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Quicksilver (The Baroque Cycle, Vol. 1) Hardcover – Deckle Edge, September 1, 2003
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Neal Stephenson's Quicksilver is here. A monumental literary feat that follows the author's critically acclaimed New York Times bestseller Cryptonomicon, it is history, adventure, science, truth, invention, sex, absurdity, piracy, madness, death, and alchemy. It sweeps across continents and decades with the power of a roaring tornado, upending kings, armies, religious beliefs, and all expectations.
It is the story of Daniel Waterhouse, fearless thinker and conflicted Puritan, pursuing knowledge in the company of the greatest minds of Baroque-era Europe, in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight. It is a chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe -- London street urchin turned swashbuckling adventurer and legendary King of the Vagabonds -- risking life and limb for fortune and love while slowly maddening from the pox ... and Eliza, rescued by Jack from a Turkish harem to become spy, confidante, and pawn of royals in order to reinvent a contentious continent through the newborn power of finance.
A gloriously rich, entertaining, and endlessly inventive novel that brings a remarkable age and its momentous events to vivid life -- a historical epic populated by the likes of Samuel Pepys, Isaac Newton, William of Orange, Benjamin Franklin, and King Louis XIV -- Quicksilver is an extraordinary achievement from one of the most original and important literary talents of our time.
And it's just the beginning ...
Amazon.com Review
In the second book, Stephenson introduces Jack Shaftoe and Eliza. "Half-Cocked" Jack (also know as the "King of the Vagabonds") recovers the English Eliza from a Turkish harem. Fleeing the siege of Vienna, the two journey across Europe driven by Eliza's lust for fame, fortune, and nobility. Gradually, their circle intertwines with that of Daniel in the third book of the novel.
The book courses with Stephenson's scholarship but is rarely bogged down in its historical detail. Stephenson is especially impressive in his ability to represent dialogue over the evolving worldview of seventeenth-century scientists and enliven the most abstruse explanation of theory. Though replete with science, the novel is as much about the complex struggles for political ascendancy and the workings of financial markets. Further, the novel's literary ambitions match its physical size. Stephenson narrates through epistolary chapters, fragments of plays and poems, journal entries, maps, drawings, genealogic tables, and copious contemporary epigrams. But, caught in this richness, the prose is occasionally neglected and wants editing. Further, anticipating a cycle, the book does not provide a satisfying conclusion to its 900 pages. These are minor quibbles, though. Stephenson has matched ambition to execution, and his faithful, durable readers will be both entertained and richly rewarded with a practicum in Baroque science, cypher, culture, and politics. --Patrick O'Kelley
From Publishers Weekly
Copyright 2003 Reed Business Information, Inc.
From Booklist
Copyright © American Library Association. All rights reserved
Review
“Genius . . . You’ll wish it were longer.” — Time magazine
“[QUICKSILVER] explores the philosophical concerns of today . . . through thrillingly clever, suspenseful and amusing plot twists.” — New York Times Book Review
“Sprawling, irreverent, and ultimately profound.” — Newsweek
“A sprawling, engrossing tale.” — Seattle Times
“Stephenson’s new machine is a wonderment to behold. A-” — Entertainment Weekly
“An astonishing achievement.” — Sunday Telegraph
“[QUICKSILVER] is a rare thing: a 1,000-page book that you don’t want to end. — San Antonio Express-News
“[O]ften brilliant and occassionally astonishing ...[QUICKSILVER] has wit, ambition and ... moments of real genius.” — Book World
“[A]n awe-inspiring book, stuffed with heart-stopping action scenes ... and a treasure trove of forgotten historical lore.” — Book
“Dense, witty, erudite ... and gripping ... a far more impressive literary endeavor than most so-called “serious” fiction.” — Independent
About the Author
Neal Stephenson is the bestselling author of the novels Reamde, Anathem, The System of the World, The Confusion, Quicksilver, Cryptonomicon, The Diamond Age, Snow Crash, and Zodiac, and the groundbreaking nonfiction work In the Beginning . . . Was the Command Line. He lives in Seattle, Washington.
- Print length944 pages
- LanguageEnglish
- PublisherWilliam Morrow
- Publication dateSeptember 1, 2003
- Dimensions6.5 x 2.25 x 9.75 inches
- ISBN-100380977427
- ISBN-13978-0380977420
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Product details
- Publisher : William Morrow; First Edition (September 1, 2003)
- Language : English
- Hardcover : 944 pages
- ISBN-10 : 0380977427
- ISBN-13 : 978-0380977420
- Item Weight : 3.3 pounds
- Dimensions : 6.5 x 2.25 x 9.75 inches
- Best Sellers Rank: #486,133 in Books (See Top 100 in Books)
- #2,915 in Historical Fantasy (Books)
- #25,581 in American Literature (Books)
- #29,936 in Science Fiction (Books)
- Customer Reviews:
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About the author

Neal Town Stephenson (born October 31, 1959) is an American writer, known for his speculative fiction works, which have been variously categorized science fiction, historical fiction, maximalism, cyberpunk, and postcyberpunk. Stephenson explores areas such as mathematics, cryptography, philosophy, currency, and the history of science. He also writes non-fiction articles about technology in publications such as Wired Magazine, and has worked part-time as an advisor for Blue Origin, a company (funded by Jeff Bezos) developing a manned sub-orbital launch system.
Born in Fort Meade, Maryland (home of the NSA and the National Cryptologic Museum) Stephenson came from a family comprising engineers and hard scientists he dubs "propeller heads". His father is a professor of electrical engineering whose father was a physics professor; his mother worked in a biochemistry laboratory, while her father was a biochemistry professor. Stephenson's family moved to Champaign-Urbana, Illinois in 1960 and then to Ames, Iowa in 1966 where he graduated from Ames High School in 1977. Stephenson furthered his studies at Boston University. He first specialized in physics, then switched to geography after he found that it would allow him to spend more time on the university mainframe. He graduated in 1981 with a B.A. in Geography and a minor in physics. Since 1984, Stephenson has lived mostly in the Pacific Northwest and currently resides in Seattle with his family.
Neal Stephenson is the author of the three-volume historical epic "The Baroque Cycle" (Quicksilver, The Confusion, and The System of the World) and the novels Cryptonomicon, The Diamond Age, Snow Crash, and Zodiac. He lives in Seattle, Washington.
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It is baroque in that it is set in that period of European history when the arts and sciences were flourishing like never before. It is baroque in that it is complex, highly convoluted and ornamented with a myriad of frills. Not all of them add to the story line but they all add to the flavor and that flavor is exquisite.
This purports to be the story of Daniel Waterhouse, a Puritan Englishman drawn to the study of natural philosophy, what we would call rational science today. He is a bright fellow but suffers from being active at the same time as such luminaries as Isaac Newton, Christian Huygens, Robert Hooke, Leibniz and others. He is also a Puritan in an England suffering under the Crypto-Catholic reign of Charles II and the open Catholic, James II. William of Orange is defending the Lowlands against the aggressions of Louis XIV, the Sun King. All of these figures and more are woven together with great artistry to tell a story.
What is the Story? Well...that is the difficult part. The book opens in the early 18th century. A member of the Royal Society has been dispatched to Boston to bring Waterhouse back in an attempt to patch things up between Newton and Leibniz. Waterhouse agrees to do so and sets sail. The first third of the book alternates between the beginnings of his journey and memories of his younger years in the heydays of the 17th century.
The middle third of the book drops Waterhouse altogether. It tells the story of an English Vagabond who manages to rescue a well educated female slave from the Turks at the siege of Vienna. He is able to do little about his beautiful booty because of the pox and the loss of his member. Still, the two form a relationship as they head west to the Netherlands. He is her aide and protector and she is the brains with the financial acumen. She rises in court society and gets involved with the intrigues of the French and Dutch courts.
The final third brings together Waterhouse and the lovely Eliza, the rescued concubine. England is on the Eve of its "Glorious Revolution" in which the Dutch house of Orange takes over. Daniel is glad to see this and has helped to bring it about but is tired of the whole affair. He has notions of moving to Boston but does not expect to live long enough to do so since he has a bladder stone which is slowly killing him. As the book ends, he is being subjected to the surgery that might remove the stone and give him another chance at life.
Never once in the second or third sections of the book do we ever learn anything about Daniel's trip back to England late in life. We are even fuzzier on the reasoning. We get the sense that the entire book has been written to set us up for what is to come. I, for one, cannot wait.
This book will definitely not appeal to everyone. I suspect that the more knowledgeable one is about the history of that era, both political and scientific, the more the book will make sense. It is full of trivial facts, archaic spellings and words usages but these are not overdone. They add to the scenery, not detract from it. It is a magnificent read for those with the fortitude to attempt it.
But, to my dismay, the reading experience was anything but easy. I ended up finishing the book, but the process was a long, hard slog. I quickly abandoned the idea of reading the two other novels of equal size.
So, about a month ago, I decided that it was time to dust off Quicksilver and give it another go. The book is still difficult, but the book is a journey and Stephenson is an intriguing Sherpa.
Quicksilver is a story about ideas. Stephenson weaves a tale about the forces and individuals that shaped the modern world. He does this by inserting fictional characters into a historical epic; we see his characters interact with famous figures, such as Isaac Newton, Gottfried Leibniz, William of Orange, et al. His fictional characters are involved in their on intrigues, but they're largely in the story to tease out information from the real-life individuals.
There are three primary fictional characters that make the course of events of the book.
The first and arguably most important character in the story is Daniel Waterhouse. The story is told in book one: Quicksilver; it begins in Boston in 1713,with an old Daniel Waterhouse getting a message to come back to England to help settle the great Calculus dispute between Newton and Leibniz. The story quickly shifts to a series of flash backs starting at about 1661. We follow the career of Waterhouse as he goes to Cambridge and becomes involved in the Royal Society of London. Waterhouse works with early natural philosophers, John Wilkins and Robert Hooke, as they partake in all sorts of bizarre scientific experiments.
The second book, The King of the Vagabonds, sets a different tone to the story. While Stephenson earlier focused on kings and natural philosophers, the hero of this book is a vagabond called half-cocked Jack. Jack is roaming around Europe, half mad, and looking for adventures. He eventually winds up at the Siege of Vienna. Jack encounters the third important fictional character, Eliza. She was sold into slavery and became a Turkish harem. Jack rescues Eliza, and the two travel around Europe learning about finance and trade, while Eliza pursues her goal of ending slavery.
If you've read this far into the review don't think that I've given much of anything away. Stephenson loads this 916-page book with all sorts of twists and turns in the story.
Of course, in regards to the story, a potential reader should be warned that Stephenson is fairly lax in terms of conventional storytelling. If you're looking for a novel that carries the story from point A to point B to point C, then you're going to be disappointed. There are important twists and turns, but they can almost seem forgotten in the sheer magnitude of the larger book.
While Stephenson is less concerned about the conventional story, he makes up for this by focusing on a series of important themes. Quicksilver, and I would say the Baroque Cycle, is concerned with major thematic issues and ideas rather than a conventional plot. Stephenson is trying to paint a picture of this time period, so he peppers the story with historical figures here and there, but they can easily be forgotten compared to the larger issues.
The most important issues of this book are the debates between contrasting forces, such as: Reformation vs. Counter-Reformation; Feudalism vs. Nation States; the birth of science vs. religion; the birth of modern finance and commerce vs. religion. All of the characters in this story represent certain sides of these arguments. Various realms and countries represent certain sides of these arguments. France, headed by Louis XIV, is represented as being the center of all things premodern; on the other hand, England develops a complex role as the birth of modernism, while struggling internally with competing forces of reaction.
If there are major flaws to Quicksilver it's that Stephenson can get too wrapped up in all of this. I say this as someone who enjoyed the book, but it can be extremely difficult to see the forest through the trees in this. As others have noted, Stephenson seems to use 50 words where 10 would do. Stephenson's writing sometimes stands in the way of some otherwise exciting action sequences.
It equally can get tiresome to always have different characters launce into complex philosophical debates whenever they first start speaking. Some of the dialogue in this is just cumbersome. I wouldn't expect Isaac Newton to greet someone with, "What up dawg?", but you can imagine him acting human, sometimes. Stephenson also has fun dropping various old English words throughout the book, while also throwing in some F-bombs and other euphemisms that wouldn't have been used at the time. This isn't necessarily a negative on the book, but it does show that Stephenson could have worked in a little more humane dialogue.
In general, I enjoyed the book but wish it had been a tad bit shorter. I think Stephenson could have shaved off a 100 pages to this book and largely kept the spirit intact.
Overall, as stated, I didn't find this to be an easy read but it was rewarding. If you're interested in history, politics, culture, science, religion, or just a good dose of toilet humor, then you should check this book out. It may get frustrating from time to do, but keep on going! It's worth it.
Top reviews from other countries
A little daunting at first due to its size. It is also a little confusing at first due to the time and hopping about.
Once you get into it and can remember who is who and who did what, then you're sailing.







