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Religion for Atheists: A Non-believer's Guide to the Uses of Religion Paperback – January 8, 2013
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What if religions are neither all true nor all nonsense? Alain de Botton’s bold and provocative book argues that we can benefit from the wisdom and power of religion—without having to believe in any of it.
He suggests that rather than mocking religion, agnostics and atheists should instead steal from it—because the world’s religions are packed with good ideas on how we might live and arrange our societies. De Botton looks to religion for insights into how to build a sense of community, make relationships last, overcome feelings of envy and inadequacy, inspire travel, get more out of art, and reconnect with the natural world. For too long non-believers have faced a stark choice between swallowing lots of peculiar doctrines or doing away with a range of consoling and beautiful rituals and ideas. Religion for Atheists offers a far more interesting and truly helpful alternative.
- Print length320 pages
- LanguageEnglish
- PublisherVintage
- Publication dateJanuary 8, 2013
- Dimensions5.23 x 0.69 x 7.95 inches
- ISBN-100307476820
- ISBN-13978-0307476821
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Editorial Reviews
Review
“Commonsensical and insightful. . . . The wealth of knowledge and felicity of phrasing that de Botton brings to his task make for a stimulating read.” —Seattle Times
“Quirky, often hilarious. . . . Focusing on just three major faiths—Christianity, Judaism and Buddhism—he makes a convincing case for their ability to create both a sense of community and education that addresses morality and our emotional life.” —Washington Post
“Compelling. . . beautifully and wittily illustrated.” —Los Angeles Times
“A wonderfully dangerous and subversive book.” —San Francisco Chronicle
“A new book by Alain de Botton is always a treat. . . . De Botton is literate, articulate, knowledgeable, funny and idiosyncratic.” —Forbes.com
“De Botton writes at his best when he confronts our abiding human frailty. . . . If only all writers wrote with such unabashedly kind intentions.” —Huffington Post
“Provocative and thoughtful. . . . Particularly noteworthy are de Botton’s insights on what education and the arts can borrow from the formats and paradigms of religious delivery.” —The Atlantic
“The eminently quotable de Botton holds forth on the deliberately provocative premise that ancient traditions can solve modern problems. . . . The premise he is testing is a worthy one: The secular world worships consumerism, optimism, and perfection to its doom, and would do well to make room for a little humility, community, and contemplation instead.” —Boston Globe
“[De Botton] demonstrates his usual urbane, intelligent, and witty prose. . . . This book will advance amicable discussion among both believers and disbelievers.” —Library Journal
“Highly original and thought-provoking. . . . De Botton is a lively, engaging writer.” —Publishers Weekly (starred review)
About the Author
Alain de Botton is the author of essays on themes ranging from love and travel to architecture and philosophy. His best-selling books include How Proust Can Change Your Life, The Art of Travel and The Architecture of Happiness. He lives in London, where he is the founder and chairman of The School of Life (www.theschooloflife.com) and the creative director of Living Architecture (www.living-architecture.co.uk).
Excerpt. © Reprinted by permission. All rights reserved.
from Part One: Wisdom without Doctrine
1.
The most boring and unproductive question one can ask of any religion is whether or not it is true – in terms of being handed down from heaven to the sound of trumpets and supernaturally governed by prophets and celestial beings.
To save time, and at the risk of losing readers painfully early on in this project, let us bluntly state that of course no religions are true in any God-given sense. This is a book for people who are unable to believe in miracles, spirits or tales of burning shrubbery, and have no deep interest in the exploits of unusual men and women like the thirteenth-century saint Agnes of Montepulciano, who was said to be able to levitate two feet off the ground while praying and to bring children back from the dead – and who, at the end of her life (supposedly), ascended to heaven from southern Tuscany on the back of an angel.
2.
Attempting to prove the non-existence of God can be an entertaining activity for atheists. Tough-minded critics of religion have found much pleasure in laying bare the idiocy of believers in remorseless detail, finishing only when they felt they had shown up their enemies as thorough-going simpletons or maniacs.
Though this exercise has its satisfactions, the real issue is not whether God exists or not, but where to take the argument once one decides that he evidently doesn’t. The premise of this book is that it must be possible to remain a committed atheist and nevertheless find religions sporadically useful, interesting and consoling – and be curious as to the possibilities of importing certain of their ideas and practices into the secular realm.
One can be left cold by the doctrines of the Christian Trinity and the Buddhist Eightfold Path and yet at the same time be interested in the ways in which religions deliver sermons, promote morality, engender a spirit of community, make use of art and architecture, inspire travels, train minds and encourage gratitude at the beauty of spring. In a world beset by fundamentalists of both believing and secular varieties, it must be possible to balance a rejection of religious faith with a selective reverence for religious rituals and concepts.
It is when we stop believing that religions have been handed down from above or else that they are entirely daft that matters become more interesting. We can then recognize that we invented religions to serve two central needs which continue to this day and which secular society has not been able to solve with any particular skill: first, the need to live together in communities in harmony, despite our deeply rooted selfish and violent impulses. And second, the need to cope with terrifying degrees of pain which arise from our vulnerability to professional failure, to troubled relationships, to the death of loved ones and to our decay and demise. God may be dead, but the urgent issues which impelled us to make him up still stir and demand resolutions which do not go away when we have been nudged to perceive some scientific inaccuracies in the tale of the seven loaves and fishes.
The error of modern atheism has been to overlook how many aspects of the faiths remain relevant even after their central tenets have been dismissed. Once we cease to feel that we must either prostrate ourselves before them or denigrate them, we are free to discover religions as repositories of a myriad ingenious concepts with which we can try to assuage a few of the most persistent and unattended ills of secular life.
Product details
- Publisher : Vintage; Illustrated edition (January 8, 2013)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 0307476820
- ISBN-13 : 978-0307476821
- Item Weight : 9.2 ounces
- Dimensions : 5.23 x 0.69 x 7.95 inches
- Best Sellers Rank: #307,950 in Books (See Top 100 in Books)
- #145 in Atheism (Books)
- #207 in Sociology & Religion
- #667 in Religious Philosophy (Books)
- Customer Reviews:
About the author

Alain de Botton is the author of Essays in Love (1993), The Romantic Movement (1994), Kiss and Tell (1995), How Proust can Change your Life (1997), The Consolations of Philosophy (2000) The Art of Travel (2002), Status Anxiety (2004) and most recently, The Architecture of Happiness (2006).
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Customers find the content insightful, tolerant of religious practice, and pleasing. They also describe the writing craft as pleasing, rich, and simple. Readers also say the book provides an interesting way to look at religious concepts.
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Customers find the book insightful, important, and gold. They also say the author does very well as an apologist, gives great history, and explains why religions have done the things they have. Customers also mention that the book engenders a spirit of community and is remarkably tolerant of religious practice.
"...expression around, what De Botton has offered the world is a genuine love of knowledge; a sense of the practical applications of canonical works and..." Read more
"...- and for a book written by an atheist, it is remarkably tolerant of religious practice and free from the prevailing dogmatism...." Read more
"...moved beyond this tedious bible bashing and has written a book that is actually useful...." Read more
"...While many of the ideas presented are very intelligent, he shows some painful misunderstandings of some of the fundaments of our culture, like that..." Read more
Customers find the writing craft pleasing, eloquent, and accessible to the educated general reader. They also describe the book as beautiful, rich, insightful, and simple.
"...of the practical applications of canonical works and a clear; elegant explanations of some of the best-known Western novelists and philosophers...." Read more
"...me on to the next, and to the next, and all was accessible to the educated general reader due to the writer's knack for offering necessary context..." Read more
"...De Botton's writing is lively, entertaining, and crystal clear throughout...." Read more
"...He was so easy to listen to - but I find him hard to read in print - best read out loud, perhaps...." Read more
Customers find the book insightful and humorous. They also say the writing is lively and entertaining.
"...De Botton's writing is lively, entertaining, and crystal clear throughout...." Read more
"...de Botton is a thoughtful, bright, funny writer whose opinions throughout the book are well thought out. I underlined like crazy...." Read more
"...It is easy-to-read, full of pictures, and often funny while bringing up excellent points and shedding a totally new light on atheism...." Read more
"My friend found it insightful and humorous. He's not easy to please, so I was impressed...." Read more
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Although there are some reputable scholars in the U.S. who write about important human issues in a way that is relevant to the general public and easy to understand without being simplistic--I'm thinking of Martha Nussbaum, Richard Rorty, Arthur Danto, Harold Bloom, Stanley Fish, Victor Brombert and a handful of others--for the most part, scholarly writing tends to be too specialized to interest the general public. Furthermore, during the mid to late 1990's, when I was going to graduate school, the fields of Comparative Literature, English, French and other languages were dominated by exceedingly specialized, arcane theories--loosely called "poststructuralist" or "postmodernist"--that rested upon questionable premises and widened the gap between the general public and scholarly writing in the arts and humanities. For a persuasive debunking of those theories, I'd recommend Alan Sokal and Jean Bricmont's Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science, 1997.
Of course, there were and still are countless scholars in the Arts and Humanities--the vast majority perhaps--who write clearly about their areas of specialization and make important contributions to their fields. However, in most cases, their target audience is not, as it is for Alain de Botton, a general audience but rather a more restricted group of specialists. In my estimation, the specialized nature of scholarly writing combined with the predominance of arcane, trendy theories risked dooming literary studies to public irrelevance during the 1990's.
In this academic context, it took a lot of courage and a certain leap of faith for Alain de Botton to leave the academia (when he was a graduate student in philosophy at Harvard University) in order to become a public intellectual promoting philosophy and literature. While this goal would have been quite common for European intellectuals during the 1930's and 40's, when--to offer just one example out of many--the Existentialist movement had such a vast impact upon culture, this notion has become nearly obsolete nowadays. As difficult as it is to become a public intellectual in an academic setting--due to the two main reasons I mentioned earlier--it's even more difficult to achieve this status outside the academia. Today the general public has been turned off by scholarship and, generally speaking, has little interest and time for intellectual pursuits.
In an interview, Alain de Botton describes his choice to leave the academia in order to become a public intellectual as seizing the best opportunity: "In another age, I might have been an academic in a university, if the university system had been different. So it's all about trying to find the best fit between your talents and what the world can offer at that point in time." To turn this expression around, what De Botton has offered the world is a genuine love of knowledge; a sense of the practical applications of canonical works and a clear; elegant explanations of some of the best-known Western novelists and philosophers. His efforts have been consistently rewarded with resounding success. His first book, Essays In Love (1993) became an instant bestseller. The Romantic Movement (1994), Kiss and Tell (1995) and--my personal favorite--How Proust Can Change your Life (1997) quickly followed suit, becoming equally popular with the public. Alain de Botton's success is well earned, not only because of the quality and accessibility of his books, but also because he works hard to maintain his public status and connection to readers. He travels around the world for book launches and talks; connects with fans on Facebook and other public forums; gives lectures at TED conferences and even runs his own production company, called Seneca Productions that makes documentaries about his works. For him, being a public intellectual--let alone being a writer--is more than a full-time job. It's a life passion.
Despite its provocative title, his newest book, Religion for Atheists (2012), offers neither a polemical defense of religion for nonbelievers nor, conversely, a defense of atheism for believers. Rather, it's the strongest and most compelling defense for humanist values I have read since Martha Nussbaum's Cultivating Humanity (1997). De Botton compellingly illustrates that religious principles and allegories should play an important role in modern secular society. His main thesis is that "we invented religions to serve two central needs which continue to this day and which secular society has not been able to solve with any particular skill: first, the need to live together in communities in harmony, despite our deeply rooted selfish and violent impulses. And second, the need to cope with terrifying degrees of pain which arise from our vulnerability to professional failure, to troubled relationships, to the death of loved ones and to our decay and demise." (Religion for Atheists, 12)
In a way, De Botton expresses the secular contemporary version of "Pascal's wager". Seventeenth-century French philosopher Blaise Pascal has famously stated in Pensées (1669) that since the existence of God can't be proved or disproved, a rational person should bet that God exists and live "as though he had faith." Then, logically speaking, if God exists he has everything to gain and if he doesn't he has nothing to lose. Taking this kind of argument a step further, De Botton's Religion for Atheists argues that even if we bet that God doesn't exist, we should still adhere to some religious principles as if he did.
What do we have to gain from "De Botton's wager", so to speak? First of all, religious principles and rituals--such as mass and other means of congregation--give us a sense of community. Without this, we risk becoming isolated, self-absorbed and alienated individuals. Religion also teaches us about the value of kindness and being other-regarding, which is as necessary for a sense of community as it is for modern marriages and family life. Religious figures and prophets, De Botton further pursues, offer us role models that are worth emulating. This is especially important in a media-driven culture that encourages us to admire athletes and actors, many of whom have questionable conduct and values. World religions also emphasize the role of education: not as a practical steppingstone to a pragmatic job, but as a way of growing emotionally and intellectually as individuals.
Religion also teaches us a sense of modesty and reminds us of our limitations. Nothing brings this point home better than the problem of theodicy, or the question of why the suffering of innocents exists in a world governed by an omniscient and omnipotent divinity. The answer given by Christianity in The Book of Job, by Blaise Pascal, Simone Weil and even by Dostoyevsky in The Brothers Karamazov comes down to the following thesis encapsulated by De Botton: "Fragile, limited creatures that [we] are, how can [we] possibly understand the ways of God?" (Religion for Atheists, 198) There are some things beyond human comprehension but our limitations should not be an excuse for hubris or for believing that we're above morality.
If I place De Botton's important new book in the longstanding tradition of Western humanism, it's because it underscores the importance of human ethical and social values that find their best expression through the invention of religion. Although postmodern critics, such as Michel Foucault and Jean-François Lyotard, have described themselves as "anti-humanists," asserting that humanism posits overarching principles that lead to exclusion and hierarchy, Religion for Atheists demonstrates clearly and thoroughly why that's not so. On the contrary, De Botton persuades us, we cannot exist harmoniously or happily as a secular society without respect for the religious principles and wisdom passed through the ages.
Claudia Moscovici, Literaturesalon
So it is not surprising that the book has received something of an adverse reaction from some militant atheists who cannot abide to hear anything favorable said about religious faith and practice. In many ways, I cannot blame that set, as many of them (as have I) have either observed or experienced the tyranny and abuse dished out by fundamentalism and strict orthodoxy. One print review I read, which led me to purchase and read this book, said that the author has actually received death threats (among lesser harsh criticism) over publishing this book. That's so sad, because there is much in this book that I find wise and humane.
The great strength of this book is that it recognizes that religious institutions and belief are far more complex than acknowledged by the normal run of atheistic writers. De Botton, a thorough humanist and philosopher, understands and presents well why religious art, ritual, and architecture meet the needs of human souls at places that science and pure rationality cannot touch: our needs for community, for meaning, for connection, for beauty, and for what Otto Rank calls "the numinous" (de Botton does not invoke this term, but it haunts the entire book, I think). While Hitchens argues that religion spoils everything, and while Dawkins dismisses it as a great delusion, de Botton reminds us that, despite its ills (listed ad nauseum by the militant atheists - the Inquisition, the Crusades, the witch trials, et cetera), there have been many positive ways in which religion has improved and sustained culture. De Botton then suggests that atheists adopt practices like a form of the agape feast in restaurants, a change in museum design to meet the needs of the soul, and a change in educational practices to recognize that the need for self-actualization cannot be sustained by the current semester and syllabus system (to which I say, amen, if that is allowable amongst atheists). Of great interest in this regard is his capstone chapter on "Institutions," which explores how institutions (like the Roman Catholic Church) have a power to spread and enforce faith and doctrine that no individual writer has, no matter how sharp his thinking (Nietzsche, for instance, or Richard Dawkins).
Indeed, the book got me thinking about how some practices of studying sacred texts - like the Benedictine Lectio Divina and the recursive nature of the lectionary - can assist my own work teaching literature and philosophy. As I think of my own experience of a canonical work like Hamlet, I've found that slow, reflective reading, repeated regularly over the years (as well as seeing various performances) has led me gradually into the depths and heights of Shakespeare's masterpiece in a way that my grad school instructors, many of whom were obsessed with literary theory, could never offer me.
But in the end I think De Botton has written this book in vain. The current atheist movement is so hostile to religion and so enamored of the natural sciences as a way of understanding humanity and its place in the cosmos (see, inter alia, Michael Shermer's The Believing Brain, an interesting book to juxtapose with this one) that I cannot see a unified atheist movement even admitting that humanity has the soul-needs to which de Botton points. De Botton all but admits this in his conclusion when he concedes, "a book cannot achieve very much on its own." Times being what they are, that is all too true of this text. When I read about his ideas for an agape restaurant or a layout for an art museum that rejects the historical development of painting and sculpture, I could only think how futile these ideas are, except as thought experiments (which have their value). I'm quite sure none of his ideas will ever see anything beyond micro-scale manifestation.
Yet the author wisely concludes, "Religions are intermittently too useful, effective and intelligent to be abandoned to the religious alone." That, as Hamlet said, would be scanned.
I must end by remarking how well written this book is. Written by a philosopher, it is refreshingly free of cant, pedantry, and pretense - and for a book written by an atheist, it is remarkably tolerant of religious practice and free from the prevailing dogmatism. I found each sentence drawing me on to the next, and to the next, and all was accessible to the educated general reader due to the writer's knack for offering necessary context without laboring it. And I cannot ignore the very sensible and generous provision of illustrations and photographs that enrich the presentation. The entire performance left me with the impression of an author who was tolerant, wise, and humane - and who is worth further exploration.
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There might be a more conciliatory middle path towards this goal, as Alain de Botton's book proves. Pick the very best things about religion, transform them into a secular setting and show respect for those who have not yet arrived on their journey towards enlightenment and reason. Indeed, all too many atheists do have a tendency of mocking the believers and making clear that they are intellectually superior to them. By adopting (and adapting in a secular fashion) some of the 'good' religious ideas, all parties could profit. Specifically, de Botton focuses on ten different areas such as community, kindness, art and institutions. The surprisingly lengthy book (over 300 pages) provides valuable insight into religious life. The author contends that religions have been successful because they usually offer comprehensive philosophies and overarching spiritual structures for all major events during a life time. He rightly observes how meaningless and lonely secular lives can be without the protective and consoling constraints of traditional belief systems. In a way, this book is about secular self-criticism: non-religious people appear as fragile and in need of something 'bigger' than themselves just like the religious ones do. We all seek by nature for meaning, transcendence, sense of community or rituals. The beautifully written "Religion for Atheists" makes the reader aware of these purportedly religious needs in a compelling way. A highly recommendable read!






