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The Queen's Fool: A Novel (The Plantagenet and Tudor Novels) Hardcover – Deckle Edge, November 9, 2004
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Winter, 1553. Pursued by the Inquisition, Hannah Green, a fourteen-year-old Jewish girl, is forced to flee with her father from their home in Spain. But Hannah is no ordinary refugee; she has the gift of “Sight,” the ability to foresee the future, priceless in the troubled times of the Tudor court. Hannah is adopted by the glamorous Robert Dudley, the charismatic son of King Edward’s protector, who brings her to court as a “holy fool” for Queen Mary and, ultimately, Queen Elizabeth. Hired as a fool but working as a spy; promised in wedlock but in love with her master; endangered by the laws against heresy, treason, and witchcraft, Hannah must choose between the safe life of a commoner and the dangerous intrigues of the royal family that are inextricably bound up with her own yearnings and desires.
Teeming with vibrant period detail and peopled by characters seamlessly woven into the sweeping tapestry of history, The Queen’s Fool is a rich and emotionally resonant gem from a masterful storyteller.
- Print length512 pages
- LanguageEnglish
- PublisherAtria Books
- Publication dateNovember 9, 2004
- Dimensions6.25 x 1.44 x 9.25 inches
- ISBN-100743269829
- ISBN-13978-0743269827
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- Publisher : Atria Books; Touchstone edition (November 9, 2004)
- Language : English
- Hardcover : 512 pages
- ISBN-10 : 0743269829
- ISBN-13 : 978-0743269827
- Item Weight : 1.75 pounds
- Dimensions : 6.25 x 1.44 x 9.25 inches
- Best Sellers Rank: #152,590 in Books (See Top 100 in Books)
- #115 in Renaissance Historical Fiction (Books)
- #145 in Jewish Historical Fiction
- #3,626 in Women's Domestic Life Fiction
- Customer Reviews:
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About the author

PHILIPPA GREGORY is one of the world’s foremost historical novelists. She wrote her first ever novel, Wideacre, when she was completing her PhD in eighteenth-century literature and it sold worldwide, heralding a new era for historical fiction.
Her flair for blending history and imagination developed into a signature style and Philippa went on to write many bestselling novels, including The Other Boleyn Girl and The White Queen.
Now a recognised authority on women’s history, Philippa graduated from the University of Sussex and received a PhD from the University of Edinburgh, where she is a Regent and was made Alumna of the Year in 2009. She holds honorary degrees from Teesside University and the University of Sussex. She is a fellow of the Universities of Sussex and Cardiff and an honorary research fellow at Birkbeck University of London.
Philippa is a member of the Society of Authors and in 2016, was presented with the Outstanding Contribution to Historical Fiction Award by the Historical Writers’ Association. In 2018, she was awarded an Honorary Platinum Award by Nielsen for achieving significant lifetime sales across her entire book output.
She welcomes visitors to her site www.PhilippaGregory.com.
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In England, there is the problem of heresy as religious persuasions continue back and forth, setting the Crown itself swaying precariously between supposed heirs. Many of the Lords support one religious faction and when that trend is persecuted, the same Lords follow the new trends of the latest "in" religious group. Some don't make the change quick enough, not reading the changing wind well enough or actually and rarely having a religious conviction. They are beheaded, en masse.
All this brings us to Gregory's brilliant narrative structure chosen for "The Queen's Fool." The narrator's name is Hannah Verde (in England, changed to Hannah Green). She lived in Aragon, Spain, with her mother and father. As a child, she saw her mother burned at the stake as a heretic. Her mother and father are Marranos, who are Jews who converted to Christianity but in the privacy of darkened homes, practice Judaism. Her mother was somehow found out and after her burning, the father escapes with Hannah, dressed as a boy (much safer for a young girl at that time), and they live temporarily in many European countries. Finally, some members in the Netherlands arrange documents for their flight to England. No European country wanted Jews at that time, so their lives in England are lived on the sword edge of survival. Her father is a rare book seller and has hundreds of manuscripts for sale and perusal which are outlawed as heresy by the current religious faction in England.
Hannah's great adventure as observer of the English Court begins inadvertently, when she is standing outside her father's bookstore talking passersby into the shop. She sees three Lords approaching. In the bookstore, she asks two of them where the third one is. There have only been two of them and they question her about the third one she has seen.
Hannah has a gift. She has Second Sight, which comes and goes at its own volition. It cannot be forced. Other people saw two Lords. She saw three. One of the two is Lord Robert Dudley, of the House of Northumberland, which house is in the ascent in the Royal hierarchy. He is excited about her second sight and dressed as a boy, she ultimately enters the service of Queen Mary and Princess Elizabeth as a "fool" but actually as his spy.
The further machinations of the grasping of the Throne are narrated by Hannah, as she goes back and forth between the two heirs, Mary and Elizabeth, and spies for Robert Dudley. She becomes the Queen's Fool and in the background, is used for her second sight and her spying abilities.
Now, what is a Queen's Fool? A Fool was dressed in a special costume of differing colours on the arms, the legs, and wore funny hats. If you've read Shakespeare, you will know that a Fool was not only to lighten the load of the Crown and make the Monarch laugh, but he was also a trusted companion, someone the Monarch could be himself with, someone there who wanted no political gain, someone there to show him he was not alone. The fool was loyal because his livelihood - and his head - depended on it. The Fool was no fool.
Hannah is used to hiding her real identity and feelings, from having been persecuted and dashing through one country after another to find sanctuary, and the horrifying memory of seeing her mother burned in front of her. She is used to dancing over the flames and manages to satisfy all parties without damaging herself.
The narrative is brilliant, since we see the events unfold through the eyes of an outsider, as we are outsiders, reading about it all.
It gives a sense of immediacy and the pages fly by while the reader cannot seem to separate herself from the narrative.
It also straightens out a lot of confusion about these events. I remember taking this history in school. I was bored, confused and really didn't care. I memorized enough to pass the test and thought - Ho Hum! about it all. But reading Gregory, I am not only fascinated by the historical facts, but understanding them and can hardly wait to turn the page to see how it all turns out, as she also explores other important historical events, such as the battle for Calais, in which the English lost their French stronghold. Of course, Hannah is also witness to this.
The author must be commended for inserting "the people" in the events and showing their reactions. History often is just a story of wars with dates and the upper-upper class. Memorize it all and one can pass the test. But I used to think - what of the people? What did they think? Did they react? How did they react?
With all of Gregory's books, there is no need to wonder. The people have pride of place in this history and Gregory documents it.
One note of caution. Hannah, unlike historical figures in the book, is fictional. But the events that shape her life are historically accurate.
I bought the pocket book editions of the books of the Tudor era at Amazon. It was actually a mistake. I was looking for something else and found these gems. So I bought the whole series and have not enjoyed reading about history this much for many decades.
Don't make my mistake. Go purposely to find them. Buy them. Turn off the tv. Forget the housework (it will still be there when you're not). Simply enjoy,
Hannah Green (nee Verde) and her father are secret Jews (at least to the extent that Judaism has been passed down to them) who have fled from Spain after the arrest and burning of Hannah's mother, and Hannah, who has "the Sight," is brought by John Dudley, the Protector of the young Edward VI, to the king's court as a "holy fool" and spy. Dazzled by Dudley's son, Robert (the future favorite of Queen Elizabeth I) and caught up in the intrigues of court life, Hannah lives through the turbulent final months of Edward's reign, the short-lived attempt to place Lady Jane Grey upon the English throne, and the five-year reign of "Bloody Mary." Torn between conflicting loyalties to those she serves and to her family, including her betrothed, later her husband, she moves back and forth between the public and private spheres, giving a unique perspective on both the historical events and on the lives of "the People," as she calls the Jews. She moves from resentment to acceptance and finally to embrace of her responsibilities to both family and faith.
To me, this book is unusual in that it offers a rare sympathetic and primary view of Queen Mary. Although those that focus on Elizabeth usually do portray Mary with some understanding, she is always subordinate to her younger sister, who outshines her in fiction as she did in life. Hannah's view of Elizabeth, on the other hand, while sometimes admiring, sometimes censorious, is much more objective than her warm regard for Mary. Perhaps it is her status as a Jew, but she seems able to look upon both as living, breathing women rather than as the symbols of religious and political power that they can often be to other characters. Other historical personages also have depth and ambiguity, including Lord Robert, who is ambitious and a practiced seducer but ends up having a real regard and respect for Hannah. I thought she was a little hard on Robert's wife Amy, portraying her as not only virtually illiterate and incurious but also mentally unbalanced.
Hannah and her family, particularly her faithful husband and her scholarly father, also feel like real, vibrant people, although her disapproving in-laws may hew a bit too closely to stereotypes. I would like to have seen more exploration of the motivations and background of Daniel's mother.
I don't know if Ms. Gregory has any real-life connection to Judaism, but the thing that I found most powerful about The Queen's Fool, apart from the scene where Hannah finds herself unable to burn her father's "heretical" books, even to protect herself, is the haunting sadness of a culture that is being lost generation by generation, as her father and mother-in-law struggle to remember the prayers and practices that have been passed down to them, and to pass them on to their children.
Because of her Sight, Dudley brings Hannah to Court as a Holy Fool. Dressed androgynously, Dudley employs Hannah to be his eyes and ears in court and even more importantly during his imprisonment in the tower.
Hannah maintains her position in the court even after Edward's death while her betrothed, another marrano, Daniel Carpenter, who is a physician in training and the beloved son and brother to his household.
Hannah manages to both ingratiate herself to Queen Mary and Princess Elizabeth, often acting as a go spy for both the Royal heirs for Dudley. She is called upon by him and his confidant, Dr. Dees, to foresee the future. And while her gift is not always biddable, much of what she reveals does come to pass.
Philippe Gregory is the master of Tudor historical fiction, and this book is not a disappointment.










