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Red Sorghum: A Novel of China Paperback – April 1, 1994

4.0 out of 5 stars 444 ratings

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The acclaimed novel of love and resistance during late 1930s China by Mo Yan, winner of the Nobel Prize in Literature

Spanning three generations, this novel of family and myth is told through a series of flashbacks that depict events of staggering horror set against a landscape of gemlike beauty, as the Chinese battle both Japanese invaders and each other in the turbulent 1930s.

A legend in China, where it won major literary awards and inspired an Oscar-nominated film directed by Zhang Yimou,
Red Sorghum is a book in which fable and history collide to produce fiction that is entirely new—and unforgettable.
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Editorial Reviews

Review

“Mo Yan . . . brilliantly and fondly re-creates life with visceral writing that reeks of gunpowder, blood, and death.” —The New York Times Book Review

 
Praise for the work of Mo Yan:
 
“Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel García Márquez, at the same time finding a departure point in old Chinese literature and in oral tradition.” —The Nobel Prize Committee
 
“Mo Yan’s voice will find it’s way into the heart of the American reader, just as Kundera and García Márquez have.” —Amy Tan

About the Author

Mo Yan is the pen name of the Chinese novelist Guan Moye, who is one of the most celebrated writers in the Chinese language. His best-known novels in the West include Red Sorghum, which was made into an award-winning film; The Garlic Ballads, Shifu: You’ll Do Anything for a Laugh; and Big Breasts and Wide Hips. He was awarded the 2012 Nobel Prize in Literature, making him the first resident of mainland China to win the award.

Product details

  • Publisher ‏ : ‎ Penguin Books
  • Publication date ‏ : ‎ April 1, 1994
  • Edition ‏ : ‎ First Edition
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 359 pages
  • ISBN-10 ‏ : ‎ 0140168540
  • ISBN-13 ‏ : ‎ 978-0140168549
  • Item Weight ‏ : ‎ 8.8 ounces
  • Dimensions ‏ : ‎ 5.1 x 0.65 x 7.75 inches
  • Customer Reviews:
    4.0 out of 5 stars 444 ratings

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Customer reviews

4 out of 5 stars
444 global ratings

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Customers say

Customers find this historical novel well-written and powerful, with vivid descriptions rich in symbolic imagery. Moreover, the book provides a descriptive account of life in China, and customers consider it a classic. However, the violence level receives mixed reactions, with some appreciating the graphic scenes while others find them excessive. Additionally, the character development and crudeness aspects also receive mixed reviews.

26 customers mention "Description"23 positive3 negative

Customers appreciate the book's vivid descriptions and rich symbolic imagery, describing it as a disturbingly beautiful work of art.

"...But along with the brutality and violence, the book is clearly a work of art as the author blurs the boundaries between past and present and..." Read more

"I love this book. Dark and raw with glittering imagery...." Read more

"...There is an incredible amount of detail in the novel, but one thing that it's not is the film...." Read more

"This novel was a very powerful example of storytelling, but having just finished it, I'm not sure how to accurately describe it or my feelings about..." Read more

9 customers mention "Insight"9 positive0 negative

Customers appreciate the book's descriptive portrayal of life in China, with one customer noting how effectively it invokes the Chinese countryside, while another mentions how the landscape is powerfully present throughout the narrative.

"...it was because it is an incredibly powerful book that presents a genuine Chinese viewpoint...." Read more

"...The title of the book refers to the plant that offered the locality a major source of sustenance, equivalent to fields of rice or wheat; sorghum is..." Read more

"...And there is action aplenty. This is a brutal, bloody tale of rural China during the Japanese invasion of the 1930s...." Read more

"...protagonists, offering a glimpse into the complex history and culture of rural China." Read more

7 customers mention "Complexity"7 positive0 negative

Customers find the book complex and challenging, with one review noting how it explains everything on a cosmic scale.

"An amazingly complicated & wonderful book. I nearly put it down in the middle-ish portion of the book...." Read more

"Challenging but worth it...." Read more

"...; he never lets the events just happen: he explains everything on an almost cosmic scale, without getting bogged down or seeming gratuitous...." Read more

"...It is a family saga that is presented in a circuitous manner and in a very earthy exposition...." Read more

6 customers mention "Power"6 positive0 negative

Customers praise the book's power, describing it as a classic.

"The English translation of Mo Yan's "Red Sorghum" tells the powerful and captivating story of a rural Chinese family during the tumultuous years of..." Read more

"A classic. Very moving and have been recommending it to everyone...." Read more

"...I sure am glad it was because it is an incredibly powerful book that presents a genuine Chinese viewpoint...." Read more

"...this is a novel written by a novelist considered one of the best in modern times, and so well worth tasting...." Read more

6 customers mention "Character development"3 positive3 negative

Customers have mixed opinions about the character development in the book, with some appreciating the epic plot and three-dimensional characters, while others find the characters unappealing.

"...is telling a compelling tale involving complex, three-dimensional characters in a style which is direct and gritty but also mystical and rich with..." Read more

"...is complex and tinged with magic realism and it takes concentration to keep the characters straight...." Read more

"...Against this background, the play of human beings is revealing. All in all, admirably done, but not a book for weak hearts." Read more

"...I lost interest in the characters and became increasingly bored so I didn't finish it...." Read more

6 customers mention "Crudeness"0 positive6 negative

Customers find the book crude, with one customer describing it as gory and another mentioning similarly disgusting images.

"Perhaps this is a great novel, but the translation is awkward and crude, without any grace or literary appeal...." Read more

"...Somewhat crude, as society surely was at that location and point of time, with good emphasis on the clash between the then primitive and wild..." Read more

"Interesting glimpse of unknown world. But gory and exagerated. You have to have sunglasses to see the characters...." Read more

"...The imagery is all about putrid entrails and similarly disgusting images. The book is just awful!" Read more

Top reviews from the United States

  • Reviewed in the United States on December 21, 2008
    Format: PaperbackVerified Purchase
    Written in 1987, Red Sorghum received critical acclaim in China and was made into a movie in 1988. It was not until 1993, however, that this novel was translated into English. I sure am glad it was because it is an incredibly powerful book that presents a genuine Chinese viewpoint.

    Most of the story takes place in the 1930s, when the Japanese invaded China and it is full of scenes of horrific atrocities. But along with the brutality and violence, the book is clearly a work of art as the author blurs the boundaries between past and present and creates a disturbing kaleidoscopic vision of the world he describes. The story is complex and tinged with magic realism and it takes concentration to keep the characters straight. Sometimes it felt like the story were a myth, but then there are the gruesome details of reality which made me cringe but kept my eyes glued to the page.

    There are details here about Chinese life which I have never heard of before. To give you a mild example, when the young woman who becomes the narrator's grandmother was to be married, she was carried to her wedding in a sedan chair. I've heard about this practice before, but never like this. The sedan-chair bearers, who are all young men, like to make sure the ride is so bumpy that the bride will throw up. In is in this scene when we are introduced to one of the sedan chair bearers, who later becomes the narrator's grandfather as well as a well known warlord.

    Bloodshed is constant. There are the Japanese invaders, of course. But there are also the bandits and warlords and packs of raging feral dogs. Though it all there is love. And there are also myths and legends which cross the line of the real and unreal. Taken together, this is an amazing book. I have never read anything quite like it before.

    I loved it all and highly recommend it for those who are adventurous in nature and who are not afraid of the graphic details haunting their dreams.
    34 people found this helpful
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  • Reviewed in the United States on November 13, 2012
    Format: PaperbackVerified Purchase
    I love this book. Dark and raw with glittering imagery. A little too glittery for my personal tastes, but, obviously, Mo Yan does it tremendously well. The book is also deeply philosophical; he never lets the events just happen: he explains everything on an almost cosmic scale, without getting bogged down or seeming gratuitous. I also love this book because I love historical fiction: it is a terrific insight into something of which I previously had no knowledge, specifically, 1930's Japan and their philosophies and customs. Not to mention a Japanese invasion. The novel is actually quite gory, as well, so be prepared for that. Lots of war scenes: it made me cry a good dozen times... in a good way. Yes, a colorful, complex and beautiful novel. An exciting read for just about anyone.
    5 people found this helpful
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  • Reviewed in the United States on December 25, 2012
    Format: PaperbackVerified Purchase
    Beginning in 2010 with Mario Vargas Llosa, continuing with Tomas Transtromer in 2011, and now reviewing this year's Nobel prize winnter, Mo Yan, I have selected one of their more popular works to determine if they are worthy of such an esteemed award. Up to this point, no one had disappointed, but I was a bit suspicious when a firestorm developed after the Nobel committee announced his award.

    No one would deny that publicly Mo Yan has not endeared himself to many writers from the west; for example, Salman Rushdie called him a "patsy" of the Chinese Communist government and Herta Muller referred to his nomination as a "catastrophe" since he has been a member of the communist party and has refused to sign a petition to release imprisoned Chinese Nobel peace prize laureate Liu Xiaobo. Not to mention, Mo Yan did himself no favors in the eyes of the west by copying Mao's discussions on the merits of literature. In his acceptance speech, he probably shocked many when he said that some censorship is acceptable if speech maligns a person's good name.

    Clearly, his views on activism and apparent public inaction bristle the more virtuous appetites of many western writers. However, in his acceptance speech, Mo Yan made an important point: "For a writer, the best way to speak is by writing. You will find everything I need to say in my works." And so I decided to take him at his word by ordering a copy of Red Sorghum, a fictional memoir that captures three generations of Chinese struggling to survive the onslaught of the Japanese invasion right before and during World War II.

    There is an incredible amount of detail in the novel, but one thing that it's not is the film. To gain some background knowledge, I decided to watch the 90 minute production but was greatly disappointed with it after I finished reading the novel. The film only covers 1/3 of the book--it ends with the nameless narratr's father chanting an anti-Japanese slogan as he stands in front of his dying mother. If people are determining the literary merit of Mo Yan's craft based on this film, then they will be sorely disappointed. The best way to understand the author's views, at least in Mr. Yan's case, is to read his literature.

    And indeed, once I did that, not only were my eyes opened to a writing style similar to that of William Faulkner's minus a confusing stream of consciousness, I recognized that this author takes the "silent approach" when speaking truth to power. I do not think this is the appropriate venue to rehash every last example, but there is enough anti-communist fervor in this novel that should have had the author locked up long ago in his homeland. There are countless allegories that reference the brutish behavior of both the Nationalist and Communist parties, but there are literal examples that should make a reader's eyeballs pop out!

    There is the example where the author flash forwards to the tail end of the catastrophic Cultural Revolution in 1973, where literally everyone under the communal system is starving to death. What is even more shocking is that this scene juxtaposes the Chinese during the occupation who, while fighting for their lives, are still self-sufficient enough to provide for themselves. Message: Communism leads to starvation and dependence. The exclamation mark, of course, is the most obvious: The narrator's grandmother and grandfather--the heroes of the rebellion--are NOT communist. In fact, as owners of a profitable winery, our heroes could be considered capitalist!

    Based on the media backlash, this is not what I expected from Mo Yan, but I now understand why he begged that people read his literature in order to grasp his philosophical outlook. Having done that, I recognize that Mr. Yan's artistry is a silent force in the push for change within Chinese society. Before Mr. Rushdie and Ms. Muller insulted him, had they in fact read any of Mr. Yan's novels? If they had, would they have realized that sometimes change may not need a sword nor a trumpet but rather a pencil?
    25 people found this helpful
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Top reviews from other countries

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  • Hoffmann Dieter H.H.
    5.0 out of 5 stars Red Sorghum by Mo Yan
    Reviewed in Germany on November 9, 2012
    Ich führe gerade einenlängeren Forschungsaufenthalt in China durch. Als die Nachricht über den Literaturnobelpreis (2012) meine chinesischen Gastgeber erreichte, brach hier großer Jubel aus. Ich muß zugeben, ich hatte von Mo Yan bisher weder etwas gehört, noch gelesen. Als Naturwissenschaftler interessiert man sich i.a. mehr für eine andere Art Literatur. Ich habe mich mit meinen chinesischen Gastgebern beraten und mir daraufhin die Englische Ausgabe in der Übersetzung von Howard Goldblatt auf meinen Kindle geladen.
    Es ist eine sehr gelungene Übersetzung, die wahrscheinlich (ich bin des Chinesischen nicht mächtig) die Stimmung sehr gut widerspiegelt. Ich habe den Roman mit großer Begeisterung gelesen und habe jetzt das Gefühl Land und Leute besser zu verstehen. Es wird nicht der letzte Roman von Mo Yan sein den ich gelesen habe.
    Dieter HH Hoffmann
    Report
  • Blanka
    3.0 out of 5 stars Red Sorgun: A Novel of China
    Reviewed in France on May 20, 2013
    Format: KindleVerified Purchase
    The book was read in our Book club.
    It was ineteresting to learn abou events in China dirint the war with Japan, though centered at a narrow area and few persons.
    The lanuage and imaginery is very powerful, contrasting the human cruelty with the beauty of nature. There is a very subtle humour and criticism of the regime, expressed allegorically.
    I did not like the detailed and gory descriptions of battles, death, torture - it was too much...
  • Bill
    5.0 out of 5 stars Great book
    Reviewed in Canada on March 5, 2025
    Format: PaperbackVerified Purchase
    Fascinating story that is extremely well written.
  • In. B.
    5.0 out of 5 stars A beautifully written novel based on historical events
    Reviewed in India on October 24, 2020
    This a novel centred around a few villages in China, amidst the inhuman atrocities committed by Japanese soldiers, written in a very beautiful language.
  • Mavis Moog
    5.0 out of 5 stars Visceral and Vital
    Reviewed in the United Kingdom on November 20, 2012
    The New York Review of Books, November 2012 asked the question "Does this writer deserve the prize?" referring, of course, to Mo Yan's Nobel Literature Prize awarded 11th October 2012. I asked the same question as I began reading Red Sorghum, the most famous novel by Mo Yan (real name Guam Moye).

    The epic story spans three generations of a Chinese family fighting to stay alive in the harsh climate of China's northwestern province of Shandong during the 1930s and 40s. The amoral desperation amidst famine, bandit anarchy and almost hopeless resistance of the invading Japanese army is depicted with ruthless clarity. Zhang Yimou made a film of the book in 1987 and it seems that some critics have based their judgement of this novel on the film deeming it unnecessary to read the 359 pages of print. The film has been described as nothing much more than violent pornography depicting wild sexual scenes. The "theme song, 'Sister, be gutsy, go forward,' was an unbridled endorsement of the primitive vitality of lust." ~(Liu Xiaobo).

    In contrast the book is not especially sexually explicit. An horrendous rape scene is handled very cleverly with oblique description which leaves the reader in no doubt about the cruelty but provides no titillation nor anything which could be mistaken for the vitality of lust.

    Cruelty is a central theme of this novel. Fathers are cruel to daughters; husbands, to wives; wives, to husbands; bandit to bandit; Japanese soldier, to Chinese soldier; peasant, to mule; dog to corpse and hero to dog. The never ending, ever-revolving carousel of cruelty is at times wearing. But this is not a sugar-coated tale. It needs to shock us. Many images will remain etched on my mind as a result of reading this novel, and that proves it is indeed a fine work of literature.

    The graphic and honest portrayal of the blood and gore is remarkable. Mo Yan is a member of the People's Liberation Army (Cultural Affairs Department) and yet he does not glamorise the Chinese resistance of the Japanese invasion as other Chinese writers have done. A shocking and vivid scene presents the death by starvation of an old war hero in full view of the political elite who feast behind iron gates.

    Even so, Perry Link in The New York Review suggests that Mo Yan is an establishment man, who writes from within a corrupt and cruel regime. This is, in part, true because Mo Yan is well respected and honoured in China where he is vice president of the Chinese Writers Association. While other Chinese artists have failed to express themselves and remain in favour, some imprisoned for their art, Mo Yan seems to have got away with it, but it would be quite wrong to claim that this is because he kow-tows to the state in all matters. Red Sorghum is a frank and disturbing history of a period no one else has recorded in such detail and with such brutal non-judgemental honesty. So in my opinion, on the strength a of this one book alone Mo Yan deserves the Nobel Prize for Literature.