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And Quiet Flows the Don Paperback – December 17, 1989
| Mikhail Sholokhov (Author) Find all the books, read about the author, and more. See search results for this author |
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WINNER OF THE STALIN PRIZE, 1941
Mikhail Sholokhov’s groundbreaking epic novel gives a sweeping depiction of Russian life and culture in the early 20th century. In the same vein as War and Peace, by Leo Tolstoy, And Quiet Flows the Don gives readers a glimpse into many aspects of Russian culture, and the choices a country makes when faced with war and destruction.
In his enormous epic of Cossack life during the Revolution...Mikhail Sholokhov has achieved even greater power, sustained narrative gift and stirring human truthfulness.”—New York Times
“In addition to its panoramic grandeur, the wealth of its characters and its historic realism, Sholokhov's book is memorable for its portrayal of the primitive and already almost legendary life of the Don Cossacks.”—Malcolm Cowley, New Republic
- Print length576 pages
- LanguageEnglish
- PublisherVintage
- Publication dateDecember 17, 1989
- Dimensions5.2 x 1.2 x 8 inches
- ISBN-100679725210
- ISBN-13978-0679725213
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Product details
- Publisher : Vintage; Reissue edition (December 17, 1989)
- Language : English
- Paperback : 576 pages
- ISBN-10 : 0679725210
- ISBN-13 : 978-0679725213
- Item Weight : 1.06 pounds
- Dimensions : 5.2 x 1.2 x 8 inches
- Best Sellers Rank: #453,416 in Books (See Top 100 in Books)
- #5,413 in Contemporary Literature & Fiction
- #6,280 in Family Saga Fiction
- #23,531 in Literary Fiction (Books)
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The novel is populated by dozens of characters who have impossible names and relationships that share the author’s unfortunate habit of using their surnames, Christian names and even nicknames to identify them at different times.
Probably the most outdated aspect of the novel is the author’s treatment of the long-suffering Cossack women who live through physical and verbal abuse by their brutish husbands and boyfriends. They are passed around and neglected by all. The author presents this as normal, with no emotions.
If you want to read about this time in Russian history, Dr, Zhivago is much more user friendly. Either way, keep your Google handy.
Maxim Gorki - quoted on the cover of my edition - says that the only book to which this one can be compared is Tolstoy's War And Peace. Unfortunately, he is right. This book, for all that is to be said for it, is simply not of the same calibre as War And Peace. In War And Peace, we have the characters of Pierre and Natasha whom - through Tolstoy's deeply percipient eye - we come to know, suffer along with and love. Here, we have Gregor and Aksinia whom - Be honest with yourself! - we end up pitying, if even that. The problem with this work as a novel is that a wall exists between the modern, Western reader and the characters, the Cossacks, who are given to about as much introspection as the animals they tend. The only "character" that truly shines in this novel is the Don region itself, for which the reader does develop a sense of the deeply instinctual way in which the Cossacks loved it.
Sholokhov paints scenes worthy of a water-colourist or Breughel, differing as the setting and landscape suits:
"The day declined to its close. The September stillness lulled peacefully and with inexpressible sweetness. The sky had lost its full summer gleam and was a hazy dove-colour...Held down to their huts and their daily round, the people pined in their labour, exhausted their strength on the threshing-floor; and the road, a deserted, yearning track, flowed across the horizon into the unseen."
Even in the midst of war, in this description of a decapitated Cossack, Sholokhov retains this water-colourist touch:
"He had no cap, nor had he the upper part of his cranium, for it had been cut clean away by a shard of shrapnel. In the empty brain-pan, framed by damp strains of hair, glimmered rose-coloured rain-water."
The novel eventually becomes more than a bit of a slog, as the same sorts of characters do the same sorts of things under the same sorts of conditions. Nevertheless, I do recommend the book. Flowing beneath all the bestial actions, lilac prose and insufferable characters is a very Russian undercurrent of fatalism concerning a way of life drawing its last breath:
"The grass grows over the graves, time overgrows the pain. The wind blew away the traces of those who had departed; time blows away the bloody pain and the memory of those who did not live to see their dear ones again - and will not live, for brief is human life, and not for long is any of us granted to tread the grass."
The Garry translation is no Maude (Tolstoy) translation equivalent.
In this opinion the long sprawling vicious and lustful affair of Gregor and Aksina, --reckless, rollicking and tragic though it was does not approach the depth and meaning of the affair of Bunchuk and Anna--the young ardent revolutionary. The GREAT tragedy in this book is their love affair, the primal. visceral, elemental love of Bunchuk for Anna and the horror of his stunned self negating nether world of mourning, Nothing in the book equals the strength of that narrative in this opinion--and there, the author walked with the greatest of the great Russian Authors despite the Stalionist stench that permeates the attempt at poetry and philosophical substance in the idealistic musings of young Anna.
A brutal book to say the least. I think the character dialogues are the best parts of this book and I think the author should have attempted a play here and there--perhaps approaching Chekov. What was missing from this book? ---That was a scene that one thought was definitely going to happen And that was a final visit to the general's mansion by Gregor. You may say he delt with that in the final and rough hewn leaving of a desperate Aksina--I think not because she was ever on his mind even in pitched battles or their aftermath. NOT his wife--always Aksina. The general's 8000 acres and his Czarist officer son whom Gregor beat up---should have played into the end of this novel----perhaps the sequel may have it, but it surely was missing here.
There was symbolic mood coloring in pastoral and animal discriptions- and how this author loves the color 'lilac'.
A Good read, I hope the sequel is as good----BUT the author was a revered commie---and sooner or latre the party line finds its way in to Soviet era literature--









