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CSB Reader's Bible, Gray Cloth Over Board Hardcover – September 1, 2017
"Rebound" by Kwame Alexander
Don't miss best-selling author Kwame Alexander's "Rebound," a new companion novel to his Newbery Award-winner, "The Crossover,"" illustrated with striking graphic novel panels. Pre-order today
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And the sad/funny thing was that until I received the CSB Reader’s Bible this very morning, the first reader’s Bible I ever got was the best. It was my TNIV Books of the Bible—despite its odd paperback covers and its odd typeface that couldn’t decide whether it wanted to be serif or sans—that I have always felt set the gold standard for how to lay out Bible type to assist readers in garnering meaning. Its progenitor, Christopher R. Smith, author of two books on Bible typography, did a simply excellent job
The ESV Reader’s Bible was too regimented: its line breaks and indents weren’t flexible enough; and I didn’t like its use of chapter numbers—I felt like someone forgot to tell them the whole point of a reader’s Bible. My NIV Books of the Bible was well done overall, but its faux-leather vinyl cover was so bad that it genuinely got in the way. My Holman KJV Reader’s Bible made the inexplicable decision to divide all proper names into syl'-la-bles (including “Je '- sus”!). It’s ugly, needless, and inimical to the elegant reader’s Bible concept. A multi-volume reader’s Bible (such as the ESV and Bibliotheca) is cool to look at, but unwieldy: I’m too accustomed to having the whole Bible in my hand. I have a soft spot in my heart for the old New English Bible I somehow inherited; it was typographically elegant and managed to keep verse numbers off to the side. But the NEB translation is of comparably little utility for me. It’s too idiosyncratic for daily use.
CSB READER’S BIBLE
A single-volume, single-column reader’s Bible which worked hard to use all the layout conventions available to it—that I hadn’t seen since 2006. But the CSB Reader’s Bible has done it. And with a much better typeface, a subtle and effective use of color, and a beautiful cloth-over-board construction.
The cloth over board is an apparent copycat move; the ESV Reader’s Bible pulled that one off successfully years ago. But the cloth-over-board slipcase is a nice touch. This is a nicely made Bible. The blue and gray is striking—along with the blue highlights in the interior.
And it’s that interior that has me most excited. The paper is bright, the reading is easy. The balance of white space and text block is right. Even without line-matching (more on that in a moment), any ghosting was not distracting for me.
What pleases me most about the interior is the number of conventions the layout pros took advantage of when constructing the reading experience. There are paragraph breaks, of course, but also subtle indents of various kinds that assist the reading of poetry. The use of these tools for conveying meaning is careful and beautiful—and helpful. That’s the point. And it works.
I also think the drop caps marking chapter divisions are a brilliant compromise with the reality of chapter divisions; I do find that it can be a bit overwhelming in my otherwise excellent TNIV to have so much text unbroken by visual ornamentation.
MY ONLY COMPLAINTS
I have very few complaints:
• In Proverbs, I still prefer the more subtle line breaks between couplets in my TNIV Books of the Bible to the full, empty lines in my new CSB.
• Line-matching on obverse and reverse sides of pages is absent. I had thought that was now standard, that Crossway would force everyone else to catch up. I’ve often felt, however, that line-matching runs counter to something more important in Bible design: the ability to vary the height of line breaks. My old TNIV, again, did this so well—especially in poetry.
• I still prefer the elegance (I’m sorry for repeating this word; it must be done) of Lexicon to the typeface used in this edition. 2K/Denmark is awesome, but their Bible Serif feels too squeezed laterally to me. It enables them to get more text on the page, and the overall feel is still much superior to the Optima-like face used in that TNIV.
• I’m also ambivalent about the CSB’s overall practice (in every edition I’ve seen) of bolding Old Testament quotations in the New Testament. It actually works better in a reader’s Bible than in any other kind of edition, I think, because the bold isn’t as loud when it isn’t competing with other intrusions into the text block (chapter and verse numbers, superscript numerals and letters, footnotes, etc.).
Get this Bible. The CSB is an excellent translation, and this is the best way to experience it. I’m reading through the CSB this year (just reached Zephaniah), and I’m thrilled use this physical edition rather than my (also very nice) Logos app on the iPad.
DISCLOSURE OF MATERIAL CONNECTION
I read a free review copy; but I hope anyone who reads this review can tell that there were no strings attached. I like this Bible a great deal but would change some things if I could.