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Prism Backdrops by Ravelli 10x12' (9x10.8’ after pre-shrinkage) White Muslin Photo Video Backdrop Background 100% Cotton
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- 100% Cotton Material 10x12’ size (9x10.8’ after pre-shrinkage treatment)
- Single Piece Seamless Design
- Stitched Edges
- Loose weave thick thread design
- 3.4" Rod Pocket
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This is a 100% cotton backdrop made from a loose weave pattern with relatively thick thread. This initial size of the fabric is 10x12’, but after heat treatment the actual size is approximately 9x10.8’. Prism Backdrops by Ravelli are offered in three standard sizes:
10X20' (actually 9X18', 5.7lbs)
10X12' (actually 9X10.8', 3.8lbs)
6X10' (actually 5.7X9', 1.9lbs)
The material is 100% cotton which can wrinkle significantly. 100% cotton offers very good photographic results, but some combination of hanging, spraying, ironing, steaming and/or photo editing may be necessary to deal with wrinkles and shadows.
100% cotton is also heavy and is a woven material. The weight can be excessive for some background stands. And the weave pattern can allow a certain amount of bleed through from background lighting. Prism Backdrops attempt to achieve the best possible balance of weight and light handling characteristics for the photographer.
All sides are stitched to avoid unraveling and a 3.4" rod pocket is sewn into the top. Each backdrop is folded and comes in a plastic bag to avoid moisture and stains and then each bag is packed in a cardboard box for shipping.
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LimoStudio Photo Video Studio 10Ft Adjustable Muslin Background Backdrop Support System Stand, AGG1112
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|Item Dimensions||—||5.25 x 5.25 x 35.25 in||9.57 x 16.06 x 2.17 in||3.9 x 10 x 17.1 in||1.5 x 8.4 x 13.3 in||2.2 x 15.7 x 19.9 in|
|Size||10x12' (9x10.8' after pre-shrinkage)||• Height Adjustable: Min 3.5 ft. - Max 8.5 ft. • Width Adjustable: Min 4.5 ft. (2 cross bars)- Max 10 ft. (4 cross bars)||—||10 x 12 Ft||6 X 9 Ft||—|
Top customer reviews
Technical details: A Camera: Panasonic HVX200 (P2), B Camera: Canon 7d. Shooting iso 320/f2.8. Foreground and BG were lit to the same stop (although you can light the screen 1 stop under to prevent spill). I recommend Kino flows (or any soft floresent) on the screen - I used 2 Diva Lights at 45 degrees each side and got perfect results. Action area was lit with a single Arri 650 through 4x4 silk. Arri 300 was the backlight. Fill was a 4x4 foamcore bounce. Worked out great. Green Screen was stretched over a PVC frame. Let it hang for 48 hours before shooting to get wrinkles out. Digital key was made by Adobe AE 5.5 using Keylight. Probably one of the easiest keys ever. Good Luck.
One nice touch is it includes a protective bag with plastic window to check color. They included a cheap keychain LED too! The only con is the backdrop edge "surge" stitching is a little sloppy. I'm impressed and would love to buy more Prism Backdrops once they come out with something other than black, white and Chromakey Green.
My particular screen did have a stitching issue that would be a problem if I was shooting all the way to my shoes, but since I film from the knee up and the stitching issue is located toward the bend at the ground level, this was not a concern. I have no doubt that if the stitching issue was higher up and I had returned it for a replacement, that it would have been fine as well.