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Prometheus (Blu-ray 3D/ Blu-ray/ DVD/ Digital Copy)
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| Genre | Action & Adventure |
| Format | AC-3, Box set, Collector's Edition, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen, Digital_copy See more |
| Contributor | Ridley Scott, Guy Pearce, Idris Elba, Logan Marshall-Green, Noomi Rapace, Michael Fassbender, Charlize Theron See more |
| Language | English, French |
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Product Description
Product Description
Note :Digital copy code printed on the item does not expire irrespective of Expiry date mentioned on the item. Legendary director Ridley Scott (Alien, Blade Runner) returns to his sci-fi origins in this epic adventure bursting with spectacular action and mind-blowing visual effects. A team of scientists and explorers travels to the darkest corners of the universe searching for the origins of human life. Instead they find a dark, twisted world that hides a terrifying threat capable of destroying them...and all mankind!
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You want an alien world created anew, with wonders and horrors lurking in its furrows? You go to Ridley Scott, of course, spectacle maker and pictorialist par excellence. So Prometheus is bound to be eye filling, with fully wrought planetary vistas and occasionally jaw-dropping visual coups. And did we use the word alien back there? Yes, folks, Prometheus is a prequel, in a sideways sort of fashion, to Scott's 1979 Alien original--or at least it's a long-distant stage setter for that story. This one begins with a space mission that could reveal the extraterrestrial roots of Earth, although what's buried out on the planet turns out to be much more complicated than expected. In the midst of suspenseful episodes (and a few contrived plot turns), Prometheus reaches for Big Answers to Big Questions, in a grand old sci-fi tradition. This lends the movie a hint of metaphysical energy, even if Scott's reach extends well, well beyond his grasp. The hokier moments are carried off with brio by Michael Fassbender (the robot on board), Charlize Theron, and Idris Elba, and then you've got Noomi Rapace entering the badass hall of fame for a long, oh-no-they-didn't sequence involving radical surgery, which might just induce the vapors in a few viewers. Even if Prometheus has its holes, the sheer size of the thing is exciting to be around. Because this movie is gigantic. --Robert Horton.
A team of scientists journey through the universe on the spaceship "Prometheus" on a voyage to investigate Alien life forms. The team of scientists becomes stranded on an Alien world, and as they struggle to survive it becomes clear that the horrors they experience are not just a threat to themselves, but to all of mankind. - WellardRockard
Synopsis
A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
Meet the Characters
Elizabeth Shaw View largerShaw, an archaeologist, discovers a clue to the origins of mankind on Earth, leading her and a team of scientists and explorers on a thrilling journey, aboard the spaceship Prometheus, to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race. Shaw and her team aboard the Prometheus are on nothing less than a journey to discover answers to some of life’s most profound questions. She is a scientist filled with faith and hope, but who transforms into a warrior when faced with the danger she encounters at her destination.
Michael Fassbender as David View larger Michael Fassbender as David enjoyed a phenomenal run of critically acclaimed performances in 2011 and 2012, garnering numerous accolades and awards. The National Board of Review awarded Fassbender the Spotlight Award, and the Los Angeles Film Critics Association named him Best Actor for his performances in Shame and Davide Cronenberg’s drama A Dangerous Method, in which Fassbender plays Carl Jung opposite Keira Knightley and Viggo Mortensen. Fassbender was also recently seen in Matthew Vaughn’s X-Men: First Class, as Erik Lehnsherr, better known as super-villain Magneto; as Rochester in Cary Joji Fukunaga’s Jane Eyre; and as an assassin opposite Ewan McGregor and Gina Carano in Steven Soderbergh’s Haywire. Fassbender is a graduate of London's prestigious Drama Centre. His breakthrough role came as Sgt. Burton "Pat" Christenson in HBO's epic, award-winning miniseries Band of Brothers.
David is an android creation of Weyland Industries. While David possesses extraordinary intelligence and other capabilities, his principal tasks aboard the Prometheus are servile. David is however far more “human” than one might expect of a synthetic person. He is jealous and arrogant because he realizes that his knowledge is all-encompassing and therefore he is superior to the human crew members. David’s allegiances are unclear, and he can be very bold in the decisions he makes.
Meredith Vickers View larger Charlize Theron as Meredith Vickers demands the audience’s full attention as soon as she appears on screen. This South African captivated audiences as female serial killer Aileen Wuornos in the independent gem Monster. Charlize’s feature film debut was MGM’s 2 Days in the Valley, with Jeff Daniels. In 2001, Theron starred in the Warner Bros. tearjerker Sweet November alongside Keanu Reeves, as well as in Woody Allen’s Curse of the Jade Scorpion. In 2002 Theron starred opposite Patrick Swayze and Billy Bob Thornton in Waking Up in Reno, and opposite Kevin Bacon, Courtney Love, and Dakota Fanning in the feature film Trapped, directed by Luis Mandoki.
Vickers is a “suit” representing the interests of the mega-corporation funding the Prometheus’ journey to a distant, foreboding world. Her perspective on the mission is at odds with the rest of the crew’s. For Vickers, this epic, two-year journey to a distant planet has been boiled down to economics. But as with so much else about the mission, there are deeper layers and mysteries to Vickers’ ultimate goals.
Logan Marshall-Green as Charlie Holloway View larger Logan Marshall-Green as Charlie Holloway ) appeared on the big screen in Devil, produced by M. Night Shyamalan. He is best-known to film audiences for playing radical activist Paco in Julie Taymor’s Across the Universe. He has also co-starred in the films Brooklyn’s Finest, The Kindness of Strangers and The Great Raid. A graduate of New York University’s Tisch Graduate Acting Program and a prolific stage actor, Marshall-Green earned a Drama League nomination for his work in King Lear with Kevin Klein at the Public Theatre, and Greg Kotis' Pig Farm at the Roundabout Theatre off-Broadway. He earned Lortel Award nominations for his performances in Dog Sees God and Neil LaBute's The Distance from Here, the latter also earning him a Drama Desk Ensemble Award.
Holloway is Shaw’s partner, both personally and professionally, in a quest for answers to some of humanity’s most important questions. Like Shaw, Holloway is a scientist with a thirst for answers, but he thinks the end of their search will yield very different results from those Shaw expects. While Shaw is the heart of the search, Holloway is its guts. He is constantly pushing the envelope, going to the extreme in everything he does. He is driven by the thrill of the quest.
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Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 0.01 Ounces
- Director : Ridley Scott
- Media Format : AC-3, Box set, Collector's Edition, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen, Digital_copy
- Release date : October 9, 2012
- Actors : Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba, Guy Pearce
- Dubbed: : Spanish, French
- Subtitles: : English, French, Spanish
- Studio : 20th Century Fox
- ASIN : B0085Z8F4A
- Number of discs : 4
- Best Sellers Rank: #12,413 in Movies & TV (See Top 100 in Movies & TV)
- #1,494 in Action & Adventure Blu-ray Discs
- Customer Reviews:
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviewed in the United States on July 21, 2022
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MINOR SPOILERS BELOW
When I first heard about the concept of aliens creating men, I was worried. However, it's important not to take the science in the film too seriously. Even Ridley Scott says this isn't a science class. It is kind of silly that these large humanoid aliens called the "Engineers" (or Space Jockeys for fans of the original Alien) created humans. The film even points out the ridiculousness of the concept when the biologist jokes it would throw out "300 years of Darwinism." In watching the movie, it becomes clear pretty quickly that the plot is a device to answer philosophical questions about the nature of God, creation, and death. The atmosphere and story during the first half of the movie is great.
The acting is also surprisingly good. Other reviewers have gone on about how good the big three - Michael Fassbender, Noomi Rapace, and Charlize Theron - are, so all I'll say is that I really enjoyed their performances. Fassbender's performance as the android is stunning in how calmly chilling he is. Some of his lines were so cruel, yet so innocently recited, that I want to rematch the movie just to see him. Most of the other characters I thought were fine, with some exceptions (particularly Noomi Rapace's character's husband who came off as a lame Ashton Kutcher wannabe).
The problem with the movie is that its exploration of these themes and acting are hampered by action/horror scenes that clearly weren't well thought out. As other reviewers noted, many of the deaths are caused by characters making stupid decisions. Many reviewers have criticized the crew for taking off their helmets, which at first is fine because one would expect that alien microbes would not be able to infect humans. However, once it was apparent that the Space Jockey DNA was the same as humans AND that one of the crew members was infected, they still continue to take their helmets off! Other stupid decisions include the biologist's attempt to pet a snake; the captain's decision to open the ship's door when a crew member's signal is detected without receiving audio confirmation from him; and the fact that the characters can only run straight to avoid a rolling ship. Overall, the action scenes seem like they were a symptom of today's brain dead Hollywood.
For me, the biggest drawback to the movie was pacing. The beginning was slow, which was fine by me. However, when the action starts, it never really slows down. The audience isn't given time to breathe and absorb. The tension never really builds. For example, after Noomi Rapace's infamous scene, she runs down the hallways and has a conversation with the crew, and then they go try to communicate with the Space Jockeys. First of all, the fact that Rapace's character doesn't even inform the other crew members about what happened to her is ridiculous. But then the movie switches gears so quickly that it's like it never happened. Rapace's character is clearly hurting from the encounter, but not as much as she probably would in real life.
Another major problem is that the film leaves a lot of questions unanswered. I'm not an Alien fanboy - I don't need to know every detail about the Space Jockey's origins. However, major plot points that are (deliberately) left open, setting it up for a sequel. I like some mystery, but for most viewers the movie will seem incomplete or ridiculous. For example, as many other reviewers have noted, it seems pretty stupid for one of the Space Jockey's, presumably an intelligent alien species, to simply start killing humans, arguably an intelligent species, when he wakes up after sleeping for 2,000 years. The film hints that there might be a reason why the Space Jockeys hate humans so much, but you'd think he would at least be confused at seeing humans or worried that they were able to travel so far. As it is the Space Jockey's actions look more like Hollywood's attempt to throw in some mindless violence. Maybe it'll all make sense after we see the inevitable sequel, but too much of it just doesn't seem to have been thought through very clearly.
Overall, if you like sci-fi, especially the Alien franchise, Prometheus is well worth seeing. Don't set your expectations too high, and be willing to accept some thoughtless plot points. I'd give the movie 3 stars. If Ridley Scott and his scriptwriters had put a bit more thought into the plot, it could have been so much more.
UPDATE on Blu-Ray (10/15/12):
My initial review was a bit harsh, but upon rewatching the movie I think it was eminently justified. While there are some interesting philosophical concepts, they're buried deep beneath stupid characters and poor scriptwriting. The contrast with Scott's Alien, which I also recently rewatched, is telling. Alien never pulled me out of the movie and the characters seemed utterly believable. It's just a shame Prometheus didn't quite work on that level.
The blu-ray set comes with all the standard deleted scenes, making-of documentaries, and commentaries. The deleted scenes are definitely the highlight. As happens so often, I wonder why they were deleted. The deleted version of the Fiefield fight uses a much more interesting Fiefield monster concept than the ugly guy we saw in the film. Also, Vickers has a few compelling character moments in the deleted scenes. Even the Engineer has more character. The deleted scene gives him a very compelling reason for attacking the Promtheus crew, whereas in the finished film he seems like a mindless brute. In short, Prometheus would have been a much better movie with these scenes incorporated.
The 4-disc set comes with even more impressive special features, particularly the 3-hour "The Furious Gods". This is the documentary that the ads claim will "answer" the questions left from the film's plot holes. While that goes a bit too far, "The Furious Gods" is rich in content. I enjoyed hearing about the making of the movie, from beginning to end. It is definitely revealing, both in good ways and bad, However, I really don't like the idea of "enhancement pods", which essentially require you to interrupt the documentary in order to watch shorter featurettes. I'd have preferred if the short featurettes were simply part of the feature documentary.
One indicator of how incomplete things seem is that the very old billionaire, Peter Weyland, is played by a fine middle aged actor, Guy Pearce, but we never see him younger in flashbacks, which were probably cut from the final editing. Without giving too much away, the Peter Weyland character adds very little to the story aside from being the person who funds the mission.
I sensed something was seriously out of joint when the "away team" enters the cavernous artifact. After encountering something just a bit squeamish, the geologist Fifield (Sean Harris) and biologist Milburn (Rafe Spall) decide to return to the Prometheus (the name of the humans' interstellar space ship.) The remaining team does a fair amount of exploring. Among other things, they see a hologram of the intelligent giants, drawings of whom they found on Earth. they are seeking running from some unseen danger. I saw no clue to what triggered the hologram. Following the hologram, they find the decapitated head of one of the giants (as opposed to the 'aliens' we encountered in earlier films).
The captain of the Prometheus sends them a message that a serious storm is approaching. The team, with the usual annoyingly distracting side efforts which slow them down, reach the entrance and begin driving their vehicles back to the ship. But, and here the train falls off the track, never to return, we find Fifield and Milburn still in the artifact, when they said they were returning to the ship. They found some kind of life which intrigued the biologist. But why didn't the team returning to the ship notice that none of their vehicles were gone. Why did they leave the other two behind? Somehow, the two truants don't get the warning about the storm, or ignore it, so they become stuck in the artifact.
There are loose ends aplenty with the alien fauna on this desolate world. My expectation coming in was that the film would explore the origins of two creatures, the "Alien" and the race of the giant pilot discovered by the crew of the mining ship Nostromo in "Alien". We meet the giants soon enough, but we also encounter at least three other life forms which have a passing resemblance to THE Alien, but their connection to the life cycle of the Alien is never explained.
I'm entering dangerous "spoiler" territory now, so I will not discuss any more of the plot except to say that there are a number of unexplained events. Mysteries are great in the middle of the film, but one expects most of these to be wrapped up and revealed at the end of the picture. Many are not, leaving a huge jumping off point for a sequel to "Prometheus".
Part of the special attraction of this story is that the audience knows full well what will eventually happen, so there is a lot of mental "don't go there" and "don't do that" moments, because we already know what things that look like that can do. The problem with that is that there is too much "quoting" from "Alien" for my tastes. Most of it is done relatively well, but it becomes more and more obvious as time goes on, and increasingly annoying. There is also ample quoting from other major Sci Fi movies such as 2001: A Space Odyssey (both in situations and in dialogue). There are also some subtle cinematic (visual) quotes from "Avatar" and "Jurassic Park".
One of the bright spots, aside from the imaginative, well done CGI and cinematography, is the acting, which I always thought was a weak spot in "Alien". The crewmen, such as Captain Idris Elba, are spot on (unlike Yahpet Kotto in "Alien"). Instead of the strong Ellen Ripley character, we have the physically smaller and less imposing archaeologist, Elizabeth Shaw (Noomi Rapace) who sports a convincing English accent as the lead character. Charlize Theron's character is restrained and unlikable. Like both Scott and Cameron's "Alien" and "Aliens", this movie has an android (artificial person) as a principal character, in a role much fuller than in the earlier movies. The only thing which distinguishes 'David', Michael Fassbender's android from Scott's earlier android Ash (Ian Holm, Alien) and Cameron's Bishop (Lance Hendrickson, Aliens)is that David is ever so slightly stilted, somewhat like Data from "Startrek, The Next Generation."
I will give this the benefit of the doubt for now, but I found a strong disjoint in the rationale between two early scenes and the climax. I sense Scott wanted to leave plenty of meat on the bone to support a sequel. (In contrast, Avatar is almost totally devoid of preparation for a sequel I suspect I will need to revisit this review after seeing the film again. If my suspicion about gaps and disconnects is born out, I may have to lower my rating to 3 stars.
Top reviews from other countries
It was shiny and I could see my face in it. It scared me. God I'm starting to look ugly.
I'm also getting board writing all these reviews. Who is paying me for all this?
Disk was in good order fitted through my letter box which pleased the postman not having to knock and talk to me.
The film played and the disk was not broken like the one it replaced.
Sadly this format is fast becoming obsolete so was interrogated by one of my sons as to why I had brought it.
I've no idea what he is talking about. This is still the future for me.
I recommend this film to people who may be slightly old and over-tired.
It arrived at the address provided so good service.
Generally, scientists have above-average intelligence and, conventionally, pilots and captains due to their training, are not prone to nervousness or panic attacks in stressful situations. But for some reason, Ridley Scot has thrown out these conventions and so his characters act as stupid and as accident prone in the extreme. Let's be honest, no one would employ these frightened intellectually stunted people for a mission into deep space onboard a highly complex multi-billion dollar spaceship. Their skittish temperament and scatter-brain personality is too much of a liability to the safety of the ship and crew (and this plays out in the movie as you'd expect). There's no horror here except the horror of being retarded. I also pity the artists and craftspeople who put so much effort and time into making this film only for the director to spoil it. Sadly, it's a far cry from the brilliance of Scott's earlier work, namely Alien.
The strong central character of Elizabeth Shaw holds it together really. She is the new Ripley. Interesting to see the origins of how the Alien monster developed. If you’ve no knowledge of the other Aliens film or have no previous attachment, this could be a tough watch.
Splits the room this film, but I loved it. Great soundtrack too.


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