRIDE AND PREJUDICE has its own charms, "frailties, foibles and follies." Weighing in at over three pounds, and encompassing 464 pages of unabridged text and fine print margin notes, this book easily reigns as the most all-inclusive and well-researched edition of Jane Austen's masterpiece that I have ever encountered. Considering that the elaborate annotation classifies it as a reference work in addition to a full text, it is quite puzzling that it lacks an index. In addition, the illustrations are expertly selected but sadly lost some of their refinement in the printing process, coming across dark and murky in places. However, I was pleased to see a list of further reading and illustration credits listed in the back of the book to encourage readers to "add something more substantial, in the improvement of [their] minds by extensive reading."
Beautiful, sumptuous and satisfying, PRIDE AND PREJUDICE: AN ANNOTATED EDITION is a monumental achievement that should be on the top of your holiday wish list and considered one of few editions available to be esteemed truly accomplished.
Laurel Ann, Austenprose
This is, I think, one of Jane Austen's less popular works, perhaps because there isn't a great deal of romance in it. It is, as I titled the review, more of a character study, as well as a study of society at that time. On first reading, I didn't care for the book or for Emma's self-centered goodness. After reading it again, I grew to enjoy the book as much if not more than her more popular works, like Pride and Prejudice. The wit is sharp as usual (and maybe slightly more ascerbic), and more thought seems to have been put into the secondary characters. Definitely worth a read.
The nature of Emma's flaw is essentially Austen's observation of the great failing of the upper-class: an assumption that what they think and do is inevitably correct. And although Emma is quick-witted, generous, and kind, she suffers the effect of this blind arrogance when she comes to believe that she is gifted as a matchmaker and can order the romantic lives of her circle to suit her own liking. The result is a series of seriocomic entanglements and disasters that touches virtually every one with whom Emma comes into contact.
The story requires considerable exposition, and consequently the action is slow to gather; add to this the fact that Emma herself is so overbearing and self-assured that you frequently want to give her a slap. The result is a novel that many, including Austen fans, will find an uphill read. Even so, Austen is writing very close to the peak of her powers here, and her amazing talent for observation, subtle irony, and flashing wit endow EMMA with tremendous charm and interest. In many respects a remarkable novel, but one that I recommend more to determined Austen fans than to casual readers.
GFT, Amazon Reviewer