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4.0 out of 5 starsgentle and slow development of solid relationships and connections
ByGaeleon April 3, 2014
My first introduction to Weisgarber’s name came with her Orange Award nominations: like many book reviewers, my TBR pile is out of control, so I haven’t yet opened my copy of The Personal History of Rachel DuPree, much to my embarrassment. But, rectifying that, I am pleased to have been granted early access to this title via Skyhorse Publishing through Edelweiss.
Fitting nicely into my obsession with all things historical, travel back to turn of the 20th century, prior to the depression, motorcars or the devastation of the two World Wars. Catherine is a young, unmarried woman quite popular in the social-climbing Dayton in which she lives. Facing the devastation to her reputation after a situation involving a married man, Catherine needs to find an out. She takes up correspondence with a former admirer, and believing that he is her last hope before a final fall to ruin, she travels to Galveston Texas to make a life with the recently widowed farmer, Oscar.
Catherine is a bit of a self-centered cat as the story starts, as the details of her indiscretion are revealed, readers are left to use their own judgment as to whether it was truly innocent, or there are depths that this young woman conceals from all who truly know her. Vastly different from Dayton, the remote island, climate, lack of conveniences and the adjustment to a new husband, his grieving child and the quietly competent housekeeper with an agenda of her own have Catherine set back on her heels.
Oscar is quietly kind and determined to make a life for his family, and see that Catherine manages to fit in and find happiness on the island, even as he is a traditionalist in terms of women’s issues, rights and their place that should be firmly entrenched in the home. Catherine is often frustrated, confused and feels invasive: all of these emotions are aided by Nan’s response to her and the fact of her arrival.
Nan is the housekeeper, a firm friend of Oscar’s deceased first wife, and her familiarity with the young boy Andre and her promise to his mother are only slightly overshadowed by her own feelings for Oscar. Her relationship with Catherine is contentious, even though most of the tension is subliminal and surfaces only in brief flashes of disrespect or silence. The two coexist, but are only superficially friendly, and the struggles facing the island in the days to come will change everything.
Told in alternating points of view both Nan and Catherine contribute to the story, each has a unique voice that is informed by their background, intentions and agendas. The subtle differences in description and emotional balance each speak to the women’s state of mind in what had to have been a tumultuous and stressful time. What emerges through the aftermath of the storm is the reliance that both woman come to find in one another as they face the worst possible situations after a horrific storm and its destruction.
Beautifully descriptive both in the before and after storm descriptions, this story is a delight, and brings to light the myriad of emotions and struggles the characters face. The gentle and slow development of solid relationships and connections between the characters as they proceed with their lives and learn to redefine their lives post disaster realistically present the challenges and changes that are required during a life, when nothing quite follows those childhood dreams.
I received an eArc copy of the title from the publisher via Edelweiss for purpose of honest review. I was not compensated for this review: all conclusions are my own responsibility.