PROMISES PROMISES was based on the popular Billy Wilder film "The Apartment", jazzed up with an energetic score from Burt Bacharach and Hal David (their sole musical theatre effort).
The story concerns a meek young man called Chuck Baxter (played by Jerry Orbach), whose working relationship with his boss, J.D. Sheldrake, is tempered by his infatuation with J.D.'s mistress, Fran Kubelik (Jill O'Hara). The story was quite grim and pessimistic in "The Apartment" with a bittersweet Wilder/I.A.L. Diamond screenplay, but the subsequent PROMISES PROMISES featured a new book from Neil Simon (still riding high on his successful and long-running "Barefoot in the Park" and "The Odd Couple"), and the story was prettied-up for the Broadway musical stage. The overall tone and shape of the original story remained but certain areas were streamlined and adapted around the Bacharach/David score.
And what a score it is! It's almost criminal that a score can be so enjoyable. PROMISES PROMISES is filled to the rafters with memorable melodies, and performed so perfectly by a company headed by Jerry Orbach and Jill O'Hara. O'Hara definitely has the classic 'Bacharach voice', an instrument ideally suited to his jangling melodies and inward ballads. "Knowing When to Leave" and the wrenching 11 o'clocker "Whoever You Are", are given definitive readings. Orbach joins Marian Mercer for the fun "A Fact Can Be a Beautiful Thing". Edward Winter, playing Chuck's conflicted boss J.D. Sheldrake, scores heavily with "Wanting Things". Bacharach's dance arrangement for the "Grapes of Roth" sequence is inspired. Which brings us to the choreography...
PROMISES PROMISES featured routines from the then up-and-coming choreographer extraordinaire Michael Bennett; and his future "Chorus Line" stars Donna McKechnie and Baayork Lee lead the manic dance number "Turkey Lurkey Time". McKechnie (playing Vivien Della Hoya) would be the only cast member to reprise her role in the subsequent London production starring Betty Buckley and Tony Roberts. Incidentally (and quite controversially), PROMISES PROMISES was the first Broadway musical to employ the use of body-microphones (at the request of Bacharach who wanted the vocals and orchestra mixed perfectly). Right or wrong, a new era was dawning for musical theatre, and PROMISES PROMISES was at the very forefront. The show opened and ran for 1,281 performances at the Shubert Theatre.
Following a brief CD release from Rykodisc, the good people at Varese Sarabande have reissued the original 1968 Broadway cast album (in beautiful remastered sound) for a new generation to savour.
[Varese Sarabande 302 066 647 2]
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