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Real Life: A Novel Hardcover – February 18, 2020
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“A blistering coming of age story” —O: The Oprah Magazine
Named a Best Book of the Year by The New York Times, The Washington Post, New York Public Library, Vanity Fair, Elle, NPR, The Guardian, The Paris Review, Harper's Bazaar, Financial Times, Huffington Post, BBC, Shondaland, Barnes & Noble, Vulture, Thrillist, Vice, Self, Electric Literature, and Shelf Awareness
A novel of startling intimacy, violence, and mercy among friends in a Midwestern university town, from an electric new voice.
Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.
Real Life is a novel of profound and lacerating power, a story that asks if it’s ever really possible to overcome our private wounds, and at what cost.
- Print length336 pages
- LanguageEnglish
- PublisherRiverhead Books
- Publication dateFebruary 18, 2020
- Dimensions5.4 x 1.1 x 8.35 inches
- ISBN-100525538887
- ISBN-13978-0525538882
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From the Publisher
Editorial Reviews
Review
“[A] stunning debut . . . Taylor proves himself to be a keen observer of the psychology of not just trauma, but its repercussions. . . . There is a delicacy in the details of working in a lab full of microbes and pipettes that dances across the pages like the feet of a Cunningham dancer: pure, precise poetry.” —Jeremy O. Harris, The New York Times Book Review
“Equal parts captivating, erotic, smart and vivid . . . [rendered] with tenderness and complexity, from the first gorgeous sentence of his book to its very last . . . Taylor is also tackling loneliness, desire and—more than anything—finding purpose, meaning and happiness in one’s own life.” —Time
“[Real Life is] a sophisticated character study of someone squaring self-preservation with a duty to tolerate people who threaten it. The book teems with passages of transfixing description, and perhaps its greatest asset is the force of Wallace’s isolation, which Taylor conveys with alien strangeness.” —The New Yorker
“Real Life is a tender, deeply felt, perfectly paced novel about solitude and society, sexuality and race. It explores what the past means and, with brilliance and sympathy, dramatizes the intricacies of love and grief.” —Colm Tóibín
“A blistering coming of age story. . . [Taylor] is so deft at portraying the burdens that befall young queer people of color and the forces that often hamper true connection.” —O: The Oprah Magazine
“Brandon Taylor emerges as a powerhouse . . . . In tender, intimate and distinctive writing, Taylor explores race, sexuality and desire with a cast of unforgettable characters.” —Newsweek
“A pleasure . . . So well written I felt like I was watching the events, rather than just reading the prose.” —NPR
“It’s fantastic. He’s such a phenomenal writer, it just floors you.” —Elliot Page, Esquire
“[A] classical ideal of a novel . . . Every scene, every dialogue, fits perfectly over a hall-of-famer first sentence[,] delicate interlocking layers of story that build satisfyingly up and out around Wallace, his father, and his friends.” —The Paris Review
“A perfect, meditative read.” – USA TODAY
“Both calm and quiet and furiously dramatic, internal and external, Real Life moves like, well, real life—but with a key difference. Real life itself can be super boring. But Real Life . . . is utterly captivating all the way through.” —Isaac Fitzgerald, The Today Show
“Taylor’s vivid characterization is punishingly effective; his essayistic insights into cultural dynamics and their impact hold searing power. Erotic and ambiguous [and] hard to shake.” – Entertainment Weekly
“One of the best debut novels in recent memory. . . . [Real Life] leaves the reader spinning. In a good way.” —Shondaland
“Brandon Taylor reimagines the dusty expectations of the campus novel . . . Taylor is a brilliant and eloquent prose-stylist who effortlessly conveys entire lives in brief flashes of narrative insight. Most impressively, he writes deftly about the blurring of attraction, friendship, and grief.”—Alex McElroy, BuzzFeed News
“Shattering.” —Elle
“With the rigour of the laboratory, Taylor wields scalpel-like prose, putting human behaviours under the microscope . . . precise and masterly.” —Financial Times
“What Taylor does next will be worth watching.”–The Washington Post
“A novel of quiet, startling power.” —Harper’s Bazaar
“Taylor avoids cliches around campus living and instead—through various interpersonal and institutional scuffles—offers a look at the relentless erosion of dignity many students of color experience at college. —SELF
“Psychologically compelling, incisively satirical, told in a muted style that nevertheless accesses a full emotional range, this is a brilliant book, worthy of a wide audience.” —The Guardian
“A profound look at the depths of desire, knowledge and prejudice . . . a refreshing take on the traditional campus novel.” —VICE
“Taylor’s debut is of a rare and vital sort. . . . Taylor’s grip on the subtle movements of the human heart and psyche is masterful.” —Huffington Post
“Astonishingly accomplished . . . Even at its darkest moments, Real Life is a piercingly beautiful book. In tracing the fault-lines that rip through Wallace’s emotional world, Brandon Taylor has written a truly exquisite story of love, sex, death, and microbes that is both intimate and expansive.” —Times Literary Supplement
“Explosive . . . [Real Life] gets so much right.” —The Point
“The writer who came most to mind as I read Real Life was James Baldwin, especially the erotic Baldwin, attuned to social pressure and violence, and deeply committed to the power, the uneasy force, of sex. . . . The exquisite tension in Taylor’s litany of physical details underscores the harshness that threatens the scene’s placid surface. . . . The details here have the savor of the real.” —Bookforum
“Real Life is a great American novel, a great college novel, a great summer novel, a great queer novel, a great novel of life as it has always been lived by young people waiting for their 'real life' to begin, and just a really, really great novel. . . . It's the best novel I’ve read this year.'” —Dazed
“Brandon Taylor’s Real Life doubles as a great grad student novel (most attempts trade in stereotypes; this offers the real, complicated, dark thing) and a great, positively Persuasion-like novel about the relationship between consciousness and embodiment.” —Commonweal
“A poignant, exacting story. . . . Taylor is an extraordinary cartographer of Wallace’s loneliness, crafting a finely wrought story of academia, intimacy, and identity.” —Esquire
“Real Life asks questions many of us shy from: Who is entitled to pain? How useful is an apology? Can sharing our feelings free us from them? . . . Amid the flurry of new novels drifting down like so many balloons, Real Life is the one weighted with confetti.” —The Paris Review
"Taylor brings the precision of a scientist to his descriptions of Wallace’s desires and defenses. . . . [capturing] the ennui of those caught between the lure and the loneliness of academic science, trapped in an existence that doesn’t qualify as a 'real life.'" —Forbes
"Astounding." —LA Review of Books
“[Taylor] is as keen an observer as his subject is, and he writes with extraordinary precision: about the academy, and queerness, and race, and trauma, and ambivalent friendship, and desire. About all the things that, put together, make up something approaching real life.” —Constance Grady, Vox
“A deeply moving study of race, grief and desire.” —The Sunday Times
“Real Life poignantly illustrates the dissonance of not feeling accepted or understood at an institution that aggressively markets itself as immaculately progressive.” —The Guardian
“A literary breakthrough.” –Interview
“Brandon Taylor’s bravura first novel… shines a vital light on race, class and sexuality, and in doing so leaves his reader in no doubt as to his unique voice and talent.” – Minneapolis Star-Tribune
“Taylor's writing is vibrant as much as it is brutal in its elegance and poignancy” – Paper
“A masterful debut.” – LAMBDA Literary
“A book wonderfully observant on the toxicity of whiteness, and a reminder of what even the smallest racial slights can do to the body and mind.” – Wired
“As a stylist Taylor has, sentence by sentence, crafted an experience of bone-deep pleasure for the reader that stands not at odds with the melancholy of the tone of Wallace's story but in loving support of it. The penultimate chapter alone is a knockout, and its end would have been a magnificent closing for the book had the actual final sentence, a few pages later, not surpassed it.” —Salon
“In the character of Wallace[,] readers are gifted one of the most compelling and original characters in recent memory.” —The Advocate
“No one with a former life as a biochemist should be able to write a novel as devastatingly good as Real Life is, but here we are.” —Thrillist
“The most indelible stories will not prepare us for heartbreak, and Brandon Taylor’s debut novel is merciless in this way. . . . I’ve dreamt for eons of a novel to depict gay Black men, rich with feeling and desire, reclaiming their narrative from the throes of whiteness. Without a doubt, Real Life is the first great novel this decade will ever see.” — Paris Close, Paperback Paris
“Brandon Taylor won 2020. His debut book came out in February and it is still always on the tip of my tongue when someone asks for a recommendation. He crafted such a quiet moody book that is somehow more explosive than an action-packed thriller.” —Debutiful
“The best portrayal of an introvert’s inner and outer life in recent memory. With smooth prose and a deeply nuanced protagonist, Real Life is one of those timeless stories that also perfectly captures a generational moment.” —LitHub
“Just as Sally Rooney’s second novel perfectly captures the intimacies of a young relationship, Brandon Taylor’s provocative debut tests the boundaries put in place by a queer, black graduate student.” —Bookpage
“Taylor is a writer who really gets the indignities of inhabiting a human body, how the physical is so intimately tied to the emotional. . . . Wallace is a heady mix of judgmental and vulnerable, and it’s hard not to root for him even if he decides to blow his life up.”—Vulture
“Brandon Taylor’s long-anticipated debut novel tackles timely issues while introducing a compelling protagonist who will stick with you long after the final page.” —Paste
“One of those books that perfectly captures a generational moment while also feeling timeless.” —Sarah Neilson, Them
“Taylor’s perceptive, challenging exploration of the many kinds of emotional costs will resonate with readers looking for complex characters and rich prose.”—Publishers Weekly
“Breathlessly physical . . . steadily exciting and affecting . . . [a] charged experience.” —Booklist (starred review)
“There is writing so exceptional, so intricately crafted that it demands reverence. The intimate prose of Brandon Taylor’s exquisite debut novel, Real Life, offers exactly that kind of writing. He writes so powerfully about so many things—the perils of graduate education, blackness in a predominantly white setting, loneliness, desire, trauma, need. Wallace, the man at the center of this novel, is written with nuance and tenderness and complexity. . . . Truly, this is stunning work from a writer who wields his craft in absolutely unforgettable ways.” —Roxane Gay
“The affections and disaffections of grad school life are shot through with the searing experience of white racial presumption and blindness in Brandon Taylor’s vivid and exacting Real Life.” —Adam Haslett
“This book blew my head and heart off. For a debut novelist to disentangle and rebraid intimacy, terror, and joy this finely seems like a myth. But that, and so much more, is what Brandon Taylor has done in Real Life. The future of the novel is here and Brandon Taylor is that future’s name.”
—Kiese Laymon
“Real Life is a gorgeous work of art, and the introduction of a singular new voice. Through Wallace, the book explores the tension of a person trying to become himself while surrounded by people who can see him only as their own projection. Even as Brandon Taylor dives beneath the level of polite surface interaction and into the ache of what people conceal from one another, or reveal only as weaponry, his sharply rendered observations make it a true pleasure to spend time in this book’s world.”
—Danielle Evans
“Real Life is one of the finest fiction debuts I've read in the last decade—elegant and brutal, handled by an author whose attention to the heart is unlike any other's. A magnificent novel.”
—Esmé Weijun Wang
“A few summer days, a group of friends, a difficult intimacy—with the simplest materials, Real Life reveals the knives we pocket in good intentions, our constant, communal sabotage of love. Brandon Taylor’s genius lies in the elaboration of ever more revelatory gradations of feeling; in his extraordinary debut he invents new tools for navigating the human dark in which we know one another. He is a brilliant writer, and this is a beautiful book.”
—Garth Greenwell
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
1
It was a cool evening in late summer when Wallace, his father dead for several weeks, decided that he would meet his friends at the pier after all. The lake was dimpled with white waves. People coveted these last blustery days of summer before the weather turned cold and mercurial. The air was heavy with their good times as the white people scattered across the tiered patios, pried their mouths apart, and beamed their laughter into each other's faces. Overhead, gulls drifted easy as anything.
Wallace stood on an upper platform looking down into the scrum, trying to find his particular group of white people, thinking also that it was still possible to turn back, that he could go home and get on with his evening. It had been a couple of years since he had gone to the lake with his friends, a period of time that embarrassed him because it seemed to demand an excuse and he did not have one. It might have had something to do with the crowds, the insistence of other people's bodies, the way the birds circled overhead, then dive-bombed the tables to grab food or root around at their feet, as though even they were socializing. Threats from every corner. There was also the matter of the noise, the desperate braying of everyone talking over everyone else, the bad music, the children and dogs, the radios from the frats down the lakeshore, the car stereos in the streets, the shouting mass of hundreds of lives disagreeing.
The noise demanded vague and strange things from Wallace.
There, among the burgundy wooden tables nearest the lake, he saw the four of them. Or, no, more specifically, he saw Miller, who was extraordinarily tall, the easiest to spot. Then Yngve and Cole, who were merely tall, and then Vincent, who just scraped under the bar of average height. Miller, Yngve, and Cole looked like a trio of pale, upright deer, like they belonged to their own particular species, and you could be forgiven, if you were in a hurry, for thinking them related. Like Wallace and their other friends, they had all come to this Midwestern city to pursue graduate studies in biochemistry. Their class had been the first small one in quite some time, and the first in more than three decades to include a black person. In his less generous moments, Wallace thought these two things related, that a narrowing, a reduction in the number of applicants, had made his admission possible.
Wallace was on the verge of turning back-he was uncertain if the company of other people, which just a short time ago had seemed somehow necessary, was something he could bear-when Cole looked up and spotted him. Cole started to flail his arms about, as if he were trying to elongate himself to ensure that Wallace could see him, though it must have been obvious that Wallace was looking directly at them. There was no turning back after all. He waved to them.
It was Friday.
Wallace went down the half-rotten stairs and came closer to the dense algal stink of the lake. He followed the curving wall, passed the hulls of the boats, passed where the dark stones jutted out of the water, passed the long pier that stretched out into the water, with people there, too, laughing, and as he walked, he glanced out over the vast green water of the lake itself, boats skimming its surface, their sails white and sure against the wind and the low, wide sky.
It was perfect.
It was beautiful.
It was just another evening in late summer.
An hour before, Wallace had been in lab. All summer he had been breeding nematodes, which he found both boring and difficult. Nematodes are free-living, soil-dwelling microscopic worms, only about a millimeter when fully grown. His particular project was the generation of four strains of nematodes, which then had to be crossed together very carefully. It involved, first, the induction of a genetic lesion that was to be repaired in such a way as to yield a desired modification-the termination or amplification of genetic expression, the flagging of a protein, the excision or addition of a segment of genetic material-that was to be shuttled from one generation to the next, handed down like a gap or freckles or left-handedness. Then there was the simple yet careful math required to combine that modification with other modifications in other strains, changes that sometimes required a marker or a balancer: a tweak to the nervous system that gave the creature a rolling rather than sinuous behavior, or a mutation in the cuticle that rendered the nematodes thick like miniature Tootsie Rolls. There was also the dicey prospect of generating males, which always seemed to result in animals that were too fragile or uninterested in mating at all. And then, as always, the dissolution of the worms and the extraction of their genetic material, which had a way of revealing, after weeks of careful breeding and tracking of multiple generations, that the modification had been lost. Then it was a mad scramble, days or weeks spent backtracking through old plates trying to locate the modification among thousands of teeming progeny, the wild and fevered relief of locating-at the last possible moment-the golden nematode in the mass of wriggling animals, and then the resumption of the slow, steady breeding process, herding desired chromosomes and wicking away the undesired ones until the sought-after strain emerged at last.
All through the beautiful days of summer, Wallace had been working and failing to breed this one strain. An hour before, he had been in lab, removing from the incubator his boxes of agar plates. He had been waiting three days for this generation to roll into the next, just as he had been waiting months for this result. He would gather the babies, the fine, almost invisible hatchlings, and separate them, until at last he had his triple mutant. When he checked the status of his nematodes, however, the tranquil blue-green surface of the agar, uncannily like human skin in its soft firmness, was not so tranquil.
It looked disturbed, he thought.
No, not disturbed. He knew the word for it.
Contaminated.
Mold and dust, like one of those horrible re-creations of a volcanic event-whole civilizations frozen in ash and soot and coarse white stone. A soft pelt of green spores covered the agar and concealed at first an oozing bacterial film. The gelatin looked as if it had been scoured by the end of some rough brush. Wallace checked all of his plates in all of his plastic tubs and found shades of horror on all of them. The bacterial contamination was so bad that it leaked through the lids and onto his hands like pus from a wound. It was not the first time his plates had become contaminated or moldy. This had been common in his first year, before his technique and cleanliness improved. Before he knew to be vigilant, cautious. He was different now. He knew enough to keep his strains safe.
No, this level of carnage seemed beyond the scope of mere carelessness. It seemed entirely unaccidental. Like the vengeance of a petty god. Wallace stood there in lab, shaking his head and laughing quietly to himself.
Laughing because it was funny to him in a way that was difficult to clarify. Like a joke leaping unexpectedly from an entirely random arrangement of circumstances. In the past few months, for the first time in his four years of graduate school, he had begun to feel that he might be at the edge of something. He had gotten to the perimeter of an idea, could feel the bounds of its questions, the depth and width of its concerns. He had been waking with the steadily resolving form of an idea in his mind, and this idea had been pulling him through all the unremarkable hours, through the grit and the dull ache when he woke at nine to return to work after going to sleep at five. The thing that had been spinning in the brilliant light of the tall lab windows, like a speck or a mote of dust, had been hope, had been the prospect of a moment of brief clarity.
What did he have to show for all that? A heap of dying nematodes. He had checked them only three days before, and they had been beautiful, perfect. Into the cool darkness of the incubator he had placed them to sit undisturbed for three days. Perhaps if he had checked them the day before. But no, even that would have been too late.
He had been hopeful this summer. He had thought, finally, that he was doing something.
Then, in his in-box, the same as every Friday: Let's go to the pier, we'll snag a table.
It seemed to him as good a decision as he was capable of making at that moment. There was nothing left for him to do in lab. Nothing to be done for the contaminated plates or the dying nematodes. Nothing to be done for any of it except to start again, and he did not have it in him to take the fresh plates from their place on the shelf, to lay them out as if dealing a new hand of cards. He didn't have it in him to turn on his microscope and to begin the delicate work necessary to save the strain if it wasn't already too far gone, and he wasn't ready to know if it was already too late.
He did not have it in him.
To the lake he had gone.
The five of them sat in a curious, tense silence. Wallace felt like he had interrupted something by showing up unexpectedly, as if his presence somehow shifted the usual course of things. He and Miller sat across from each other, nearest the retaining wall. Over Miller's shoulder, a veil of delicate roots latched to the concrete, dark insects teeming in its recesses. The table shed burgundy paint like loose hair from a mangy dog. Yngve pulled gray splinters from bald patches left by the paint and flicked them at Miller, who either didn't notice or didn't care. There was always something vaguely annoyed in Miller's expression: a subtle snarl, a blank stare, narrowed eyes. Wallace found this both off-putting and a little endearing. But tonight, resting his chin on his hand, Miller just looked bored and tired. He and Yngve had been sailing, and they still wore their tan life vests open over their shirts. The tassels of Miller's vest dangled like they felt bad about something. His hair was a tangle of damp curls. Yngve was thicker and more athletic than Miller, with a triangular head and slightly pointed teeth. He walked with a permanent forward-canting posture. Wallace watched the muscles in his forearms tighten as he dug out more shards of weathered wood, rolled them into little bundles, and flicked them from the end of his thumb. One by one they landed on Miller's vest or in his hair, but he never flinched. Yngve and Wallace caught each other's eye, and Yngve winked at him as if his mischief were a private joke.
On Wallace's side of the table, Cole and Vincent had brought each other as close as possible, like they were on a sinking ship and were praying to be saved. Cole stroked Vincent's knuckles. Vincent had pushed his sunglasses back across his forehead, which made his face seem small, like that of a needful pet. Wallace had not seen Vincent in some weeks, maybe not since the barbecue that Cole and Vincent had thrown for the Fourth of July. That had been over a month ago now, he realized with a thrum of anxiety. Vincent worked in finance, overseeing chunks of mysterious wealth the way climate scientists tracked the progression of glaciers. In the Midwest, wealth meant cows, corn, or biotech; after generations spent providing America with wheat and milk and poultry, the Midwestern soil had given rise to an industry that built scanners and devices, a harvest of organs, serums, and patches sprung from genetic mash. It was a different kind of agriculture, just as what Wallace did was a different kind of husbandry, but in the end they were doing what people had always done, and the only things that seemed different were meaningless details.
"I'm hungry," Miller said, sliding his arms open on the table. The suddenness of the gesture, his hands sweeping close to Wallace's elbows, made Wallace flinch.
"You were right there when I ordered those pitchers, Miller," Yngve said. "You could have said something then. You said you weren't hungry."
"I wasn't hungry. Not for ice cream, anyway. I wanted real food. Especially if we're drinking. And we've been in the sun all day."
"Real food," Yngve said, shaking his head. "Listen to that. What do you want, asparagus? Some sprouts? Real food. What even is that?"
"You know what I mean."
Vincent and Cole coughed under their breath. The table tilted with the shifting weight of their bodies. Would it hold them? Would it last? Wallace pressed against the slats of the tabletop, watching as they slid on slim, dark nails.
"Do I?" Yngve crooned. Miller groaned and rolled his eyes. The flurry of easygoing taunts made Wallace feel a little sad, the kind of private sadness you could conceal from yourself until one day you surfaced and found it waiting.
"I just want some food, that's all. You don't have to be so obnoxious," Miller said with a laugh, but there was hardness in his voice. Real food. Wallace had real food at home. He lived close by. It occurred to him that he could offer to take Miller home and feed him, like a stray animal. Hey, I've got some pork chop left over from last night. He could caramelize onions, reheat the chop, slice bread from the corner bakery, the hard, crusty kind, soak it in grease or batter to fry. Wallace saw it all in his mind's eye: the meal made up of leftovers, converted into something hearty and fast and hot. It was one of those moments in which anything seemed possible. But then the moment passed, a shift in the shadow falling over the table.
"I can go to the stand. If you want. I can buy something," Wallace said.
"No. It's fine. I don't need anything."
"Are you sure?" Wallace asked.
Miller raised his eyebrows, skepticism that felt like a slap.
The two of them had never been the sort of friends who traded kind favors, but they saw each other constantly. At the ice machine; in the kitchen where they took down abandoned plates and bowls from the shelves to eat their sad, brief lunches; in the cold room where the sensitive reagents were kept; in the hideous purple bathrooms-they were thrown together like surly, unhappy cousins, and they needled each other in the amiable manner of enemies too lazy to make a true go at violence and harm. Last December, at the departmental party, Wallace had made some offhand comment about Miller's outfit, called it something like the folk costume of the Greater Midwestern Trailer Park. People had laughed, including Miller, but for the next several months Miller brought it up whenever they were together: Oh, Wallace is here, I guess the fashionista will have some comment, then a flash of his eyes, a chilly, crooked smile.
Product details
- Publisher : Riverhead Books (February 18, 2020)
- Language : English
- Hardcover : 336 pages
- ISBN-10 : 0525538887
- ISBN-13 : 978-0525538882
- Item Weight : 14.1 ounces
- Dimensions : 5.4 x 1.1 x 8.35 inches
- Best Sellers Rank: #754,388 in Books (See Top 100 in Books)
- #767 in LGBTQ+ Literary Fiction (Books)
- #19,362 in Black & African American Literature (Books)
- #35,916 in Literary Fiction (Books)
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Customers find the book compelling and interesting. They praise the writing quality, prose, and style as excellent, beautiful, and accessible. The book is described as honest and true to life. However, some readers felt the reading pace was too slow and the lab talk was boring. There are mixed opinions on the plot, with some finding it poignant and illuminating, while others feel the narrative lacks a clear plot and feels disjointed.
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Customers find the book engaging and satisfying. They describe it as an intelligent and entertaining read with beautiful insights.
"This is the best novel I have read in years. It is well written and intersectional in a unique way...." Read more
"...raw honesty and depth of the character study make this novel a compelling read." Read more
"...Artistically, it's great and profound, well written with strong descriptions of places, events, and people...." Read more
"...I was deeply moved by this book, and I am rarely moved. The author is a master of their craft...." Read more
Customers appreciate the writing quality. They find it accessible and beautiful, with a mix of foreboding and beauty.
"This is the best novel I have read in years. It is well written and intersectional in a unique way...." Read more
"...Artistically, it's great and profound, well written with strong descriptions of places, events, and people...." Read more
"...The author is a master of their craft. The writing is both accessible and foreboding, difficult and beautiful, searingly painful and completely..." Read more
"...This is not an easy novel to read as there is so much ambivalence and suspicion in the characters' interactions...." Read more
Customers find the book thought-provoking and engaging. They appreciate the insightful writing style and beautiful imagery. The book is described as a riveting exploration of identity and belonging, written in a unique way.
"...It is well written and intersectional in a unique way. Mr. Taylor has perfectly captured feelings of otherness and belonging through the protagonist...." Read more
"...Artistically, it's great and profound, well written with strong descriptions of places, events, and people...." Read more
"A striking and surprising novel about a black, gay graduate student at a midwestern university who is as much at odds with himself as he is with his..." Read more
"...But it is definitely a giant collection of food for thought, as the reader tries to keep up with the inner thoughts and actions of Wallace...." Read more
Customers appreciate the book's style. They find the imagery and insights beautiful. The characterization of Wallace is subtle yet complex. The book takes a long, hard look at difficult elements of the human condition and captures them perfectly.
"...It takes a long hard look at difficult elements of the human condition, the selfishness of relationships...." Read more
"...The writing is both accessible and foreboding, difficult and beautiful, searingly painful and completely honest...." Read more
"A striking and surprising novel about a black, gay graduate student at a midwestern university who is as much at odds with himself as he is with his..." Read more
"...hasn’t felt these feelings before, but I can tell you that he captures it perfectly." Read more
Customers appreciate the honest and true-to-life story of modern college students.
"...While the narrative occasionally feels disjointed, the raw honesty and depth of the character study make this novel a compelling read." Read more
"...and foreboding, difficult and beautiful, searingly painful and completely honest. I cannot recommend this book strongly enough." Read more
"Visceral; honest; thought provoking; powerful...." Read more
"Honest and true life story of modern college students." Read more
Customers find the plot poignant and illuminating, capturing nuanced emotions and conflicts. However, some feel the narrative lacks focus and feels disjointed at times. The violence and ideas are described as shocking.
"...Mr. Taylor has perfectly captured feelings of otherness and belonging through the protagonist...." Read more
"...you're looking for a happy ending, look elsewhere, for this story doesn't exactly end, which again, is the whole point...." Read more
"Real Life by Brandon Taylor offers a poignant and intense portrayal of a young black queer man's struggle for acceptance and identity in a..." Read more
"...He is the only black student in his program. The story is incredibly illuminating about the constant ways in which black people find themselves..." Read more
Customers have different views on the character development. Some find the portrayal intense and well-developed, with a complex character like Wallace. Others feel the characters are not well-defined, with self-pitying main characters and ambiguous interactions.
"...Taylor has perfectly captured feelings of otherness and belonging through the protagonist...." Read more
"...There are so many characters it is hard to keep track of who is who, and many seemingly serve no real purpose or easily could have been combined..." Read more
"Real Life by Brandon Taylor offers a poignant and intense portrayal of a young black queer man's struggle for acceptance and identity in a..." Read more
"This story had potential. But as a gay man I found the characters unbelievable in how they related to each other...." Read more
Customers find the reading pace slow and boring. They mention that there is no meaningful discussion with the other characters about how they feel. The lab talk is also a little boring, making it difficult to continue reading. Overall, readers feel the story is okay but has too much science for the average reader.
"...There was not a meaningful discussion with the other characters about how he felt. This would have made the story more interesting...." Read more
"...Shoutout Alabama! My only issue would be that the lab talk was a little boring." Read more
"...is good, the main character is self-pitying and almost impossible to continue reading about...." Read more
"...Story was ok. Way too much science for the typical reader. Probably could have been cut in half, in terms of pages." Read more
Reviews with images
Anyone not rating this a 5 hasn't lived a life.
Top reviews from the United States
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- Reviewed in the United States on November 29, 2022This is the best novel I have read in years. It is well written and intersectional in a unique way. Mr. Taylor has perfectly captured feelings of otherness and belonging through the protagonist. As I read this, I kept sending quotes to my friends and family. This would be a perfect selection for LGBT+ book clubs. Highly recommended!
- Reviewed in the United States on June 24, 2024Real Life by Brandon Taylor offers a poignant and intense portrayal of a young black queer man's struggle for acceptance and identity in a predominantly white academic setting. Taylor's prose is both sharp and intimate, capturing the nuanced emotions and conflicts of his protagonist, Wallace, with precision. While the narrative occasionally feels disjointed, the raw honesty and depth of the character study make this novel a compelling read.
- Reviewed in the United States on April 18, 2021There were points in the story where it felt like it was going somewhere, but then it hardly does. There's no resolution which, when you read the final line of the book, you realize was the point the whole time.
Artistically, it's great and profound, well written with strong descriptions of places, events, and people. It takes a long hard look at difficult elements of the human condition, the selfishness of relationships.
If you're looking for a happy ending, look elsewhere, for this story doesn't exactly end, which again, is the whole point.
Still worth the read, though.
- Reviewed in the United States on August 29, 2020This work began slow, like a small rock on a hill jostled loose, and rolling just a bit. But then this slowness (which I think comes from the South, and I think comes from it honestly) builds into such a rockslide that it can be seen from miles away, both in its passing and the dust that it generates as it passes. I was deeply moved by this book, and I am rarely moved. The author is a master of their craft. The writing is both accessible and foreboding, difficult and beautiful, searingly painful and completely honest. I cannot recommend this book strongly enough.
5.0 out of 5 starsThis work began slow, like a small rock on a hill jostled loose, and rolling just a bit. But then this slowness (which I think comes from the South, and I think comes from it honestly) builds into such a rockslide that it can be seen from miles away, both in its passing and the dust that it generates as it passes. I was deeply moved by this book, and I am rarely moved. The author is a master of their craft. The writing is both accessible and foreboding, difficult and beautiful, searingly painful and completely honest. I cannot recommend this book strongly enough.Anyone not rating this a 5 hasn't lived a life.
Reviewed in the United States on August 29, 2020
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- Reviewed in the United States on October 13, 2022A striking and surprising novel about a black, gay graduate student at a midwestern university who is as much at odds with himself as he is with his environment. He is the only black student in his program. The story is incredibly illuminating about the constant ways in which black people find themselves isolated by, pointed at, remarked upon, by seemingly clueless white folks.
Wallace is a scientist whose research is struggling. One of his fellow grad students wonders whether he's reaching beyond his abilities. Of course, the speaker doesn't overtly intend the racism which Wallace senses acutely - and surely accurately. Wallace is deeply uncomfortable in his own skin, for any number of reasons, some of which are revealed as the novel progresses. Most surprisingly, he takes up with Miller, a seemingly straight fellow student, in a relationship more fraught than tender.
At one remarkable moment, Wallace opens up to Miller about his past, in a section that is a virtuoso display of Taylor's gifts as a writer. In all honestly, it reminded me of Faulkner's THE BEAR, when that story took us on an extended divertissement of lyrical prose. I was breathless at the end of this lengthy chapter.
Everyone struggles to connect throughout this multi-layered tale. Are these people friends out of proximity, or do some genuinely care about one another? So much is unclear in a novel where ambiguity is as essential as narrative.
Taylor is the real deal, a striking and original voice.
- Reviewed in the United States on September 25, 2020It’s very hard for me to process - having just finished this book. Brandon Taylor has written a book that so effectively captures the experience of graduate school. I was a queer white man moving to the east coast from the Midwest, but I felt such tremendous echoes of my own experience in Wallace’s pain...and his joys. It triggered a lot of feelings I haven’t thought about in a very long time.
I can’t tell you if this is a good book for someone who hasn’t felt these feelings before, but I can tell you that he captures it perfectly.
- Reviewed in the United States on April 16, 2023The early chapters have lengthy descriptions of the main character's work in the lab and a lot of science jargon. I don't think this would interest the average reader. Overall the book is sparse on dialogue between the characters. When they are speaking, there is a good amount of sarcasm, defensiveness, insecurity and lashing out. I suspect if these "friends" spent more time away from each other it would be healthier.
Wallace, the main character, has a ton of baggage and poor social skills. I understood the isolation he felt due to his race, but he also created friction. As much as the story was about his experiences as a black man in a white environment, it was mostly explored in his mind. There was not a meaningful discussion with the other characters about how he felt. This would have made the story more interesting.
Last, I kept waiting for him to stand up for himself more or make different choices in certain situations. In the end he was hard to root for.
- Reviewed in the United States on November 16, 2020Such subtle, layered, complex characterization of Wallace, the protagonist—he becomes a real person I missed fiercely after finishing the book. The writing is so perfect, the prose so good, the character so well drawn, I didn’t want the world created in the novel, full of brooding, disdain, heartbreak, to end. And, honestly, I’ll probably start right back at the beginning and read it again.
Top reviews from other countries
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Kinky KidReviewed in Mexico on July 21, 20215.0 out of 5 stars Bello pero a la vez muy duro
Wallace es un alumno de la universidad que no sabe que hacer con su vida profesional y personal. Siendo gay y negro siempre tiene una coraza para protegerse de los demás, que no deja que nadie lo conozca al cien por ciento y que hace que sus amigos blancos solo se la pasen asumiendo como es realmente. Durante una serie de confrontaciones que tiene en un fin de semana Wallace analizará su vida.
Este es un libro maravilloso pero incomodo de leer. Es un libro lirico y al mismo tiempo durísimo. Un libro que habla de las micro agresiones, el racismo y la homofobia implícito e institucional. Habla de como las heridas del pasado pueden afectar tu presente. Habla de la soledad. Habla de la violencia que ejercen sobre nosotros pero también de la violencia que ejercemos sobre otros. Habla del privilegio del agresor pero también del privilegio de la victima. Este libro que habla de todo esto y mas, y lo mejor es que tocando tantos temas nunca se siente ni pesado ni sermoneador. Taylor entreteje todos estos temas de una manera tan elegante que nunca te sales de la lectura y vas viendo a veces con horror, otras con ternura y otras veces con simpatía, como todos alguna vez hemos sido participes o testigos de estas cosas.
Eso al ser la primera novela del autor no se salva de cierto errores, como algunos diálogos que bastante artificiosos, pero eso no le resta nada de su genialidad.
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philippe desbergReviewed in France on October 30, 20222.0 out of 5 stars Tristesse
Ce livre laisse un sentiment pénible de mal être. Wallace a été abandonné par son père sans raison. Pire encore, il est allé vivre juste a côté de chez lui mais avec pour instruction de ne jamais lui parler. C'est ainsi. Les choses ne s'expliquent pas toujours.
Plus jeune il a été violé face a l'indifférence de sa mère.
Gay, noir, ingrat physiquement, il dérive, se sentant différent.
Ses études ne mènent nulle part, sa relation avec Miller n'est que souffrance.
Cent fois j'ai voulu arrêter la lecture de ce livre mais j'ai insisté pour voir où il me conduirait.
Dans la dernière scène il accepte de nager avec Miller alors qu'il ne sait pas nager. Seule lueur d'espoir donc : il est pret a faire confiance.
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CondearandaReviewed in Spain on February 25, 20222.0 out of 5 stars No sé si es tan real
Libro sobre la discriminación que sufre un negro en una Universidad básicamente "blanca" en la Metrópoli, no sé bien qué opinar, la escena de la cena me cautivó el resto no, no creo que refleje la vida real con fidelidad. Duro a ratos, sobre todo el pasado el protagonista, no sé creo que no pertenezco a esa sociedad.
Allan’s ReviewsReviewed in Canada on February 21, 20203.0 out of 5 stars Beautiful but
Oh I’d wanted to like this more than I did. It took so long to get into — I was last the halfway mark before I felt anything like interest in the characters. The first section, so filled with the plodding mundane of the graduate student — and I get it, I really do, that this is Wallace’s character, that this is a juxtaposition to the other things that happen — but I barely made it through. Glad I did though for the second half was filled with secrets and anger and sadness and then it was over.
I think perhaps the hype had simply overbuilt itself in my head. Expectation, after all, breeds disappointment, and i feel that is what happened for me here.
Will I read more from this writer? Possibly. But will this find it’s way to my “Rereadable” pile? No.
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Karthik HebbarReviewed in India on October 26, 20205.0 out of 5 stars Beautiful
Brilliant! One word!


