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Comment: The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels.
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Private Life Paperback – June 14, 2011

3.5 out of 5 stars 122 customer reviews

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Editorial Reviews

Amazon.com Review

Questions for Jane Smiley on A Private Life

Q: Some of the characters in Private Life are based in part on members of your own family--your main character Margaret Mayfield on your great aunt, Frances See and Andrew Early on her infamous scientist husband Thomas Jefferson Jackson See, a naval astronomer whose increasingly implausible theories made him an outcast in the scientific community. Did you ever meet them?
A: I didn’t know my aunt at all, or her husband. She died when I was about two or three. She was my grandfather’s much older sister--he was the youngest of ten children and she was number two or three. But my mother and her siblings were quite fond of her. As for her husband, they thought he was just an eccentric family uncle, and I don’t think they realized how infamous he was in the physics establishment.

Q: How much of Margaret and Andrew draw from your aunt and uncle’s actual experience and how much is purely fictional?
A: There were only a few family stories that revealed personal details about them--for example that she drove an elderly Franklin and had a good sense of humor. My mother had visited her in the nineteen-forties, I think, and she remembered that my aunt loved Oriental art (a trait she shares with my character Margaret Mayfield). But almost everything else about Margaret is made up. I could not seem to get her sense of humor into the novel--the material was just too dark for me. My uncle is more famous, and there were plenty of stories about him--almost all of them revealing him as appallingly egomaniacal and obsessed. There was an article about him in a physics journal which described him, essentially, as the kind of scientist you were not supposed to be.

The important thing to remember is that Margaret and Andrew take some of their inspiration from these real people, but the story about them--that is, the plot of the novel--is entirely made up by me. All of the other characters and all of the events of the novel are fictional. For me, the center of the idea was in wondering what it would be like to be married to someone like Andrew, but there was no family evidence to say how my great-aunt felt about it. Just as one example, I had to prune both Margaret’s and Andrew’s family trees--both had countless brothers and sisters that would overwhelm a 300-page novel. I also had to concoct a fascinating mother for Andrew--but Mrs. Early is a theory on my part, not a portrait of anyone related to Thomas Jefferson Jackson See. While I was working on the novel, I thought of Henry James, and his fear of "developments"--that the inspiring material would proliferate and get out of control. I was also interested in the idea of Missouri and St. Louis at the end of the 19th century, after the Civil War and around the time of the World’s Fair. St. Louis is a beautiful but strange city. Because of climate and epidemics of disease, in the mid-19th century, it was considered one of the worst places in the U.S. to live, but it was actually very cosmopolitan and self-satisfied, with beautiful architecture and thriving commerce. Right in the center of things for some decades.

Q: Did you have to do any research into their lives? Into the science and astronomy that Andrew studies? Or the historical events this novel spans?
A: I visited their house in Vallejo and also Mare Island, where the U.S. Navy had a base and a ship-building yard from about 1850 through the Second World War, twice, and I also read about See. His Moon Capture theory was included in a book about the moon that was published a few years ago. He is a presence on the Web, but he is still considered too "Newtonian" to be respected for anything. The scandals in Dr. Andrew Early’s life are somewhat similar to the scandals in Dr. See’s life. The key for me was in trying to see things through his point of view--to make a logic system that made sense to him even though it didn’t make sense to anyone else. I think that it is easy for a novelist to understand a conspiracy theorist--the story gets bigger and bigger, and it all just fits together in one’s mind. The person creating the story simply cannot understand why it doesn’t make sense to others. I think the most telling article for me was a piece See published in the San Francisco Examiner called "The Ether Exists and I Have Seen It." The article was from about 1925, and included six-pointed figures See had drawn. Even to an English major like me, this was absurd. However, I think that if he were still alive, he would insist that he had predicted the discovery of Dark Matter.

Q: Andrew has all sorts of paranoid theories but he has a particular obsession with Albert Einstein who he believes is a fraud and also believes has come to California to spy on him (and on America). Why is he so fixated on Einstein?
A: I think if someone feels himself to be a great genius, then he is ready to joust with the one whom he considers his most dangerous rival. No one in Andrew’s life considers Andrew and Einstein to be on a par--except, of course, for Andrew. He becomes fixated on Einstein because he simply cannot accept Einstein’s ideas and can’t figure out how to stop them. He sees himself as a Lone Ranger type, preserving the truth from the encroachments of idiocy. There are so many novels and non-fiction works about geniuses who were right in the end. But what if the genius is not right in the end? There are more of those and Andrew is in that camp for certain.

Q: You have described this novel as "A parable of American life." What do you mean by that?
A: Andrew is a famous man and a genius. His town is proud to have produced him, and he is very conscious of his Americanness--he is the new man from the new world in the new century. And then he isn’t. But he never loses that sense of entitlement. Margaret seems to me like many well-meaning Americans who are caught up in the schemes of our more grandiose and overbearing citizens. What are they doing? How should we feel about it? Should we stop them? Can we stop them? If we can’t stop them, then what? When the people around you consider themselves visionaries, then you are in part responsible for their actions. That’s what I mean by her marriage being a parable of American life.

Q: You open the novel with the following quote from Rose Wilder Lane, "In those days all stories ended with the wedding." Why this quote?
A: Rose Wilder Lane wrote a book about growing up in 19th century Missouri called Old Home Town. She was an interesting woman in many ways--she was the daughter of Laura Ingalls Wilder, and a very busy, well traveled, and prolific newspaperwoman, beginning in about 1900. Some people think that she ghost-wrote the Little House series--if not, then she certainly helped write it. She later became a libertarian, and one of the originators of modern Libertarianism. If you look at her picture, she has a plain but interesting face. I used her as the inspiration for the character of Dora and adopted her into the rich side of my St. Louis family, and set her up in a house by Forest Park, and sent her to Europe. I am very fond of Dora, and I think she represents a certain type of liberated woman of her day.

The essential question of the book, I think, is "what does marriage mean?" In those days, the choices were pretty stark, and so there are several different marriages in the novel. Margaret’s sisters are desirable--Beatrice because she has a claim to a large property and Elizabeth because she is young and charming and has good connections. Dora and Margaret are less desirable, and so the one has a subtly arranged marriage, and the other takes advantage of Progressivism to not get married at all. But the previous generation suffers, too--Dora’s mother is held in contempt by her husband and Margaret’s mother is widowed early and suffers considerable hardship both married and as a widow. So the real theme of the novel is marriage--who do you marry, how is the marriage to be lived through, what does it feel like to, more or less, place a bet and then live with the consequences?

Actually, most women’s stories begin with the wedding, but that’s not the story most novels that Margaret might have been reading addressed. Even now, the novels that continue to be most beloved, like Pride and Prejudice, end with the wedding. For Margaret, reading does not offer her a way to think about her life as it changes or the problems that the 20th century presents. I don’t think these issues have disappeared, either. Marriage is more of a choice now, but the issue of how do you co-exist for a long time with someone who may be very idiosyncratic is still a big one.

(Photo © Mark Bennington)

--This text refers to the Hardcover edition.

From Booklist

In her latest novel, after Ten Days in the Hills (2007), the Pulitzer Prize–winning author offers a cold-eyed view of the compromises required by marriage while also providing an intimate portrait of life in the Midwest and West during the years 1883–1942. By the time she reaches the age of 27, Margaret Mayfield has known a lot of tragedy in her life. She has lost two brothers, one to an accident, the other to illness, as well as her father, who committed suicide. Her strong-minded mother, Lavinia, knows that her daughter’s prospects for marriage are dim and takes every opportunity to encourage Margaret’s friendship with eccentric scientist Andrew Early. When the two marry and move to a naval base in San Francisco, Margaret becomes more than Andrew’s helpmeet—she is also his cook, driver, and typist as well as the captive audience for his rants against Einstein and his own quirky theories about the universe. As Smiley covers in absorbing detail both private and world events—a lovely Missouri wedding, the chaos of the 1906 San Francisco earthquake, the wrenching death of a baby—she keeps at the center of the narrative Margaret’s growing realization that she has married a madman and her subsequent attempts to deal with her marriage by becoming adept at “the neutral smile, the moment of patient silence,” before giving in to bitterness. Smiley casts a gimlet eye on the institution of marriage even as she offers a fascinating glimpse of a distant era. --Joanne Wilkinson --This text refers to the Hardcover edition.

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Product Details

  • Paperback: 416 pages
  • Publisher: Anchor (June 14, 2011)
  • Language: English
  • ISBN-10: 1400033195
  • ISBN-13: 978-1400033195
  • Product Dimensions: 5.2 x 0.9 x 8 inches
  • Shipping Weight: 12.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (122 customer reviews)
  • Amazon Best Sellers Rank: #464,959 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By delicateflower152 TOP 500 REVIEWERVINE VOICE on April 23, 2010
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
In "Private Life," Jane Smiley has presented readers with another beautifully crafted novel. The tone of the book is reminiscent of Sinclair Lewis' works; its texture and atmosphere are solidly middle-American. "Private Life" is the story of a marriage and the resulting disillusionment experienced when the wife sees her husband for what he really is. What she thought was a private life is, in reality, a life of quiet desperation in which she has subordinated herself to the myopic vision her husband espouses. The author draws back the curtain on everyday characters' lives to reveal deeper truths about those individuals and, as a result, the reader may be prodded into reexamining his/her own life choices.

Both the prologue and epilogue are set in 1942, but the majority of the novel's action occurs during the period between 1883 and that date. In order to appreciate the plot, one must keep in mind the status of women during those years. Margaret Mayfield, the daughter of a doctor who committed suicide, is his oldest surviving child; her two sisters are more beautiful and considered more marriageable than she. Margaret is a bookish, but not brilliant; personable, but lacking a dynamic personality. Lavinia Mayfield, Margaret's mother, daughter of John Gentry a Missouri farmer, is ever mindful of the advantages of a "good marriage." Dr. Andrew Jackson Jefferson Early, a Navy Captain and PhD, and Montgomery County's (MO) most famous son fits the bill. Margaret, conforming to the dictates of societal norms, accepts his marriage proposal. Following their marriage, the two move to Mare Island Naval Shipyard in California where Captain Early is in charge of a small observatory.
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I just finished Private Life and then read a number of reviews (not just on Amazon). I am always struck by how contemporary readers judge women characters and their lives by current standards. The amazing thing about Private Life is how beautifully Jane Smiley (as always) has depicted a woman whose sensibilities are far from our own. Her main character is not entitled, she is not confident, she is obedient and has none of the brilliant expectations women have for their lives in our world. But even as an entitled, educated woman who has and had my own brilliant expectations for my life, I found Margaret Mayfield Early's life poignant and full of meaning. Maybe it is because I'm in my fifties and was married to a certain kind of workaholic, maybe because -- with all my self-assertion and my wonderful children and outgoing personality so different than Margaret's -- I have regrets like she does. One theme of the negative reviews I just read is that she is too much of a milquetoast and her life is dull, but anyone who has run a household can tell you that the little things that make for contentment are not necessarily the stuff of action or excitement. There's a passage in the book where Margaret follows the upbringing of some birds. She is told constantly what ordinary birds they are and yet she is so moved by them. No, not the stuff of summer blockbusters... But just what it should have been. My appreciation to Jane Smiley for taking me again to a world I could learn from.
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At first, after the prologue, I felt like the narrative was a bit draggy and fussy, as if somebody's grandmother were telling the story--then I got it: it is supposed to be as if someone of the time (who that is becomes clear at the very end) is telling the story. The reminiscence-like digressions and extreme attention to things like domestic details started to make sense--and then the story drew me in. This is the anti-Jane Austen--that, as a quotation suggests, in real life, things don't stop after you snag a wealthy husband. Captain Early is not so much Mr. Darcy as Mr. Rochester in demeanor, and the story feels very true-to-life, unlike the has-a-madwoman-in-the-attic-but-just-needs-the-love-of-a-good-woman stories promulgated for a good two hundred years, now. In fact, Margaret, our heroine, is a "good woman"--the sort of long-suffering wife usually relegated to the periphery. Auden said it well in Musee des Beaux Arts: suffering takes place on the edges while everyone else is living his life--his private life. We see Margaret's private life--and an interesting person she is, too.

We have here a very accurate, insightful portrait of what it must have been like to be a smart, but otherwise traditional woman in middle America at the turn of the last century--not a superstar--just smart enough, but not unusually assertive for her time--just a typically socialized example. She marries a mad, abrasive, pompous fool of a professor who many of us will recognize--the sort of flawed genius who burns bridges and offends wherever he goes. It is a delicious pleasure for the modern reader to see both how nutty he was, and how prescient. Smiley knows her academic whack jobs, for sure! Other perfectly historically accurate references are made, such as to the medicinal properties of hemp, that we will smirk at today.

Jane Smiley has given a voice to the overlooked, mousey "sainted wife." Brava!
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Private Life

"Private" refers to that which belongs to one's self; something that is not expressed openly but is recognized by the person. This book was less about private life and more about repressed memories, hopes, anger and the dynamics that foster denial. Margaret attempted to move beyond the traditions and expectations of her family and society but lacked the confidence or the support to make much headway. The reader has far more understanding of Margaret's inner life than she does, revealed in her response to Alexander's death, the family of coots, the process of learning to drive, her appreciation of Japanese art, the demands of her increasingly obsessive husband and the absence of a socially acceptable means of making sense of the world. Smiley's theme of women struggling to escape the trap of social convention is reminiscent of Kate Chopin's writing (one of the historical characters appearing in this novel) but while she addresses a similar feminist theme, Chopin's work is far more satisfying. The bleak wordiness of the book creates a sense of suffocating tedium and simmering bitterness, as well as making it rather tiresome. Not an exciting page turner, not enjoyable, but adequately thought provoking.
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