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The Refrigerator Monologues Hardcover – June 6, 2017
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From the New York Times bestselling author Catherynne Valente comes a series of linked stories from the points of view of the wives and girlfriends of superheroes, female heroes, and anyone who’s ever been “refrigerated”: comic book women who are killed, raped, brainwashed, driven mad, disabled, or had their powers taken so that a male superhero’s storyline will progress.
In an entirely new and original superhero universe, Valente subversively explores these ideas and themes in the superhero genre, treating them with the same love, gravity, and humor as her fairy tales. After all, superheroes are our new fairy tales and these six women have their own stories to share.
- Print length160 pages
- LanguageEnglish
- PublisherGallery / Saga Press
- Publication dateJune 6, 2017
- Dimensions5.5 x 0.7 x 8.25 inches
- ISBN-101481459341
- ISBN-13978-1481459341
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Editorial Reviews
Review
"This is Valente at her sharpest and most pointed, ably assisted by illustrations from comics artist Annie Wu (Black Canary)."
― -- Publishers Weekly (STARRED REVIEW)
"Valente proves her adroitness with imagery and emotion in this extraordinary book of linked stories." ― -- Library Journal (STARRED REVIEW)
“In this novella, the superhero girlfriend gets to tell her own version of events in the afterlife. The women’s voices are strong: bitter and full of pain, yet steel-tipped in sarcasm and humor.” ― -- The Washington Post
""The real fun of The Refrigerator Monologues comes from Valente’s hyper-stylized voice, inflected by turns with pop, jazz, and opera as she moves from heroine to heroine, genre to genre. It’s by turns bitingly sarcastic and wistfully regretful, and always ferociously angry at the narrative in which this collection of women has been trapped.” ― -- Vox
"The illustrations by longtime comic artist Annie Wu are an extra gift to this heartbreaking series of stories. Don’t turn from their stories, no matter how hard they can be to hear. Verdict: Buy it, damn you, and listen to their stories.” ― - BookRiot
"It’s hard to single out one tale. They are all of a piece- and they expertly dissect a common type of lazy storytelling that still crops up far too frequently. It’s not about angry polemics; instead, these monologues have their own energy and life that is both painful and captivating” ― -- Locus Magazine
“Readers adventurous enough to parachute into unfamiliar literary territory will be rewarded by Valente’s biting wit, outlandish world-building and well-focused sense of outrage." ― -- Portland Press Herald
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Product details
- Publisher : Gallery / Saga Press; First Edition (June 6, 2017)
- Language : English
- Hardcover : 160 pages
- ISBN-10 : 1481459341
- ISBN-13 : 978-1481459341
- Item Weight : 8 ounces
- Dimensions : 5.5 x 0.7 x 8.25 inches
- Best Sellers Rank: #1,290,976 in Books (See Top 100 in Books)
- #20,976 in Short Stories (Books)
- #21,363 in Science Fiction Adventures
- #39,180 in Paranormal & Urban Fantasy (Books)
- Customer Reviews:
About the author

Catherynne M. Valente is the New York Times bestselling author of over two dozen works of fiction and poetry, including Palimpsest, the Orphan’s Tales series, Deathless, Radiance, and the crowdfunded phenomenon The Girl Who Circumnavigated Fairyland in a Ship of Own Making. She is the winner of the Andre Norton, Tiptree, Mythopoeic, Rhysling, Lambda, Locus and Hugo awards and has been a finalist the Nebula and World Fantasy Awards. She lives on an island off the coast of Maine with her partner, two dogs, two enormous cats, four chickens, several spinning wheels with ulterior motives, an uncompleted master's degree, and a secret door in the back of her wardrobe.
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In Deadtown, an underworld inhabited by gargoyles and the dead, a group of women calling themselves the Hell Hath Club gather on a regular basis, always wearing whatever clothes they were buried in and reminiscing about the events that led them here. All are connected by the fact that they were once superheroes, girlfriends/lovers/wives to superheroes, or some mixture of both -- and all recognize that their existences were cut tragically short in order to further the stories of male superheroes. There's Paige Embry, girlfriend/creator of Kid Mercury who died during Mercury's first battle with his arch-nemesis; Julia Ashe, a heroine of fantastic power who was edited out of existence because her mentor and her male teammates were afraid of her power; Bayou, queen of Atlantis who lost her son to a supervillain and loathes how her husband sees their child as nothing more than a reason for vengeance; Polly, a psychotic fangirl of the villain Mr. Punch who ultimately met her fate at his hands, and others. All of them tell their stories with varying degrees of fury, dark humor, and resignation... and all find common ground with one another.
Valente has a knack for fantastic and quirky wordplay, and this book is no exception. And while some of the whimsy is toned down for this book, with Valente opting for a more realistic approach, it's still a joy to read. Her writing is vibrant and never boring, and she gives us plenty of her trademark imaginative imagery amidst the gloom and horror of these women's stories. And while quite a few of these women are thinly veiled copies of real characters from famous comic books (Polly and Mr. Punch are Harley Quinn and The Joker in all but name, Ashe's story is reminiscent of Jean Grey's "Dark Phoenix" saga from "X-Men," etc.), there's still plenty to make their stories unique and fascinating.
This book, short though it is, is less a cohesive story and more vignettes laced together with the framework of the Hell Hath Club... but it's still a fascinating and often cutting read. As evidenced by both the title and the author's afterword, it's heavily inspired by Gail Simone's "Women In Refrigerators," a list of female comic characters who are injured, killed, or depowered as a plot device to further a male character's story. And boy howdy, these women are NOT happy being relegated to plot devices to push their boyfriends'/teammates' stories along. This book is often scathingly furious, but for good reason... and it's certainly an eye-opener when it comes to how women are treated in fiction in general, and comics in particular.
The illustrations in this book, done by comics artist Annie Wu, are a nice accompaniment as well, giving us a look into the life of each girl and capturing the style of a comic quite well. It's telling that each illustration is focused solely on the women in question -- the men already have their stories, so it's high time the women got their share of the story, without having to compete with the men who have taken over their lives.
A short but powerful and important read, especially for comics fans, this is high on my list of favorite books by Catherynne Valente, and high on my list of favorite books period. If you enjoy comics, you need to read this book. And if you're upset with how women are treated in fiction, this book will make you angry but, regardless, has some valuable things to say about women who are sick and tired of being relegated to side characters and plot devices in their own stories.
That brings us to this book, where Catherynne M. Valente introduces us to a group of women, some superheroes, some girlfriends, some a combination of the two, who all end up in Deadtown, filled with dead people and gargoyles, where all the food comes from extinct animals and you never get to change out of the clothes you were buried in. These members of the Hell Hath Club meet and tell the stories that never managed to make it into the comic books.
So we meet Paige Embry, girlfriend of (and accidental creator of) Kid Mercury, who gets between her beau and an angry supervillain and gets thrown off a bridge. We meet Julia Ashe, massively powerful mutant who gets edited out of the universe because her power scared her teammates and mentor. We meet Pauline Ketch, high-spirited and psychotic girlfriend of the craziest supervillain on the planet. We meet Bayou, princess of Atlantis, shipped off to a mental hospital because she dared to mourn her child. We meet plenty more, all stuck in Deadtown for the rest of eternity, and all not very happy about that.
The book is wonderfully written and grand fun. It's great to see these characters -- who are normally remembered almost entirely as "That One Superhero's Girlfriend Who Got Killed by that One Supervillain" -- given the opportunity to tell their own stories, explain their own viewpoints, and vent their own anger about being killed off and forgotten.
And yes, with enough comics knowledge, you can recognize nearly all the characters in the book as the characters they're supposed to represent from the comics. But that isn't necessary to enjoy the book. In fact, there are plenty of fun changes made to the personalities. For example, in the Aquaman comics, Mera is an Atlantean of human appearance, fully comfortable with her roles as both a warrior and a queen; Bayou, her counterpart in this book, looks much less human and has a much more punk-rock attitude, preferring to escape from her palace so she can perform in her band.
If you love superheroes -- and especially if you crave an antidote to the Women in Refrigerators phenomenon, you'll certainly want to read this book.
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Wrong.
I hated it. With the exception of the monologue I don't know the original of, and Bayou, which were bearable. I recognise that Paige is Gwen Stacy (Spider-Man), Julia is Phoenix (X-Men), Pauline is Harley Quinn (Joker/Batman), Bayou is Mera (Aquaman) & Samantha is Alex DeWitt (Green Lantern). I'm not sure who Daisy or her boyfriend The Insomniac are supposed to be.
The crux of why I don't like it is that all of the monologues have exactly the same voice. Exactly. They sound almost mad. They spout stram of consciousness rambling that would grate if you actually heard it. They're not remotely likeable, and are, as a result, hard to care much about. I don't know if this is intentional... Valente's way of saying comic-book females are all writen the same and treated the same. If so she's made 2 massive errors: -
1) In doing that they all blend in and become cyphers. I did not care one jot about them, with the exception of Bayou.
2) In the actual comic books they all had differing personalities and it was the fact that they were so well-rounded and could have gone on to be really great characters that made people (well... me anyway) so angry. In my view, Valente's characters were all losers way before they met their male downfalls... the comic book versions weren't.
Because of this, I don't really know what Valente's message or objective is. Maybe I'm NOT the target demographic, as I'm male? I don't know.
What I do know is I have been genuinely outraged at the way some females have been treated in fiction (not just super-hero fiction), and so I should have been rich pickings for this, but for me her anger just seemed bitter and self-deluding and I found her attempts at humour painful and jarring.
I really expected to like this book, but I really didn't like it at all. Maybe it's just me, as people seem to universally love it... but the only plus point for me was that I could read it in about 90 minutes.
Sorry. :(
If you love comics then I heartily encourage you to read this book - it's a much needed rebuke to those who casually use & discard women in any dimension (Real or Unreal), not to mention a quite visceral excoriation of those who treat characters as playthings AND REFUSE TO PLAY NICE (It's also extremely well-written and rich with homages to character & comics past and present).
If you don't love comics (and/or superhero fiction in whatever medium, this being the 21st Century) then reading this piece of work will hopefully encourage you to start, if only so you can uncover the true cleverness of this sequence of stories!
Ms. Valente, if you ever read this then Thank You very much for having written this book - I'd love to see more of this Setting, inside or out of Deadtown (hopefully that TV show will finally get its act together and make a worthy sequel of itself, but being greedy one would love to see the creator herself let her creations out for another run!).
Sadly I couldn't connect as much with the characters as I need to to really enjoy a book, but I did feel for these women and I got angry on their behalf.
I don't think Valente is the kind of author you should read when this sleep deprived, so the writing was kind of an issue for me.
But, once again, the main focus is the ridiculousness of always using women's suffering to further a superheroes character Arc and that message was loud and clear and impossible to miss. I kind of want to force-read this to my best friend who is so blinded by glorious Marvel, DC and the Fantasy Genre that he doesn't see it.




