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Prometheus
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| Price | New from | Used from |
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Vinyl, Limited Edition, July 22, 2016
"Please retry" | — | $179.29 |
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Track Listings
| 1 | A Planet |
| 2 | Going In |
| 3 | Engineers |
| 4 | Life |
| 5 | Weyland |
| 6 | Discovery |
| 7 | Not Human |
| 8 | Too Close |
| 9 | Try Harder |
| 10 | David |
| 11 | Hammerpede |
| 12 | We Were Right |
| 13 | Earth |
| 14 | Infected |
| 15 | Hyper Sleep |
| 16 | Small Beginnings |
| 17 | Hello Mommy |
| 18 | Friend From The Past |
| 19 | Dazed |
| 20 | Space Jockey |
| 21 | Collision |
| 22 | Debris |
| 23 | Planting The Seed |
| 24 | Invitation |
| 25 | Birth |
Editorial Reviews
Since working as music supervisor on Ridley's Scott's 2005 film, Kingdom Of Heaven, Scott has called on Marc Streitenfeld to score all of his subsequent movies including A Good Year, Body Of Lies, Robin Hood and American Gangster, for which he was nominated for a BAFTA. Prior to his work as a composer, Streitenfeld had collaborated with Scott as music editor, music supervisor and technical score advisor on several projects, including Matchstick Men, Black Hawk Down and Gladiator.
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.59 x 4.94 x 0.4 inches; 3.52 Ounces
- Manufacturer : SONY MASTERWORKS
- Original Release Date : 2012
- Run time : 57 minutes
- SPARS Code : DDD
- Date First Available : April 11, 2012
- Label : SONY MASTERWORKS
- ASIN : B007TBCTRK
- Number of discs : 1
- Best Sellers Rank: #57,742 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #692 in Movie Scores (CDs & Vinyl)
- #1,236 in Movie Soundtracks (CDs & Vinyl)
- #35,253 in Pop (CDs & Vinyl)
- Customer Reviews:
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Top reviews from the United States
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When I bought the album, it was a bit disconcerting to find the track order was changed. I found that this was for the better, though. "A Planet", the first track, contains the most complete version of the film's main theme. It is beautiful, with a true sense of exploring the unknown, with all the wonder and fright that goes along with it.
The rest of the soundtrack builds on this theme, at times moving, other times aggressively creepy. Songs like "Going In" and "Infected" (the two that caught my attention in the film) are moody and ambient. Their subtlety gives them strength, using a repeated series of notes, low and dark, to push the songs through to completion.
Other tracks, like "Life" and "Space Jockey", are bigger and more epic experiences. They are simple, yet undeniably effective. Marc never goes too big. He keeps it close to home, letting emotion seep into these tracks, and they are nice changes from the usual bombastic music that seems to be crowding the films in theaters these days.
"Collision", which I feel to be the crowning piece on this score, takes the main theme and starts low, constantly building and "edging" its way to the climax, where it finally unleashes the most thrilling version of the theme yet. It conveys hope, inevitability, and heroism, all in this slow-burning piece, perfectly fitting the character's emotions onscreen.
If you've seen the film, I highly recommend getting this item. It's a nice change of pace from the blockbuster soundtracks I've heard recently (Transformers, Avengers), and it is darkly stirring and emotionally rousing. A great listen all around!
Prometheus' score is such a complex soundscape of different layers, tones and melodies that all blend into this mysteriously wonderful terror. It's clear that Harry was brought in to give the film some big cosmic and existential theme, which is what he did. A theme that is referenced a few times throughout the film. It serves as an anchoring point but it blends so perfectly with what Streitenfeld did. Clearly Streitenfeld and Harry worked together on this one as you can hear this motif in the track "Earth", which is credited to Streitenfeld. So to say that Harry "rescued" the film is completely inaccurate. The other 99% of the score by Streitenfeld is dark, brooding and at times thrilling. The music builds on you and is never boring. The score is structured almost perfectly and in the film it plays such a major role as music always does in a Ridley Scott film. The subtle undertones work very well as do the big overt cues. The film is driven by the score and as a musically conscious viewer I felt this score working over me every step of the way. It builds such a solid universe and it feels brand new. Streitenfeld references Jerry Goldsmith's Alien theme ever so slightly in "Friend From The Past"; a perfect track title.
Prometheus is a splendid wonder of brilliant scoring. It hits all the right beats and shows how talented the young Marc Streitenfeld is when it comes to hitting the right emotions. Harry's wondrous theme doesn't steal the show as some people may lead you to believe. It serves as a perfect accent to the already masterful score. Prometheus is a richly composed score that holds this great beast of a film together.
There are also two pieces by Harry Gregson-Williams on this CD.
One track, #18, "Friend From The Past," "contains the 'Theme From Alien' composed by (the Master Himself) Jerry Goldsmith." (See Alien soundtrack review for Goldsmith's experience with Sir Ridley creating the "Alien" soundtrack in the late 1970's)
If you are into movie soundtracks, this CD is a must have.
Top reviews from other countries
There are 25 tracks in total so I won't go into every one in detail. Some standout action tracks for me included "Collision" (Track 21) with a great buildup and choir at the end for extra punch. The penultimate track "Invitation" (Track 24) was also sublime. Some of the action/suspense tracks were also nicely done - "Not Human" (Track 7) has some eery writing and nice mutated effects. "Space Jockey" (Track 20) was evil but epic and one of my favourites on the album.
The tracks which were purely suspense (e.g. Planting the Seed (Track 23) and finale track "Birth" (Track 25)) were well done, but does not make for a particularly good listening experience - I guess that's the point though. I think tracks like this work better within the film rather than on album but that might just be me.
I should note that Harry Gregson-Williams (a brilliant British composer who had worked with Ridley Scott before on Kingdom of Heaven) wrote two tracks, "Life" (Track 4) and "We Were Right" (Track 12). Both of these tracks were exquisite, particularly "We Were Right", which is bleak, haunting and yet orchestrally stunning at the same time. Also, "Friend From The Past" (Track 18) pays homage to one of Jerry Goldsmith's themes from the original Alien film, and was a rather nice touch. From a production perspective, the sound quality is fantastic as you would expect.
One word of caution - the score lasts for just over 57 minutes. Given that the film is over two hours in length there will be music within the film that has not made it on to the album. If you are after a specific cue, it might be worth hunting down some track samples (at the time of writing there aren't any samples on Amazon itself).
The only criticism comes in the form of the track lengths. The number of tracks present means the majority of the tracks are short - only 4 out of the 25 are over 3 minutes in length and some tracks feel like they have a bit of abrupt end (as if they have been shortened for the album release). That said, this was not a major issue.
Overall, this is a score that has many different styles that will appeal to some people and not others. Some of the suspense tracks do not make for particularly pleasant listening experience on their own, but those that incorporate some more action based material are better in my opinion. The standout cues for me were those that were slightly slower in pace but were orchestrally majestic of which there are many. The tracks by HGW and the homage to Goldsmith were also brilliant. For those who enjoyed it within the film, it also makes for a great standalone listen. I would be lying if every track was easy to, but as a whole, I don't think Streitenfeld (or HGW) could have done a better job. Anything less than 5* would be a disservice.
had the film been better than the promo on tv it answered many questions
just it left many unanswered the sound track music was ace one thee
most haunting themes ive heard in years briliant all round
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