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Release Therapy (Explicit Version)

September 26, 2006 | Format: MP3

$7.99
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2:30
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3:59
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3:50
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3:36
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4:20
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4:37
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7:06
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Product Details

Customer Reviews

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Format: Audio CD
I was first introduced to Ludacris just like most people were with the infamous "What's Your Fantasy". I liked the track but I had to hear another song before I decided to purchase Ludacris' 1st official CD in stores, "Back For The First Time". When I heard the Neptunes produced "Southern Hospitality" I knew that I would pick up the CD. My favorites included "U Got A Problem", "Catch Up", and "Stick 'Em Up" w/UGK. Ludacris quickly followed "Back For The First Time" with his 2nd CD "Word Of Mouf". Before the CD was released he had a track entitled "Area Codes" w/Nate Dogg that was featured on the Rush Hour 2 soundtrack. The first official single for "Word Of Mouf" was the Timbaland produced "Rollout (My Business)" where Ludacris was instructing all paparazzi and people who weren't down from the beginning to mind their biznass and to leave him alone. My other favorites from this CD included the hilarious "Coming 2 America", "Saturday" w/Sleepy Brown, and the "Word Of Mouf (Freestyle)". 2 years later Luda dropped his 3rd CD, "Chicken And Beer". Things got off to a great start with the "Southern Fried Intro" where Isaac Hayes' "Walk On By" speeds up to a frenetic pace and Luda drops some nice verses to get the CD started out right. Right after that, "Blow It Out" makes things even better as Luda is able to address any haters and Mr. Bill O'Reilly. The first single from "Chicken And Beer" was the Kanye West produced "Stand Up". My other favorites included "Screwed Up" w/Lil Flip, "Diamond In The Back", "Splash Waterfalls", "Hip Hop Quotables" and "H... In My Room" w/Snoop Dogg. The following year, Luda dropped his 4th CD, "The Red Light District". The 1st single was "Get Back", but the track sounded alot like "Act A Fool" which was on the "Fast & Furious 2" soundtrack.Read more ›
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Format: Audio CD
Luda's back with his 5 album Release Therapy also known as his last album to be released on Def Jam.This has to Luda's best album to date.The Cd starts with a great opening ~*THE WARNING*~ showing luda's lyrical ability and great production.Another good song is ~*GREW UP A SCREW UP*~ sampling the late Notorious B.I.G voice as the hook feat. Young Jeezy I felt produciton wise it could have been better It's still good but kinda not there but the the flows of ludacris and Jeezy makes the song all worth while. ~*WAR WITH GOD*~ is luda takin shot's at an unknown MC I give this songs hands down a 10/10 production goes great with the Lyrics this song is really showin luda's lyrical ability you'll deff be putting this song on repeat.Those are some of the stand out tracks if your looking for a CD with great production and excellent wordplay ~*RELEASE THERAPY*~ is a must buy.The only downfall about the CD is for a much highly anticipated CD I expected there to be more tracks.So I give *~RELEASE THERAPY*~ 9.5/10
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Format: Audio CD Verified Purchase
Although this may not be a popular opinion, I firmly believe that Release Therapy is Ludacris' strongest album. It comes at the peak of his musical maturity, a time when he transitioned from pioneer of Dirty South to a more independent styled that merged his lyrical roots with mainstream, conscious, and more understated styles. His lyrical skill is still top-shelf, and he still retains his signature, eclectic voice in topics ranging from unemployment to parenthood. My biggest issue is that the weak tracks in the album are VERY weak, but I've erased these from my memory (and music collection). Favorite tracks: "Warning (Intro)", "Grew Up a Screw Up", "Mouths to Feed", "War With God".
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Format: Audio CD
I'll be straight-forward, I've never been too big on Luda to begin with. While I respect Luda, and believe he is quite talented, he has never really given me music to relate to. For Luda, it's always been about partying, pimping, smoking, and occasionally, haters. Some would say he gives a slightly introspective cut on each of his albums, but honestly, they've never really given me much of an insight into Ludacris.

I just don't feel personally attached to Luda, and for me, that's essential to appreciate an artists' work fully. I have the same problem with quite a few emcees, and even if they're a lyrical genius, if they don't touch me as a person, I'll rarely ever be able to see them as anymore than a talented artist, who lacks any form of personality.

Now, don't get it twisted; Luda has tons of personality to share, but that personality almost always a happy-go-lucky, "**** this *****," "smoke this ganja," "drank these beers," and other subjects that follow these patterns. The thing is, we've always known what Ludacris, the rapper is all about; but what about the man underneath the guise?

I'd heard so many things about how this was Ludacris' most mature effort to date, and it is; however, that's not a giant step up from the aforementioned pimpcapades he's put on over the last six years. While Ludacris does finally offer some visits to the man behind the mask, the production he's chosen for these tracks seems to nearly always fail. Now, this could be due to one major thing; Ludacris has an ear for hot party beats, but he really doesn't know hot to get a premier beat when it comes to heart-felt, and/or introspective cuts.
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