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- 3 Featurettes: "Marquis on Marquee," "Creating Charenton," "Dressing the Part"
- Commentary by Screenwriter Doug Wright
Top Customer Reviews
I can think of several films based on historical events or figures that do not follow the facts exactly, yet are enlightening, entertaining and are considered fine films as well. Two of recent times that come to mind immediatley are "The Hurricane" and "The Insider".These stories gave us an insight into events that we may not have known about or paid little attention to until the film burst onto the screen. Here we have another story that although was inspired by the life and the writings of the Marquis de Sade is clearly defined as an original work by writier Doug Wright.
In the late 18th century, we find Sade(Geoffrey Rush) committed to a mad house, as his literay works are so outrageously sexual and "sadistic", that he is accussed of inciting others to act out in evil ways. He, along with the other inmates, is cared for by the head of the asylum. a liberal priest, The Abbe du Coulmier(Joaquin Phoenix). Coulmier is a progressive thinker and allows Sade and the others artisitc freedoms within the confines of the asylum.
Sade has a passion for writing and is smuggling his provacative stories out with a beautiful young laundry maid(Kate Winslet) who has befriended him.They are published and all of France is is eager to read them. Napolean is appalled and appoints Dr. Royer-Collard (Michael Caine) to oversee the activities at the asylum. Collard's methods and thinking prove to be as cruel as any the Marquis could write about.
The Abbe trying to cooperate begins by taking away Sade's writing material, all his quills and ink, and eventually all of Sade's belongings.Read more ›
I should perhaps first point out, what others have also mentioned, that you will learn NOTHING about the life of the Marquis de Sade from watching this movie. Ezra Pound once wrote of a book that it was so filled with errors that an errata slip should have been published as a companion volume. It would take either a full length book or a documentary film to start untangling the historical errors. The movie is, therefore, not a biopic, but a complete fiction whose central character is very loosely based on the Marquis de Sade. The main historical point worth mentioning is that de Sade lived a long life and died in bed of natural causes, with full use of his oratorical faculties.
The virtues of the film are many. One must begin with the look of the film. The film garnered an Oscar nomination for art direction, and it was a nomination that was richly deserved. There are a lot of "period" films, but few that will feel as realistic as this one.
Then one must proceed to the acting. Geoffrey Rush was simply Geoffrey Rush. I have often wondered if Rush has any limitations as an actor. Every role I have seen him in he has played an apparent ease and familiarity that few of his contemporaries can achieve. I wonder, in fact, if he might not deserve crowning as perhaps the best movie actor active today. And all the rest of the cast was quite superb, from Kate Winslet to Joaquin Phoenix to the least of the asylums inmates.Read more ›
It seems an odd time for a film which more or less romanticizes the last days of Marquis de Sade to be filmed and released-yet here it is. Although it's release is on a smaller city by city schedule, you'll probably want to make a point of seeing it in the theater.
Words are powerful things. The pen is mightier than damn near anything and creates more fear and controversy than anything as well!!! The pornographic and satirical writings of the Marquis de Sade (Geoffrey Rush) are not only escaping from the Charenton Asylum for the Insane where the aristocratic Marquis enjoys a great deal of creature comforts courtesy of a benevolent Abbé Coumier (Joaquin Phoenix), but they are also being published and distributed throughout France, much to the embarrassment of Napoleon who at first wants de Sade shot but then reconsiders and dispatches the sadistic but morally superior Dr. Royer-Collard (Michael Caine)to insure that de Sade's pornography is not seen by the public ever again. The Marquis' writings are leaving the asylum with the help of a laundress named Madeline (Kate Winslet) who's infatuated with de Sade's talent and in unrequited forbidden love with the Abbe'. Thus, the main cast of characters has been introduced, and the play can now begin.
There's a somewhat overly tidy twist ending which though clever, wraps up everything so neatly we're reminded this has been a stylish work of fiction.Read more ›
Most Recent Customer Reviews
The Marquis de Sade (Geoffrey Rush) spends the last years of his life in a mental institution, struggling to express his perverse preoccupations through his writing despite... Read morePublished 1 month ago by David Bonesteel
Funny, a little weird, suggestively sexual. The characters are believable and lovable. A bit of a twist at the end.Published 3 months ago by PATRICIA C DORNACKER
Fascinating story well told, with a great cast at the top of their form. Michael Caine as the controller of the asylum is smooth and charming and deeply sinister, whereas Geoffrey... Read morePublished 3 months ago by Ian Page
I LOVE this movie!! The acting in it is wonderful, especially Geoffrey Rush's portrayal of the scandalous French writer Marquis De Sade. Read morePublished 4 months ago by N & J
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