- File Size: 1404 KB
- Print Length: 121 pages
- Simultaneous Device Usage: Up to 5 simultaneous devices, per publisher limits
- Publisher: Zondervan (October 3, 2017)
- Publication Date: October 3, 2017
- Sold by: HarperCollins Publishing
- Language: English
- ASIN: B06XFM3YBP
- Text-to-Speech: Enabled
- Word Wise: Enabled
- Lending: Not Enabled
- Amazon Best Sellers Rank: #239,935 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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The Remarkable Ordinary: How to Stop, Look, and Listen to Life Kindle Edition
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|Length: 121 pages||Word Wise: Enabled||Enhanced Typesetting: Enabled|
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About the Author
Frederick Buechner is the author of more than thirty published books and has been an important source of inspiration and learning for many readers. A prolific writer, Buechner’s books have been translated into twenty-seven languages. He has been called a "major talent" by the New York Times, and "one of our most original storytellers" by USA Today. A finalist for the Pulitzer Prize and the National Book Award, Buechner has been awarded honorary degrees from institutions including Yale University and Virginia Theological Seminary.--This text refers to the paperback edition.
“Frederick Buechner has inspired me not only with his writing, but with his generosity of spirit. I’m incredibly thankful.” (– Rachel Held Evans)
“Frederick Buechner is a beacon. When we can’t remember what is true and what it all means, he’s the person we turn to.” (– Anne Lamott)
“He isn’t trying to persuade – he’s trying to understand what he himself believes and thinks. And that honesty is more persuasive than the most polished argument.” (– John Ortberg)
“Frederick Buechner doesn’t just show us how to write; he shows us how to live.” (– Philip Yancey)
“Frederick Buechner is not just a wordsmith but an image-smith – he’s the bridge between Gutenberg and Google.” (– Len Sweet)
“To each new generation, his work is a revelation.” (- The Lutheran)
“Frederick Buechner gives new life to Christian truth.” (– Katelyn Beaty)
“With profound intelligence, Buechner’s novel does what the finest, most appealing literature does: it displays and illuminates the seemingly unrelated mysteries of human character and ultimate ideas... One of our finest writers.” (- Annie Dillard, Boston Globe)
“If Frederick Buechner subordinated his nature and chose to write on naughts and nothings, he would still exalt his readers. When he is in representative harmony and writes of the accessibility of God to humanity and of humanity’s agreement with its potential divinity, we, the readers, are lifted up, buoyed up, and promised wholeness.” (- Maya Angelou) --This text refers to the paperback edition.
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I’m actually sitting on a plane right now somewhere between Houston and Salt Lake City. I just put down my Kindle (which I later realized I left on the plane) and I have to say that I had the same experience with this book that I’ve had with most of the books that I’ve read by Buechner. That is, I simultaneously smiled and had tears in my eyes. The other day I was listening to a conversation between Krista Tippett and the late John O’Donohue. It was a remarkable conversation. Towards the end of the conversation Tippett said something fascinating about Celtic music. She remarked that “it seems to express the greatest joy and also the deepest sorrow, almost indistinguishable from each other, and yet both with a kind of healing force.” That’s a great description of Buechner’s writing! Great joy and great sorrow mingled together with healing in it.
Buechner has the great ability to cause you to listen to your life. This, of course, is one of his overarching themes and the title to one of his books. He does this by telling his story in such a way that you find your own story somewhere beneath the surface. In one chapter he talks about his relational connection with Maya Angelou. One time they both spoke at the same event and after Buechner finished his speech, the person introducing Maya said, “Ms. Angelou will now get up and tell you her story, and it will be a very different story from the one that you have just heard from Frederick Buechner.” Buechner writes that as the man said that Maya Angelou was shaking her head no. She got up and said, “I have exactly the same story to tell as Frederick Buechner.” Pondering this Buechner writes that “that’s the only reason I have, the only justification, to tell you my story. Who gives a hoot about my story? But you can give a hoot about it because it’s in many ways your story.” Mission accomplished. (For the record, I give a hoot about Beuchner’s story.)
If you’re familiar with Buechner’s work you’ve probably heard him tell some of these stories before. There are several times throughout the book where he’ll basically say, I’ve written about this before but…here we go anyway. There’s a freshness their telling, though. This is not like reading the same story twice (though I suppose there can in many ways be a freshness to that in a different way). He tells his story in a new way, like the man nearing the end of his life. There is a hopeful rawness to it all. Abraham Heschel once said, "In our own lives the voice of God speaks slowly, a syllable at a time. Reaching the peak of years, dispelling some of our intimate illusions and learning how to spell the meaning of life-experiences backwards, some of us discover how the scattered syllables form a single phrase." You get the feeling in this book that Beuchner has found that phrase and is is spelling it out for us one beautiful letter at a time. He is also providing the hope that we, through our own journeys, will find our phrases too if we simply pay attention to the Remarkable Ordinary.
I can’t recommend this small book strongly enough.
 Abraham Joshua Heschel, God In Search of Man, p. 174
Anyway, I found this to be a depressing short book delivering neither courage nor inspiration.
I recommend Brother Lawrence’s “The Practice of the Presence of God.”
I’m just so sad this was underwhelming. I doubt I’ll pick up another one of this author’s novels, no matter how good-intentioned they are.