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Psycho

Anthony Perkins (Actor), Martin Balsam (Actor), Alfred Hitchcock (Director) Rated:

Format: DVD

4.7 10,308 ratings

IMDb8.5/10.0

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Genre	Horror, Mystery & Suspense/Thrillers, Mystery & Suspense
Format	Multiple Formats, Black & White, Widescreen, NTSC
Contributor	Alfred Hitchcock, Vera Miles, Martin Balsam, John Gavin, Janet Leigh, Anthony Perkins
Initial release date	2012-08-28
Language	English, French

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Universal Pictures is an American film studio, owned by Comcast through its wholly owned subsidiary NBCUniversal, and is one of Hollywood's "Big Six" film studios. Its production studios are at 100 Universal City Plaza Drive in Universal City, California. Distribution and other corporate offices are in New York City. Universal Studios is a member of the Motion Picture Association of America (MPAA). Universal was founded in 1912 by the German Carl Laemmle (pronounced "LEM-lee"), Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane, and Jules Brulatour.

Six of Universal Studios' films; Jaws (1975), E.T. the Extra-Terrestrial (1982), Jurassic Park (1993), Despicable Me 2 (2013), Furious 7 (2015) and Jurassic World (2015) achieved box office records, with the first three (which were directed by Steven Spielberg) all becoming the highest-grossing film at the time of its initial release.

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NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, world-renowned theme parks, and a premium ad-supported streaming service. NBCUniversal is a subsidiary of Comcast Corporation.

Product Description

One of the most shocking films of all time, Alfred Hitchcock’s Psycho changed the thriller genre forever. Join the Master of Suspense on a chilling journey as an unsuspecting victim (Janet Leigh) visits the Bates Motel and falls prey to one of cinema’s most notorious psychopaths - Norman Bates (Anthony Perkins). Named #1 on the AFI’s 100 Years…100 Thrills list, this notorious film has become a cultural phenomenon. Featuring one of the most iconic scenes in film history - the famous “shower scene”, Psycho is “still terrifying after all these years” (Leonard Maltin’s Classic Movie Guide).

Product details

Aspect Ratio ‏ : ‎ 1.85:1
Is Discontinued By Manufacturer ‏ : ‎ No
MPAA rating ‏ : ‎ R (Restricted)
Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 0.01 Ounces
Item model number ‏ : ‎ 25515868
Director ‏ : ‎ Alfred Hitchcock
Media Format ‏ : ‎ Multiple Formats, Black & White, Widescreen, NTSC
Run time ‏ : ‎ 1 hour and 49 minutes
Release date ‏ : ‎ August 28, 2012
Actors ‏ : ‎ Anthony Perkins, Martin Balsam, John Gavin, Janet Leigh, Vera Miles
Subtitles: ‏ : ‎ English, French, Portuguese
Language ‏ : ‎ French (Dolby Digital 2.0), English (Dolby Digital 2.0)
Studio ‏ : ‎ Universal Pictures Home Entertainment
ASIN ‏ : ‎ B0087ZG7UW
Number of discs ‏ : ‎ 1

Best Sellers Rank: #3,977 in Movies & TV (See Top 100 in Movies & TV)
- #93 in Horror (Movies & TV)
- #104 in Mystery & Thrillers (Movies & TV)

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John Fowler

IS THERE A NEW BLU-RAY TRANSFER OF PSYCHO? + Blu-Ray Filmography of Hitchcock

Reviewed in the United States on July 1, 2017

Verified Purchase

2020 UPDATE: YES! THERE FINALLY IS A NEW BLU-RAY OF PSYCHO.
Hooray!
This is the fourth time Universal has released ‘Psycho’ on Blu-ray.
The first three had different covers (see photos), but the contents were identical (see the end of this review for my original review).
The new “60th Anniversary Edition” Blu-ray, released in 2020, finally offers something different: The original uncut version.
There are two unique versions of Psycho on the new Blu-ray
(also available on 4-K Blu-ray, see below)
Both versions give the viewer a choice of Hitchcock’s original mono soundtrack (2.0) or a newly created surround (7.1) home theater extravaganza (the three previous Blu-rays were in 5.1 surround).
--- First home release of the “uncut” version (aka the 60th Anniversary Version) that disappeared shortly after initial screenings in 1960, and was only recently discovered hiding in Germany (more about the uncut version later).
--- The general release version (previously released as the 50th Anniversary Version).

To make sure the Blu-ray you are ordering is the 60th Anniversary Edition, copy and paste in the Amazon Search bar:
“ Psycho 60th Anniversary Blu-ray ”

I was really excited about the uncut version.
After viewing it, my excitement has cooled somewhat (though I’m still glad I bought it).
Both the old 50th Anniversary version and the new 60th Anniversary version are included on the new Blu-ray.
The old version is 1 hour, 48 minutes, 51 seconds.
The new version is 1 hour, 49 minutes, 04 seconds.
This is a 13 second difference.
Three scenes are slightly altered:
-- @ 44:44 Janet Leigh is undressing for the shower. There is a two second shot where she removes her bra, but it is shot from an angle where we can’t see her breasts, so there was little need to edit it in the first place (see black and white photo).
-- @ 53:06 Norman Bates stares at the blood on his hands and takes much longer washing his hands than in the older version.
-- @1:17:47 Martin Balsam is attacked and falls down the stairs. Mother then stabs him three times while he is lying on the floor, versus just one stab in the older version.

I was expecting cuts in the shower scene (no pun intended) - the most controversial scene in the movie - but it is identical in both versions (2 minutes, 38 seconds).
Kind of a letdown, but the new version can still accurately be described as the longest version on Blu-ray.
All the bonus features (quite a lot) are carried over from the old Blu-rays.
I thought Universal would at least have produced a new featurette about the restored scenes, but they passed on the opportunity.
All versions have English SDH subtitles.

NEW 4-K VERSION:
Universal has been remastering all their Hitchcock films in 4-K since at least 2010.
But when they were transferred to standard Blu-ray (like this), the transfers were dumbed down to the earlier Blu-ray standard (still a big improvement over DVD).
If you can afford a 4-K Television and 4-K Blu-ray player, you should certainly consider the newly released eight-disc boxed set (four 4-K Blu-rays + four standard Blu-rays) from Universal:
Copy and paste the following phrase in the Amazon search bar:
The Alfred Hitchcock Classics Collection 4-K Blu-Ray
Four Hitchcock films make their 4-K debut in this box: ‘Rear Window’, ‘Vertigo’, ‘Psycho’ and ‘The Birds’ (though only ‘Psycho’ has new material).
Amazon is selling it for $60 which is quite a bargain.
The only thing I don’t like about it is that it comes packaged in the thick cardboard “Little Golden Book” format with minimal protection for the discs.
The 4-K versions of 'Psycho’ and 'The Birds' have now been released as singles.
'Rear Window' and 'Vertigo' can't be far behind.

MY OLD REVIEW - AVOID THESE BLU-RAYS:
Before 2020, Universal issued ‘Psycho’ on blu-ray three times, each time with a different cover (see photos)
Version A: Psycho (1960) [Blu-ray “50th Anniversary Edition”
Version B: Psycho (1960) - Limited Edition Steelbook (Blu-ray + DIGITAL HD with UltraViolet)] “Steelbook Edition””
Version C: [[ASIN:B01FUYRK6C Psycho (1960) [Blu-ray “Collectible Pop Art Edition”
Two obvious questions:
1) Did Universal add any deleted scenes or bonus features that were missing from the first blu-ray?
2) Is version B or C a new digital transfer?
--- Unfortunately, the answers are No and No.
This is pure cynicism on the part of Universal.
All three blu-rays are identical.
Only the covers are different.
-- The “Steelbook Edition” simply means that the blu-ray comes packaged in a steel case instead of a plastic case.
It will survive a nuclear holocaust, but if you drop it, it will get dented and look crappy.
-- Unless you are an aging hipster, the “Collectible Pop Art Edition” is beneath contempt.
-------------------------------------------------
So get the new “60th Anniversary Psycho Blu-ray” (or the 4-K Blu-ray if you have the equipment to play it).

ALFRED HITCHCOCK FILMOGRAPHY:
Alfred Hitchcock directed 56 feature films (not counting short subjects).
---- 'The Mountain Eagle' (1927) is a lost film.
---- 'Blackmail' (1929) is counted twice - it was Hitchcock's final silent film, and was also filmed as his first talkie.
---- 'Aventure Malgache' and 'Bon Voyage' (1944) are not feature films. These were French-language propaganda shorts (combined running time: 57 minutes) produced during World War II. Available on DVD Alfred Hitchcock's Bon Voyage & Aventure Malgache or Amazon Prime Video.

In the following list I give preference to Blu-ray over DVD, and to Region 1 (US) over Region 2 (Europe), but sometimes this was not possible:
The best copies of ‘The Pleasure Garden’ (1925), ‘Elstree Calling’ (1930) and ‘Number 17 (1932) are on Region 2 import DVDs.
The best copies of ‘Sabotage’ (1936) and ‘Young and Innocent’ (1937) are on Region B import Blu-rays.
There are no really good copies of ‘Easy Virtue’, ‘Juno and the Paycock’ or ‘Secret Agent’ - my stopgap recommendation is the Mill Creek four-DVD box which is inexpensive if nothing else.
A region-free Blu-ray player is a good investment.
They cost about $150 on Amazon or Ebay.
Under Electronics, look up “region free Blu-ray player”.
- or you can watch Region 2 DVDs (but not Region B Blu-rays) on your computer’s DVD drive.

PART ONE: BRITISH FILMS, 1925-1939

SILENT FILMS:
All nine surviving silent films received new 4K restorations by the British Film Institute (BFI) in 2012.
---- seven of these 2012 restorations are now on Blu-ray.
---- two are not yet on Blu-ray: ‘The Pleasure Garden’ and ‘Easy Virtue’ - for updates, sign up for the Brenton Films Hitchcock e-mail list. See Comment One (sort by "Oldest").
1925 The Pleasure Garden [Region 2 (Region 2 Europe DVD)
1927 The Mountain Eagle - LOST FILM
1927 The Lodger: A Story of the London Fog (The Criterion Collection) [Blu-ray - BFI restoration (coupled with ‘Downhill’)
1927 Downhill [Blu-ray] - BFI restoration (coupled with ‘The Lodger’ (1927) on Criterion Collection)
1927 The Ring [Blu-ray] - BFI restoration in Hitchcock: British International Pictures Collection [Blu-ray
1928 Easy Virtue - in MILL CREEK BOX (American DVD) **
1928 The Farmer's Wife [Blu-ray] - BFI restoration in Hitchcock: British International Pictures Collection [Blu-ray
1928 Champagne [Blu-ray] - BFI restoration in Hitchcock: British International Pictures Collection [Blu-ray
1929 The Manxman [Blu-ray] - BFI restoration in Hitchcock: British International Pictures Collection [Blu-ray
1929 Blackmail - silent version [Blu-ray] - BFI restoration (coupled with sound version)

BRITISH SOUND FILMS
1929 Blackmail (Special Edition) [Blu-ray (sound version - coupled with silent version)
1930 Elstree Calling [ NON-USA FORMAT, PAL, Reg.2 Import - United Kingdom (Region 2 Europe DVD)
1930 Juno and the Paycock - in MILL CREEK BOX (American DVD) **
1930 Murder! (Special Edition) [Blu-ray (coupled with ‘Mary’)
1931 Mary [Blu-ray] - German language version of 'Murder!' (coupled with ‘Murder!’ (1930)
1931 The Skin Game [Blu-ray] - in Hitchcock: British International Pictures Collection [Blu-ray
1931 Rich and Strange - in STUDIOCANAL BOX (Region 2 Europe DVD) or LIONS GATE BOX (American DVD)*
1932 Number 17 - in STUDIOCANAL BOX (Region 2 Europe DVD) *
1934 Waltzes from Vienna Alfred Hitchcock's Waltzes From Vienna DVD
1934 The Man Who Knew Too Much (Criterion Collection) [Blu-ray (first version)
1935 The 39 Steps (The Criterion Collection) [Blu-ray
1936 Secret Agent - in MILL CREEK BOX (American DVD) **
1936 Sabotage [Blu-ray (Region B Europe Blu-ray)
1937 Young and Innocent (American DVD) - or - Young and Innocent [Blu-ray (Region B Europe Blu-ray)
1938 The Lady Vanishes (The Criterion Collection) [Blu-ray
1939 Jamaica Inn [Blu-ray

* STUDIOCANAL BOXED SET: Hitchcock, The Early Years [DVD - Region 2 Europe DVDs:
‘Rich and Strange’ and ‘Number 17’ are in this UK box, issued by StudioCanal.
LIONS GATE BOXED SET: The Alfred Hitchcock Box Set (The Ring / The Manxman / Murder! / The Skin Game / Rich and Strange) - American DVDs
- this is the American edition of the StudioCanal box, unfortunately not complete:
‘Rich and Strange’ is in this box, but not ‘Number 17’.

** MILL CREEK DVD BOX: Alfred Hitchcock: The Legend Begins - 20 Movie Classics - American DVDs
This is a collection of 18 British films, squeezed onto four DVDs in terrible transfers. But at least the price is super-cheap. It contains several rarities:
---- 1928 Easy Virtue - no really good alternative to Mill Creek
---- 1930 Juno and the Paycock - no really good alternative to Mill Creek
---- 1936 Secret Agent - no really good alternative to Mill Creek
---- also Number 17 and Sabotage, which are available in superior competing versions from the UK.

PART TWO: HOLLYWOOD, 1940-1976
30 films: 28 are on blu-ray.
(some of them were filmed in the UK, but produced and released by American studios)

1940 Rebecca (The Criterion Collection) [Blu-ray
1940 Foreign Correspondent [Blu-ray
1941 Mr. & Mrs. Smith DVD - Mr & Mrs Smith also on Amazon Prime Video
1941 Suspicion [Blu-ray
1942 Saboteur [Blu-ray *
1943 Shadow of a Doubt [Blu-ray *
1944 Lifeboat [Blu-ray
1945 Spellbound (hitchcock) [Blu-ray
1946 Notorious (The Criterion Collection) [Blu-ray
1947 The Paradine Case [Blu-Ray]]
1948
1948 Rope [Blu-ray *
1949 Under Capricorn [Blu-ray
1950 Stage Fright DVD - Stage Fright also on Amazon Prime Video
1951 Strangers On A Train (BD) [Blu-ray
1953 I Confess (1953) [Blu-ray
1954 Dial M for Murder (Blu-ray 3D + Blu-ray) [1954] [Region Free (2-D and 3-D versions)
1954 Rear Window [Blu-ray *
1955 To Catch A Thief (1955) (BD) [Blu-ray
1955 The Trouble with Harry [Blu-ray *
1956 The Man Who Knew Too Much [Blu-ray (second version) *
1956 The Wrong Man [Blu-ray
1958 Vertigo [Blu-ray *
1959 North By Northwest (1959) (BD) [Blu-ray *
1960 Psycho (1960) [Blu-ray * get the 60th Anniversary Edition
1963 The Birds [Blu-ray *
1964 Marnie [Blu-ray *
1966 Torn Curtain [Blu-ray *
1969 Topaz [Blu-ray *
1972 Frenzy [Blu-ray *
1976 Family Plot [Blu-ray *

* these fifteen films are also in bargain Blu-ray boxes (no new remasterings):
---- 2012: Alfred Hitchcock: The Masterpiece Collection (Limited Edition) [Blu-ray] (2012)
---- 2016 reissue: Alfred Hitchcock: The Masterpiece Collection (Limited Edition) [Blu-ray (same fifteen films)
---- 2017 reissue: Alfred Hitchcock: The Ultimate Collection [Blu-ray (same fifteen films + two blu-rays of Hitchcock television shows).
or
---- 2012: Fourteen film Blu-ray box: Alfred Hitchcock: The Masterpiece Collection [Blu Ray (minus 'North by Northwest')
This is a British import (considerably less expensive)
Unlike most British Blu-rays, these are region-free and should play on any US player.
The bonus features of the British and American Blu-rays are identical.

BLU-RAY RECALL:
The first pressing of the 60th Anniversary Blu-ray (September 2020) was faulty.
Instead of using Hitchcock’s original mono soundtrack, Universal created a new mono soundtrack by blending the seven newly created channels into a single channel.
This was a Bad Idea (the sound effects were too loud and drowned out the dialogue).
Responding to complaints, three months later Universal remastered the 60th Anniversary Blu-ray, dumping the ersatz mono soundtrack and restoring Hitchcock’s original mono soundtrack.
Much cleaner mono sound + you still have the 7.1 surround sound version if that’s what you really want.
The serial numbers on the outer rim (at 7 o'clock on the label) are different:
Faulty Blu-ray disc = “1130624"
Corrected Blu-ray disc = "1147481" (with Hitchcock’s mono soundtrack)
Be wary of buying used copies.
I assume the serial numbers are also different for 4K discs, but I don't have them for comparison.

“Dear Customer,
We apologize that you are having difficulty with your copy of Psycho (1960) Blu-ray.
Universal Pictures Home Entertainment is offering replacement discs for Psycho (1960). To receive a replacement disc, please email the following information:
-- Your shipping address
-- Daytime telephone number
-- A copy of your sales receipt
OR a photo of the disc and the packaging
Please send the above requested information to the email address below:
PROBLEM - AMAZON WON'T LET ME POST THE EMAIL ADDRESS.
We hope that you will continue to enjoy this and future Universal releases.
Sincerely, Consumer Relations”
Try looking up UNIVERSAL PICTURES HOME ENTERTAINMENT CUSTOMER SERVICE on Google.
Sorry I can't be more helpful.

132 people found this helpful

Helpful

DH of A

The Sound and the Fury of Psycho

Reviewed in the United States on March 3, 2013

Verified Purchase

The Sound and the Fury: The Corrected Text with Faulkner's Appendix (Modern Library)Psycho (Collector's Edition)Psycho Psycho (1960) Many consider William Faulkner's novel 'The Sound and the Fury' to be THE Greatest American Novel. I concur with them. But you must read that book more than once to appreciate what Faulkner was really trying to do as he portrayed a southern family in turmoil and a South that was still trying to bring itself out of the wreckage, both physical and political, of the Civil War. I believe that 'Psycho' may well be THE Greatest American Movie, and could easily have been titled "The Sound and the Fury" as well. Hitchcock struggled to make this movie. He teetered on the edge of financial ruin and put his career and reputation on the line. Fighting battles with the Hollywood production company and the censors and putting up the $800,000 to produce ,the movie took a lot out of Hitch. But there was a determination to film this story of a psychopath and a confused,beautiful, love stricken woman whose unavoidable destiny was to stumble into his world. It took the application of Bernard Herman's unforgettable ,and now very famous, score to get the pre-viewing critics to put their stamp of approval on the film. Shot in the all too appropriate black and white, "Psycho" would ultimately gross over $40,000,000 and become Hitchcock's signature movie. The music delivers the opening jolt as it accompanies the movie's title and opening credits. The actors' names are slashed and divided as violins(violence?) screech harshly and thin lines of black and white criss cross the screen, all of this designed to warn us of the sharpness and movement of the weapon that will be used as well as the upcoming clash between good and evil . This theme of division by thin piercing objects permeates the movie. We see one in the form of what appears to be a radio tower as the viewer is shown the urban panorama of Phoenix on a hot after noon. As the camera pans from left to right, it brings us ever closer to our first view of Marion Crane. The tower completely divides the sky and horizon. Just as the camera passes it we are suddenly accelerated forward and things become a shade darker. This abrupt change in depth and light is classic Hitchcock,giving the viewer a sense of being propelled into the series of macabre events that are about to unfold. Next we are taken through a hotel window, partially open on this hot Arizona afternoon. The characters in the room are also classic Hitchcock as he loved to match vivacious blonde actresses with tall, dark and handsome males . Here we see Janet Leigh playing the role of Marion Crane who is laying on the bed in post love making afterglow. Her lover , Sam, is in town for business and, more importantly, a rendezvous with Marion.. They are in a sleazy, darkened , pay by the hour hotel room, having just finished their "lunch hour" with the menu featuring clandestine sex while Marion's lunch remains uneaten on the nightstand . Good versus evil comes into play right from the start as Crane's concern is immediately disclosed. She announces to Sam that she wants 'respectability' in their relationship, a.k.a. marriage. She wants more from Sam, not just sex in cheap hotels as she hints at the type of woman who typically does such a thing. "I pay too", she says as her lover opens the blind and seemingly submits to her demands. Thus we see the good side of Marion Crane as she demands that the affair that they are having end in favor of a more traditional relationship and ultimate marriage. But she is reminded by her man, Sam, that he hasn't the means to support her in style. The evil of money now clashes with Marion's resolve to be proper with her behaviour .For the moment, she assures him that she doesn't care about where she lives or how much money they have, as long as marriage takes the place of sneaking around.But she does care and ultimately succumbs to temptation and sin upon returning to work that afternoon.
We see Crane enter a real estate office she has worked in for 10 years. As she opens the door, we see Hitchcock sign the film with his traditional cameo appearance, this time standing outside of the office, framed by the large office window. When we see her boss enter a few minutes later with a drunken client in tow, Hitchcock is gone, the signature on the film complete. This became a tradition for Hitchcock and it is fun to try to identify him as he does it in a variety of clever ways in each movie. The drunken client becomes an embarassment to Marion's boss who pleads with him to come into his office because it is air conditioned. But the client is not bothered by the heat and is much more interested in flirting with Crane and flaunting the $40,000 in cash that he waves around. Indeed this character, could well be the devil himself, with his mustached, drunken face in a nearly constant devilish grin. Within minutes he has disclosed himself as a tax evading, Las Vegas loving, sex fiend as he tries to lure the beuatiful Marion into his lair with a trip to Las Vegas. He makes the claim that he is using the money to "buy off unhappiness", by giving his 18 year old daughter a new home for a wedding gift. To him, this is the preferred option as opposed to having his daughter and mate earn their first home. Marion is clearly turned off by his advances and grotesque display of untaxed cash. After all, she has just left her lover, a man who seems to fly by the staight and narrow by working hard, paying his alimony and agreeing to her demands to be married in order to continue their love affair. She is relieved when this drunken blow hard is finally lured into the boss's office, not because of the air conditioning, which. of course, would not be appealing to the devil, but by the promise of more alcohol. She is asked by her boss to get the money out of the office for the weekend by depositing it in the bank's safety deposit box. Thus the stage is set as she now has in hand a large amount of cash, a weekend off ahead of her , and a lover in eastern California that she can now be with if she is bold enough to leave town with money provided by a man she despises.She is about to buy off unhappiness. Or so she believes. As we have already learned, she has a conscience that will soon cause a disturbing emotional conflict.
At home, we see her packing and we see through her body language evidence for second thoughts about her intention to take the money and run. The money lies in a large white envelope on her bed. What to do? What to do? She truly has the proverbial angel on one shoulder and devil on the other. But her mind was made up when she left the office and to Marion, there is no turning back now, and no significant feelings of remorse....yet.
As she drives into the night she stops due to fatigue and we see her parked by the road in a desolate stretch of highway in eastern California. As if it has pierced the front of her car , we once again see a linear vertical object, this time a telephone pole, hinting at the fateful event soon to occur. The journey then continues and we start to see fear creep into her mind, a fear that is worsened by the state trooper that woke her from her roadside slumber . Her distress visibly escalates as the trooper makes it clear that he senses that something is "wrong". Finally , he lets her go, but only temporarily as we see him arrive at the used car dealership that Marion stops at. The paranoia that develops overwhelms her as we see her buy a newspaper to see if her crime has made the news and hurriedly buys a used car with California plates. She then makes an error on a second night of driving, this time in pouring rain. Clearly we see that night driving does not agree with her and now she has accidentally gotten on the 'old road' to Fairview, the town where Sam lives. As she arrives at her unfortunate destination, the Bates Hotel, she stops for the night, not realizing that she is only 15 miles away from Fairview, Sam, and safety.
After all, she is exhausted and wants sleep,food, and.......a shower. It is here that we are introduced to the social deviate who gives the film it's name. The hotel is empty because of a new bypass highway, the one Crane misses seeing, blinded by oncoming car lights, a deluge of rain and overwhelming fatigue. Behind the hotel lurks the classic Victorian house, creepy beyond imagination. There is no one in the hotel office and she honks her horn. A shadowy figure appears in a lit window of the house then disappears . Shortly thereafter we finally meet Bates. Norman Bates.
He greets Crane and appears charming, hospitable and at first, normal(Norman?). But he is the "Psycho" who will stop at nothing to protect the image of his mother by both incorporating her spirit into his own body and preserving something so shocking that I would ruin the film's greatest surprise by revealing it here. The name Norman Bates may also have been intentionally picked by the author of the novel that the movie is based on. For if you pronounce Bates backwards....Setab..... you get a word that sounds like stab. We are then shocked into a state of extraordinary fright as the film's most famous, and goriest, scene unfolds in Crane's bathroom in cabin #1...right next to the office. It is too bad that she did not pick up on the major clue that this man is very dangerous. She does notice the stuffed birds in the parlor that Bates lures her into in order to 'stuff' her with food he has prepared. It is an established fact that serial killers often start off by killing animals, sometimes as early as childhood. Bates admits that this is more than a hobby. Crane(a type of bird,by the way)acknowledges this and then becomes concerned about his obvious social isolation. Bates tells her 'You eat like a bird". But she fails to put it all together and, instead of taking a shower, jump into her car and travel the mere 15 miles to Fairview and the safety of Sam. Why does she fail? Is it her fatigue? Or is it the fact that she reconsiders her crime while eating in Norman's parlor and does not want to go on to Fairview. She does hint at her intention to right a wrong she has committed while talking to Bates. The angel on her shoulder may well have doomed her. The devil, on the other shoulder is the clear winner in Marion's case.
The shower ends prematurely. The story continues though as people who are aware of Marion's absence and associated crime arrive in Fairview, knowing that Sam is there. The evil that starts with the $40,000 and the character that buys off unhappiness propels them all into the evil of Bates' world. Who will triumph? Are there really any winners? Does good just cancel out bad or does it go further and prevail? Lives will be lost before the movie ends. And another gruesome scene occurs in the basement of Bate's house that may frighten the viewer as much, or even more than the one that takes place in cabin #1's bathroom. In the end, the devil is back in his lair, hell in the form of a prison cell. The occupant's sardonic grin reveals the lurking evil within, belying the words "I wouldn't even hurt a fly". You can watch Psycho for the sheer terror and, hence, thrill of it.You don't have to dissect the movie as I have tried to do here to appreciate the obvious horrific events that occur. At the very least , you will feel the terror. But watch it again and again so that you can appreciate the intricacies and subtle, but powerful suggestions and metaphors. Perhaps you'll see why this movie is Hitchcock's, and perhaps America's, finest picture ever. It is the same with Faulkner's book 'The Sound and the Fury'. One reading will give you the general idea. Several more will reveal details that make the story truly remarkeable. The Sound and the Fury

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Iconic

Reviewed in the United States on December 22, 2023

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I love this movie so much. the acting, the music, it’s just so good. It holds up even today. totally worth watching. and I don’t even usually like black-and-white movies

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chino

Horror classic!!

Reviewed in the United States on December 2, 2023

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A must own for any classic horror fan! No flaws here, just a nice crisp viewing plus some interesting special features

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Jason Garrett

Classic Movie!

Reviewed in Canada on November 23, 2023

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Great classic film. I’m happy with the purchase.

PsychoNorman

La version définitive, enfin !

Reviewed in France on April 16, 2021

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Quelle joie de me procurer, enfin, un support physique contenant la version intégrale de Psychose ! Tout y est : les bonus déjà présents sur l'édition du 50ème anniversaire et surtout les deux montages du film (version censurée disponible sur tous supports jusqu'à maintenant et non-censurée avec une différence de 16 secondes...). Les fans de ce film vont sans doute espérer une réédition française à l'unité (je ne tiens pas compte du steelbook 4K) pour se le procurer.

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Alfredo Orozco

Bonito arte en el steelbook

Reviewed in Mexico on December 23, 2019

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La película es buenísima y obligatoria para todo amante del cine, el arte del steelbook está muy lindo y es el único motivo por el cual la compré, si no la han visto aún o ya la vieron esta versión se verá genial en su colección.

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Warren Lunney

Great classic

Reviewed in Australia on July 28, 2020

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really enjoyed seeing this again, when the film was released into the cinemas it was a rule that nobody could come into the theatre after the movie commenced! A great promotion at the time. the fact that it was filmed in black & white really gave it great atmosphere. loved it

bone71

Sublime

Reviewed in Spain on June 20, 2012

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Psycho 1 - Quersteelbook [Alemania] - Mismo disco que la edición española
Si alguien necesita explicarle a un conocido, que significa remasterizar una pelicula, que no malgaste saliva; tan sólo ha de ponerle un trocito de la edición en DVD y después uno de este espectacular blue ray.
Tengo la edición en DVD steelbook. La guardaré como pieza de museo y para cerrarles la boca a los detractores del formato blue ray. El sonido del DVD es mono 1.0 a 96 kb y el del blue ray , 2.0 en español y un impresionante 5.1 a 4000 kb en v.o.; sobran las palabras.
Tengo amigos cinéfilos como yo, que echan pestes del formato blue ray porque opinan que las peliculas parecen sacadas de la factoría Pixar y pierden todo su grano y su encanto original. Poseo muy buenas pelis remasterizadas, pero el trabajo hecho con Psicosis es de top ten en ediciones blue ray. Estoy deseando que estos amigos vengan a casa para cerrarles la boca definitivamente.
La calidad de imagen es realmente impresionante y ademas corrige los errores de formato de pantalla del DVD. Del sonido ya he hablado y lo mejor es deleitarse escuchandolo.
Para colmo, en los abundantes extras, se encuentra el mejor capítulo de la serie de tv Alfred Hitchcock Presenta, perteneciente a la 3ª temporada. Está solo en inglés ya que la 3ª temporada se editó en nuestro país en V.O. (las dos primeras contienen doblaje en castellano).
Si has visto 1.000 veces esta peli en tv o DVD y todavía no lo has hecho en blu ray, la verás como si fuese la primera vez en tu vida.
El trabajo hecho con este film, es tan magnifico como el hecho en Metrópolis. El Fuera de la Ley, de Clint Eastwwod es otra delicia; al ver la peli te crees que Eastwood ha descubierto la fuente de la juventud y ha rodado un nuevo Western.
Que vayan aprendiendo los sres que remasterizaron, por ejemplo, la trilogia del Señor de los Anillos (que no se sabe cual es peor, si la versión cinematografica saturada de tonos ocre o la extendida, mucho menos saturada y con mayor detalle, pero con tonos verdosos). Platoon es otro ejemplo de mala remasterización, como la 1ª edición de Gladiator (en españa mucha gente ni se ha enterado porque no han hecho como en otros paises que sacaron la buena como edicion 10º aniversario; aqui tan solo han cambiado los discos manteniendo la misma carátula) o la 1ª edición de Terminator 2, una verdadera chapuza (la buena es la edición skynet o la edición italiana, Il Retorno del Giulio)
Es muy fácil coger una edición en DVD, pasarle el DNR, no gastarse ni un duro, hacer una chapuza y como lleva sonido Master HD, se quedan tan panchos y la sacan al mercado anunciandolas a bombo y platillo.
Psicosis justifica por si sola el cambio del DVD al Blue Ray.

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