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Ragged Claws (The Book of the Colossus) (Volume 2) Paperback – March 14, 2014
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About the Author
John Guy Collick was born in Yorkshire, England. When he was 10 years old his grandfather gave him a copy of A Princess of Mars by Edgar Rice Burroughs, and from then on he was hooked on science fiction and fantasy. He worked for Scotland Yard before moving to Japan for ten years to lecture in literature and philosophy, teaching courses on Science Fiction and Futurology. Ragged Claws is his second novel. As well as writing SF he is the author of a book on Shakespeare, essays on literature and several screenplays. Website: johnguycollick.com Twitter: @johnguycollick
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I must admit that I hesitated slightly at the opening scenes of this latest episode in Max and Abby explore the end of time. How many fantasy novels have I read that begin with the hero leaping out of the window of an inn in a low-life quarter of a scruffy town to rescue a damsel in distress? How often does the hero end up with a long-term girlfriend or eternally grateful prince/priest/mage in tow after saving her/him from ruffians? However, I should not have doubted: Ragged Claws is anything but predictable. After only a few paragraphs we part company with the trope, and Max and Abby are plunged into the next absolutely mind-boggling leg of their journey in the company of two enigmatic characters who grow more and more unsettling as the story progresses.
This is a wonderful book, a massive canvas of purple and blood red skies, oceans of liquid metal, decomposing cities full of fear and squalor inside the body of God (yup, that’s right), nightmarish beings, and exquisite beauty. It isn’t for the squeamish either. Be prepared to be splattered with blood, red and white, and fountains of tripes and engine oil. One of my favourite images is of a beach on the edge of a sea of some molten metal, composed of minute cogwheels from the millions of dead machines and war engines lying at the bottom of the ocean. It is a vividly visual book, deep blues and purples shot through with the artificial lights of a dying universe, filled with crumbling skyscrapers miles and miles high built from rusting girders or filthy green glass, and the furtive, almost invisible remnants of humanity.
Every good story has a quest, and Max and Abby’s is not to defeat evil and bring back the good old status quo. It is no less than to ensure that the construction of God is completed so that he (it?) can carry humanity through the god door and into the next universe before this one flickers and dies.
This is a very strange and beautiful book, and I can’t recommend it highly enough to readers who appreciate the world of fantasy comics, early sci-fi films, or simply being carried along on rusty tracks faster than the fastest fighter jet and tossed into a universe of immense empty darkness, and savage metal claws.