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Quirky Qwerty: A Biography of the Typewriter and Its Many Characters Paperback – August 26, 2003
- Print length176 pages
- LanguageEnglish
- PublisherPenguin Books
- Publication dateAugust 26, 2003
- Dimensions4.54 x 0.52 x 7.32 inches
- ISBN-100142002704
- ISBN-13978-0142002704
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Product details
- Publisher : Penguin Books (August 26, 2003)
- Language : English
- Paperback : 176 pages
- ISBN-10 : 0142002704
- ISBN-13 : 978-0142002704
- Item Weight : 4.2 ounces
- Dimensions : 4.54 x 0.52 x 7.32 inches
- Best Sellers Rank: #4,622,004 in Books (See Top 100 in Books)
- #3,377 in Words, Language & Grammar Reference
- #4,934 in History Encyclopedias
- #173,481 in United States History (Books)
- Customer Reviews:
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About the authors

Torbjorn Lundmark (known as TL) was born in Sweden and has called Australia home since 1978. He studied linguistics and Slavonic languages at the University of Uppsala and spent one year at the philological faculty of Voronezh University in the then Soviet Union. He works as a professional writer, illustrator and cartoonist, and is the author of several books, including children's books. His main interests include literature, writing, art, music, research into obscure subjects and, above all, travel. He is a lover of languages and is currently learning to read and write Chinese.

Torbjorn Lundmark (known as TL) was born in Sweden and has called Australia home since 1978. He studied linguistics and Slavonic languages at the University of Uppsala and spent one year at the philological faculty of Voronezh University in the then Soviet Union. He works as a professional writer, illustrator and cartoonist, and is the author of several books, including children’s books. His main interests include literature, writing, art, music, research into obscure subjects and, above all, travel. He is a lover of languages and is currently learning to read and write Chinese.
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"This is not a scientific work. In fact, nothing in this book can be said to be absolutely true. Even if it were a scientific book this fact would not change. Scholars still argue about the origins of the alphabet and what the letters signify, and why the numbers look the way they do, and how all the other characters that appear in these pages came about."
So after I read that, I thought gee thanks. Now I don't know if what I just read is true or not. But this pocketbook of 172 pages was stylized to be a fun and visual read, not a scientific one. Nevertheless, Lundmark did ask a relevant question at the beginning:
"In our modern times of computers and electronics rather than mechanics, why haven't keyboards reverted to alphabetical order? There is no reason to worry about sticky type-bars anymore. So, why are we still stuck with the QWERTY keyboard?"
And the answer is simple: it is easier to stick to old standards than to invent new ways. The author did provide illustrations of five alternative keyboards so one could compare the supposed ease in typing.
Writing did not start out with both capital and lower case letters. Capitals existed at first, and were designed to be blocky and angular to make them easier to chisel into rock such as granite. However as writing surfaces developed, such as papyrus, scribes found it a lot easier to create a cursive style that flowed because the angles and edges found on capitals tore the leaves. Reducing the number of features found on capitals, such as B becoming b and R becoming r made the writing experience easier and faster. Hence the birth of both the lower case and cursive writing.
I found the origin of the terms "upper case" and "lower case" to be most interesting:
"'Upper-case' and 'lower-case' are printer's terms. The typographer's job was to fit individual pieces of type, cast in metal, into a wooden frame to make up the text of a newspaper column or a page of a book. Each letter was picked up by hand and placed into the frame.
"The metal type was kept on two trays, or cases, one above the other. The lower case held the minuscule type, which was used more frequently, and the upper case contained the capital letters, which were used less often."
Symbols were discussed as well, however the 2002 publication date preceded the advent of Twitter, thus there is no mention of the networking site when discussing the various functions for the # symbol.
There are many books about the letters of the alphabet.
This fascinating book is about these same 26 letters, ... no, 52 letters (don't forget lower-case: WHY are the "little letters" called "lower-case"?) ... and then ALL the other characters on the keyboard of a classic typewriter, or computer keyboard.
QWERTYUIOP - the top line of letters - gives the title.
Each alphabetical letter has a remarkable personal history!
So does each non-letter character:
1, 2, 3, ... ! @ # $ % ^ & * ( and so on.
The book is short, pithy, and extremely informative.
Essential reading for people who like to know important things.
Writing, after all, is one of humanity's most important cultural tools!
Very, very highly recommended!
John Gough - Deakin University, retired - jagough49@gmail.com
What this book is bad for: reading. Well-intentioned, but a terminally corny tone makes this book pretty unbearable.
The layout of the book is highly visual, and typesetting plays a big part in the contents, which makes it somewhat catchy However, with the exception of a few points at the beginning of the book, Lundmark added nothing new to what is already known (at least to me; if you find otherwise, modesty forbids). There were also numerous typographical errors throughout the text.
In one instance, a sentence was left unfinished.
This book is catchy, but it offers little in turn.

