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Reel Bad Arabs: How Hollywood Villifies a People Paperback – January 1, 2001
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Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood's shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of nearly one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1-brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners.
Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood's defamation of Arabs.
- Print length574 pages
- LanguageEnglish
- PublisherOlive Branch Pr
- Publication dateJanuary 1, 2001
- Dimensions6 x 1.75 x 9.25 inches
- ISBN-101566563887
- ISBN-13978-1566563888
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- Andrea Slonosky, Long Island Univ., Brooklyn, NY
Copyright 2001 Reed Business Information, Inc.
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- Publisher : Olive Branch Pr; First Edition (January 1, 2001)
- Language : English
- Paperback : 574 pages
- ISBN-10 : 1566563887
- ISBN-13 : 978-1566563888
- Item Weight : 1.7 pounds
- Dimensions : 6 x 1.75 x 9.25 inches
- Best Sellers Rank: #1,565,171 in Books (See Top 100 in Books)
- #3,335 in Movie History & Criticism
- #5,444 in Popular Culture in Social Sciences
- #15,590 in Performing Arts (Books)
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ethnic groups have been villains in Hollywood films. But it is clear from
Shaheen's book that vilification of Arabs in U.S. films has been going on for
a century. In early silents, almost every ethnic group, other than Northern
Europeans and Americans descended from them, was disparaged in many films,
including Jews. Anti-Semitism in films abruptly vanished in the 1920s when
film production was consolidated under the major studios, most of which were
run by Jews. Gradually bigotry against other groups, such as Italians,
became non-respectable and disappeared from films. During World War II
the Germans and Japanese were of course vilifed, but prejudice against Chinese
vanished from films for the first time. And after the war, the Germans and
Japanese were quickly rehabilitated as their countries became U.S. allies.
Bigotry against blacks became non-respectable and mostly disappeared from
films in the 1950s, during the Civil Rights movement. Hispanics were treated
with respect a while later, I would say beginning in the 1960s, although there
had always been Zorro and the Cisco Kid. Only Arabs have been targeted
consistently for generations.
A user's review says that 71% of American films have American villains. But these
films also probably all have American heroes. Even films with bad Americans and
good foreigners wouldn't cause Americans to dislike themselves, but decades of
Arab-baiting in Hollywood have helped make Arabs and Muslims in general so
disliked that politicians have concluded that attacking them is a good way to
get elected. Documenting this makes Shaheen's book one of the most important
books to appear in the past several years.
Dr. Shaheen doesn't make the argument that all portrayals of Arabs should be positive, just that there need be a balance. Like it or not, Hollywood's films contribute to perceptions throughout the world. Aside from the barrage on the self-esteem of young Arab-Americans, stereotypical portrayals such as this are dangerous as they justify violence and civil rights violations that will eventually affect all Americans.
To think this book only affects Arabs and Arab-Americans would be a mistake. Once civil liberties are violated for one group, others will follow. I highly recommend it.

