This is very clearly a pro-life film; it smacks you in the face with that message several times. There's nothing subtle about it. But according to the Pang Brothers, "that just happens to be one of the topics in the movie. We are not out to say if abortion is right or wrong." Then why make it the overriding theme of the movie?
The story involves an author with a bad case of writer's block who feels the stress deeply when her dopey agent announces her next book will deal with the supernatural and it's called Re-cycle. Talk about pressure. Now she has to actually write the darn book. It doesn't help that her ex-boyfriend (a married man) shows up after eight years to say he's finally divorced, let's pick up where we left off. Unfortunately, she can't do that as she did something eight years ago (out of spite) and now he's just a reminder of that one decision. Cue spooky elements consisting of stray hair (she knows it's not her hair that she keeps finding around her apartment......at that rate she'd soon be bald!), weird sound effects, belligerent phone calls that are nothing but angry noises, the sense that she is not alone.....well, there is that shadowy person loitering about. Then her garbage moves, there's a paper trail, a light in the night sky, persistent wind, and finally a faulty elevator. Before you can say BOO, she's in a strange place (a cross between Wonderland and Oz on a bad day). After that, it's all about the FX and funky imagery. A lot of it would be exceptional but for the lack of light (most of these strange scenes take place in gloom of day). It's next to impossible to appreciate artistry when it can't be seen properly. Someone also went a little crazy with the filters, color coding some of the places she's forced to wander through.
I've watched this movie twice. Don't care much for the story but the creativity involved is impossible to ignore. I wanted to love it but I can't.
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