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Koolhaas. Elements of Architecture Hardcover – October 9, 2018
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Elements of Architecture focuses on the fragments of the rich and complex architectural collage. Window, façade, balcony, corridor, fireplace, stair, escalator, elevator: the book seeks to excavate the micro-narratives of building detail. The result is no single history, but rather the web of origins, contaminations, similarities, and differences in architectural evolution, including the influence of technological advances, climatic adaptation, political calculation, economic contexts, regulatory requirements, and new digital opportunities. It’s a guide that is long overdue―in Koolhaas’s own words, “Never was a book more relevant―at a moment where architecture as we know it is changing beyond recognition.”
Derived, updated, and expanded from Koolhaas’s exhaustive and much-lauded exhibition at the 2014 Venice Architecture Biennale, this is an essential toolkit to understanding the fundamentals that comprise structure around the globe. Designed by Irma Boom and based on research from the Harvard Graduate School of Design, the 2,600-page monograph contains essays from Rem Koolhaas, Stephan Trueby, Manfredo di Robilant, and Jeffrey Inaba; interviews with Werner Sobek and Tony Fadell (of Nest); and an exclusive photo essay by Wolfgang Tillmans.
In addition to comprehensively updated texts and new images, this edition is designed and produced to visually (and physically) embody the immense scope of its subject matter: Custom split-spine binding: our printer modified their industrial binding machine to allow for the flexible, eight-centimeter thick spine
Contains a new introductory chapter with forewords, table of contents, and an index, located in the middle of the book (where it naturally opens due to its unique spine)
Printed on 50g Opakal paper, allowing for the ideal level of opacity needed to realize Boom’s palimpsest-like design
Translucent overlays and personal annotations by Koolhaas and Boom are woven in each chapter to create an alternative, faster route through the book
Printed at the originally intended 100% size for full readability
- Print length2528 pages
- LanguageEnglish
- PublisherTASCHEN
- Publication dateOctober 9, 2018
- Dimensions8.4 x 3.9 x 10.4 inches
- ISBN-109783836556149
- ISBN-13978-3836556149
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From the Publisher
architecture under the microscope
This collection is a look through the microscope at the real fundamentals of our buildings, revealing the essential design techniques used by any architect, anywhere, anytime. Conceived by Rem Koolhaas and made with the Harvard Graduate School of Design, it is a primordial toolkit to understanding how seemingly stable elements are actually in constant evolution.
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Elements of Architecture focuses on the fragments of the rich and complex architectural collage. Window, façade, balcony, corridor, fireplace, stair, escalator, elevator: the book seeks to excavate the micro-narratives of building detail. |
The result is no single history, but rather the web of origins, contaminations, similarities, and differences in architectural evolution, including the influence of technological advances, climatic adaptation, political calculation, economic contexts, regulatory requirements, and new digital opportunities. |
It’s a guide that is long overdue—in Koolhaas’s own words, “Never was a book more relevant—at a moment where architecture as we know it is changing beyond recognition.” |
Derived, updated, and expanded from Koolhaas’s exhaustive and much-lauded exhibition at the 2014 Venice Architecture Biennale, this is an essential toolkit to understanding the fundamentals that comprise structure around the globe. Designed by Irma Boom and based on research from the Harvard Graduate School of Design, the 2,600-page monograph contains essays from Rem Koolhaas, Stephan Trueby, Manfredo di Robilant, and Jeffrey Inaba; interviews with Werner Sobek and Tony Fadell (of Nest); and an exclusive photo essay by Wolfgang Tillmans.
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In addition to comprehensively updated texts and new images, this edition is designed and produced to visually (and physically) embody the immense scope of its subject matter: |
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Editorial Reviews
Review
“Rem Koolhaas explains it all in Elements of Architecture. With examples ranging from the Sydney Opera House to St. Peter’s Basilica, this beautiful book also works as a history of architecture.” ― The New York Times
“A brilliant and stimulating exploration of the stories behind the most mundane and ubiquitous elements of architecture.” ― Financial Times
“…exhaustive and exhausting, mad and maddening.” ― Metropolis Magazine
“…when it comes to learning about the differences in architectural evolution, this is the book.” ― forbes.com
“A mammoth undertaking: smashing open the last 100 years of architecture and ripping out its innards for forensic analysis.” ― The Guardian
About the Author
Harvard Graduate School of Design
Stephan Trüby
James Westcott
Stephan Petermann
Product details
- ASIN : 3836556146
- Publisher : TASCHEN; 1st edition (October 9, 2018)
- Language : English
- Hardcover : 2528 pages
- ISBN-10 : 9783836556149
- ISBN-13 : 978-3836556149
- Item Weight : 7.8 pounds
- Dimensions : 8.4 x 3.9 x 10.4 inches
- Best Sellers Rank: #168,434 in Books (See Top 100 in Books)
- #62 in Urban & Land Use Planning (Books)
- #102 in Architectural Drafting & Presentation
- #149 in Residential Architecture
- Customer Reviews:
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Top reviews
Top reviews from the United States
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Simply put, this book is captivating.
There is so much information packed into this cinder block of a tome that you will have enough nighttime reading to last you a year, especially since this book should be taken in small doses.
An inspiring gift to yourself or anyone else who has the strength to lift it.
Top reviews from other countries
Though the book bears the name of Rem Koolhaas as the author, it effectively results from various university workshops. The enthusiasm of youth transpires and leads to discoveries and original links. Sadly, a limited knowledge of the past and of other cultures, even of non-Protestant Europe, can also be perceived.
Many sections are highly original and stimulating. This is true for instance of that pertaining to elevators which seamlessly combines historical and technical information. It points out among many other things that computer models defining the number of elevators required for a given floor area and number of storeys now have a major influence on a building’s shape and architecture.
Sadly, a significant number of sections are frustrating. This is the case, for example, in the following cases:
• in the discussion of façades, the strange notion that they only became important in the 19th century is underscored: what about the Pantheon? what of Gothic Cathedrals?
• in the pages on corridors, the bizarre idea that they were invented in the 19th century and have since fallen out of fashion is repeated again and again; what about medieval monasteries and cloisters? what about corridors in contemporary apartment buildings, schools and universities?
• the section on stairs is the longest of all with over 300 pages and concentrates almost exclusively on the new science of “scalology” and its inventor Friedrich Mielke; countless excerpts of his presumably seminal books are facsimiled (in the original German); strangely, Mr. Mielke discusses at some length in an interview his experience in the Nazi army during World War II and is pictured in a wheelchair, with a leg amputated, what would prevent him from using the stairs he analyses; he claims to have a library of 500 works pertaining to stairs, what does not strike as being very impressive; he asserts to having invented a staircase with risers of varying height, that would obviously prove extremely dangerous if it were ever built; the reader cannot help wonder if a joke is being put on.
The laudable drive to be original leads at times to dubious results:
• the section on doors is printed white on blackened paper, and photos as negatives, what renders the whole thing barely legible;
• the index (placed in the middle of the book) is printed in orange ink on white paper, what again makes it very difficult to consult;
• the section on toilets includes photos that are downright scatological and it is best to simply pass it over and go directly to the next one.
A definite lack of unity can be noted in the book. There is no general introduction or conclusion, just an editor’s comment in the middle of the book (next to the index). There is no explanation as to why the themes included were chosen and others, such as foundations, materials, floor plans and internal organization of buildings, were not.
Globally, it appears best to stick to “Elements of Venice”, a similar publication edited by Giulia Foscari that is focused, well edited and simply fascinating.









