- Hardcover: 186 pages
- Publisher: Chronicle Books; 16569th edition (February 10, 2010)
- Language: English
- ISBN-10: 081187107X
- ISBN-13: 978-0811871075
- Product Dimensions: 8.2 x 0.8 x 9.2 inches
- Shipping Weight: 2.1 pounds (View shipping rates and policies)
- Average Customer Review: 108 customer reviews
- Amazon Best Sellers Rank: #28,044 in Books (See Top 100 in Books)
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Ramayana: Divine Loophole Hardcover – February 10, 2010
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The Amazon Book Review
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Artist and veteran Pixar animator Sanjay Patel lends a lush, whimsical illustration style and lighthearted voice to one of Hindu mythology's best-loved and most enduring tales. Teeming with powerful deities, love-struck monsters, flying monkey gods, magic weapons, demon armies, and divine love, Ramayana tells the story of Rama, a god-turned-prince, and his quest to rescue his wife Sita after she is kidnapped by a demon king. This illustrated tale features over 100 colorful full-spread illustrations, a detailed pictorial glossary of the cast of characters who make up the epic tale, and sketches of the work in progress. From princesses in peril to gripping battles, scheming royals, and hordes of bloodthirsty demons, Ramayana is the ultimate adventure story presented with an unforgettably modern touch.
Q&A with Author and Illustrator Sanjay Patel
Q: What was your inspiration to tell this story?
Patel: Well I finally read the thing. I mean I suck at reading and everything. But I came across a great adaptation of the Ramayana by an author named Ashok Banker. I actually discovered the book via Nina Paley's blog. She's the one woman force behind Sita Sings the Blues, the feature length animated work about the same subject. After reading a few pgs on Amazon I ordered the first book by Mr. Banker which weighed in at over five hundred pgs. Keep in mind that was just book one of a seven part series. I just read and read and the thing slowly unlocked. And what I found was an ancient mythology with themes and symbols that were timeless and essential. Really meaningful stuff all wrapped up in a visually rich world of epic adventure. The story was just begging to be illustrated.
Q: How did you get started working at Pixar?
Patel: The only thing I was ever good at was copying drawings from comic books. I just drew, and nothing could ever get me to stop. All throughout school I was considered "the artist," which really just meant that I could make really bad drawings for people’s letterman jackets. A friend told me about Cal-Arts and animation. The school was the key. Most of Pixar’s directors have come straight out of Cal-Arts and its character animation program. I just walked in their footsteps and they ended up recruiting me after my second year. I've been at Pixar ever since, close to thirteen years now.
Q: Describe your creative process. How do you create your illustrations?
Patel: Once I have a concrete idea of the story point that I want to communicate, which is usually nailed down in the writing, I then think of one “story telling image. For instance, it's a big story point when Hanuman, the monkey with special powers, uses his burning tail to set fire to the Ravana's capital city. Since this story has been told many times before I try and research what visual artist have done previously to communicate this moment. Here I pulled together reference from paintings and from vintage comics.
Click on the image to learn more about Patel's creative process and see more example illustrations.
Q: How long did it take you to create the scenes in the book?
At one point the illustrations were getting churned out at about one every two and half days. I was at a good clip till I decided to redo the entire book three times. I kept fighting with trying to make the art light hearted and cute, but the story was anything but that. The Ramayana is pretty dramatic and graphic, and I eventually found a style and voice that captured those things. It only took me four years.
Q: Which characters in the Ramayana did you have the most fun illustrating?
Patel: I can doodle Ravana the ten-headed demon king in my sleep at this point. I also love sketching Hanuman and Rama. They both have really fun shapes to fiddle with. The cover of the book was actually a blast, it was probably the last illustration I did.
Some of Sanjay's Favorites:
J Otto Seibold
Martin & Alice Provenson
Back to the Future
The Wrong Trousers
Raiders of the Lost Ark
That's a toss up between M83 and Sigur Ros
Usually places that serve french fries and hot sauce.
Phoenix Karma by Osamu Tezuka:
Calvin & Hobbes Tenth Anniversary Book by Bill Watterson
Angry Youth Comix by Johnny Ryan
About the Author
Sanjay Patel is the author of The Little Book of Hindu Deities and is an animator and storyboard artist for Pixar Animation Studios, where he has worked on numerous films, including Monsters, Inc.; A Bug's Life; Toy Story 2; Ratatouille; The Incredibles; and Toy Story 3. He has also worked on The Simpsons for Fox and with legendary cartoonist John K., creator of Ren and Stimpy.
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Let me tell you - this was so much more than I ever expected. My kids (and my wife!) were mesmerized by the way the story was presented, and I can't speak enough about the artwork. My kids begged me, each night, to read more from the book. They would race through dinner and brush their teeth in record time just so we had more time to read. This is a testament to the quality of this book.
I liked the artwork so much that it's become one of my favorite books to gift - I've bought copies for my sibling's kids and several of my friends' kids.
The story is well paced and laden with beautiful illustrations. Each page is filled with scenes of glorious colours -- nothing less for this colourful tale. The characters are also nicely designed. The vector style drawings (known for straight lines and smooth curves) are unique, especially when used to tell mythical tales, and work very well in this case.
Sanjay Patel also talked a bit about the making of this book. It took four years in the making, or 7 days per page. Vector drawings are very time consuming because it involves plotting and joining points using a graphic software to form (countless) lines. Basically you have to draw the draft and redraw everything again in vector with the scanned draft. Hats off to him for this tremendous piece of effort.
Also included at the back are some sketches of the preliminary ideas. Pretty fun to look at. The cartoon style interpretation of some scenes will give you an idea what the book could have turned out to be if not done in vector style.
This is a fun and nice read. I don't know if this book is intended for kids but it's certainly a book anyone can like.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)
Contrast this to the illustrations in "Sita sings the blues', whose creator Nina Paley Sanjay credits. The lack of Shraddha made those pictures,while beautiful in technique, tawdry and unappealing, whereas this book feels like no mere comic, but a work of art that is fit to adorn walls.