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Remembering the Kanji 1: A Complete Course on How Not to Forget the Meaning and Writing of Japanese Characters 6th Updated Edition
| James W. Heisig (Author) Find all the books, read about the author, and more. See search results for this author |
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Updated to include the 196 new kanji approved by the Japanese government in 2010 as “general-use” kanji, the sixth edition of this popular text aims to provide students with a simple method for correlating the writing and the meaning of Japanese characters in such a way as to make them both easy to remember. It is intended not only for the beginner, but also for the more advanced student looking for some relief from the constant frustration of forgetting how to write the kanji, or for a way to systematize what he or she already knows.
The author begins with writing the kanji because―contrary to first impressions―it is in fact simpler than learning how to the pronounce them. By ordering the kanji according to their component parts or “primitive elements,” and then assigning each of these parts a distinct meaning with its own distinct image, the student is led to harness the powers of “imaginative memory” to learn the various combinations that make up the kanji. In addition, each kanji is given its own key word to represent the meaning, or one of the principal meanings, of that character. These key words provide the setting for a particular kanji’s “story,” whose protagonists are the primitive elements.
In this way, one is able to complete in a few short months a task that would otherwise take years. Armed with the same skills as Chinese or Korean students, who know the meaning and writing of the kanji but not their Japanese pronunciations, one is then in a much better position to learn the readings (which are treated in a separate volume).
Remembering the Kanji has helped tens of thousands of students advance towards literacy at their own pace, and to acquire a facility that traditional methods have long since given up on as all but impossible for those not raised with the kanji from childhood.
- ISBN-100824835921
- ISBN-13978-0824835927
- Edition6th Updated
- PublisherUniversity of Hawaii Press
- Publication dateMarch 31, 2011
- LanguageEnglish
- Dimensions6 x 0.9 x 8.9 inches
- Print length496 pages
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Product details
- Publisher : University of Hawaii Press; 6th Updated edition (March 31, 2011)
- Language : English
- Paperback : 496 pages
- ISBN-10 : 0824835921
- ISBN-13 : 978-0824835927
- Item Weight : 1.5 pounds
- Dimensions : 6 x 0.9 x 8.9 inches
- Best Sellers Rank: #12,594 in Books (See Top 100 in Books)
- #4 in Linguistics Reference
- #8 in Alphabet Reference
- #11 in Study & Teaching Reference (Books)
- Customer Reviews:
About the author

James W. Heisig, is emeritus professor and research fellow of the Nanzan Institute for Religion and Culture, located on the campus of Nanzan University in Nagoya, Japan. His books, translations, and edited collections,which have appeared in 13 languages,currently number 83 volumes.
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ORIGINAL REVIEW: I really like this book. A few disclaimers before I actually review it:
1. I'm only currently about 300 kanji into the book, so this is kind of an "early" review.
2. The book teaches you the MEANING of the kanji, not the pronunciation. This is a great way to learn them, in my opinion, but just be aware of that if you're considering purchasing this book.
3. The order that you learn the kanji is different to the order that Japanese children learn them.
Ok, review time. I really like this book. I feel like it's a really efficient way to learn kanji. Yes, the order is different to what a Japanese child would follow. So far, the book has introduced certain characters and then shown other kanji that "build" off those characters. So there are surely a lot of common characters that I don't know yet, and some pretty obscure ones that I do, but the order makes sense as you follow it, in my opinion.
I think that this book works really well if you want to learn to read Japanese first, and learn to speak later (which, in my opinion, is a great way to learn). I've already found myself being able to read some kanji characters when watching anime. I can't pronounce them, but I know what they mean, which is cool.
The author provides little stories to help you remember each character, and to be honest, not all of them work for me. Some of them are really weird and I find myself coming up with much more intuitive/commonsense ways to remember them. But each person's brain makes connections in its own way, and of course the author isn't going to nail it every time. So as long as you're able to remember them in a way that works for you, then I think you'll be fine.
If you do decide to purchase this book, I'd highly recommend using a flashcard app like Anki to help you to remember the characters. I have been doing a lesson (almost) every day, and then using Anki to review. Because this book is quite popular, there are also Anki decks available to help you study.
TL;DR: If you are happy to learn kanji by meaning alone, in a way that's different to how Japanese kids learn, and you're willing to put in the effort to study, then this book is a great resource for you.
This approach works better for some kanji than others (e.g. petition is made up of the kanji for meadow and head, and Heisig comes up with some story about you petitioning the Wizard of Oz's head in a meadow, which is downright weird, but it's not like it's symbol combination that has an obvious connection with the meaning of the resulting kanji). So, it's by no means perfect, but it's _way_ better than learning each of the kanji individually based on the frequency that they're used without taking into account which kanji are used to build other kanji. You get a very organized approach to constructing each of the kanji and making them easy to remember (or at least easier to remember) rather than trying to learn how to draw each of them without taking each of the others into account.
Now, that being said, I think that Heisig puts too much store in imaginative memory and thinks that you shouldn't be practicing drawing each kanji over and over to help remember it. I have to argue that using multiple memory mechanisms is going to improve your chances of remembering something, and writing stuff down definitely helps. So, I think that practicing each character several times rather than just memorizing which kanji make it up and writing it maybe once (as Heisig seems to think you should do) is a worse approach. But the tools that he's giving you by organizing the kanji based on which other kanji make them up as well as giving you ways to remember them based on those pieces rather than simply what the kanji looks like as a whole are an _enormous_ help and makes learning more complex kanji far easier. So, while I don't agree with everything that he says, I think that his overall approach is very good. And since I'm an engineer, how logical and organized his system is is _very_ appealing to me.
Now, a serious downside to all of this is that you're learning the kanji in a very different order than anything else is going to use. So, you're not going to get much help from elsewhere (and Heisig actually says that he thinks that learning the kanji using his method combines very badly with more traditional methods such that you shouldn't use this book if you're taking classes or using other textbooks at the same time). It also only covers the kanji themselves and not pronunciation or grammar or anything like that - which I don't think is a bad thing (Heisig points out that it makes it so that when you do learn those things, you're in a position closer to that which a Chinese person would be in, since they'd be familiar with the kanji and their rough meanings but not how they related to Japanese), but the other volumes are supposed to go into that stuff (I haven't gotten to them yet, so I can't comment on them in detail). But even if you were to switch to other textbooks after having learn the kanji covered in volume 1 of this series, you'd be able to go through them that much faster, because you'd recognize the characters and know how to write them, which is obviously a _huge_ barrier to learning Japanese.
On a last note, I'd highly recommend that you pick up the mobile app that goes with this (at the moment, it's under $2). In addition to listing all of the characters in the order that they're in the book, giving you a handy referencee, it shows you how to draw them with an animation (the book shows you which order to draw each stroke but not the direction of the stroke), and it can be used for flash cards, which is fantastic (even allowing you to pick which kanji are in a study list rather than just having a preset set of flashcards). It does seem to be somewhat buggy at the moment, but it works well enough to be well worth it IMHO.
Top reviews from other countries
The good: If you follow the book page by page you will learn how to recognise all of the kanji.
The bad: You will not learn the readings BUT you will have sowed the seeds of recognition and you can then apply layers onto this as you learn further instead of just trying to over load from the start and learn everything in one go only to forget most of it soon afterwards.
The embarrassing: This book gets slated by people who have either never used it, never completed it, don't appreciate it for what it does do instead of what it does not do or worst of all, if they are an author of a rival book just looking to diss it in a you tube video because they don't like it.
The bottom line is this, many many people swear by this method, if you go into it looking to be able to recognise all of the kanji so as to later on be able to attach the readings to them as needed then you wont be disappointed. Walk before you run = win.
I have a few problems with this book. Firstly, the author states at the beginning that learning kanji is very difficult without using his method. He says - "What makes forgetting the kanji so natural is their lack of connection with normal patterns of visual memory. We are used to hills and roads, to the faces of people and the skylines of cities, to flowers, animals, and the phenomena of nature. And while only a fraction of what we see is readily recalled, we are confident that, given proper attention, anything we choose to remember, we can. That confidence is lacking in the world of the kanji."
This just isn't true. Kanji really aren't that difficult and once you're exposed to them enough, they do stick in your head without any need to break them down into small components and make up stories for them. It's true that some are harder to remember than others and there are similar kanji that can be confusing to distinguish from each other at first, but it just takes more practice in the language.
I would actually argue that this method is detrimental to learning kanji. Looking at the little parts that make up each kanji and then assigning keywords to them and THEN making up a story using those keywords, for 2000+ kanji is such a monumental waste of time. Even many of the people who successfully complete this book say it was a huge slog and not pleasant to do.
Another huge flaw of this book is how much emphasis it places on writing. This is so incredibly unnecessary in this day and age. I'm not saying learning to write kanji is necessarily bad but it's 100% not needed to be fluent in the language. Even a lot of Japanese natives don't know how to write all the kanji but here, huge importance is placed on it.
Another problem I have with this book is how much time it asks of you for so little in return. Advocates of this method say it only takes a couple of months and at the end of that you'll know all the necessary kanji. This really depends on how you define "knowing" them. At best, IF you stick with it and the method actually works for you, you'll be able to recognize kanji much better and have a general sense of what they mean in a sentence. You won't be able to actually read anything though since you're not taught any readings or compound words.
At best, this book is going to take you months to get through. You often hear that you can get through it in a couple of months but I don't believe that's accurate for most people. You would have to do 30+ new kanji every single day to do it at that rate and that's not taking reviewing kanji you've already learned into account. And this was another thing I found really off putting about this method - it eats so much of your study time. Learning Japanese is hard enough as it is without having to dedicate so much effort to something that doesn't even give you the ability to read Japanese at the end of it.
As other reviewers have stated, you would be so much better off spending that time learning actual Japanese. Real sentences that have compound kanji, readings, grammar etc. There are so many great resources out there now - apps, YouTube videos, online courses, audio books etc etc. You can pick kanji up naturally just by being exposed to them. They seem intimidating at first but it's so much better to expose yourself to them naturally in my opinion.
(I'm updating this review as I go and find problems that I remember to highlight so the review may be jumbled.)
It's definitely a controversial book as it doesn't teach you the Japanese readings but I think it is beneficial and much faster to learn kanji in your native tongue since you can start to decode Japanese words you already know.
There are a lot of good mnemonics that help the meanings stick but it's not without its faults.
He's clearly religious as he references biblical events a lot, which is a problem if you're not religious and have no idea what he's talking about. He's an American and the book is written in American English which becomes a problem for remembering i.e. graft is used for remembering bribery but in the uk it means hard work. Then there's the uncommon or downright weird choice of meanings such as using "derision" instead of ridicule, "post a bill" for 貼 which means to stick, paste, apply and "effulgent" which you'll probably never remember.
Update : I've had to knock it down 1 star as the stories have gotten ridiculous to the point where I don't even use them (see photo) [update at 800 words, he's almost completely abandoned stories] and I've noticed a couple of mistakes that should have been caught in a book that's on its 6th edition... e.g.
-He says 町 is village and 村 is town when in reality 町 is town and 村 is a village.
-He uses 里 for "ri" when that's an old outdated unit of measurement and the kanji is now used when referring to your parent's house.
-He used 条 for "twig" which I still haven't been able to figure out because it means an article.
-He says 錮 is weld when it's only used when referring to types of imprisonment and has nothing to do with welding i.e. 軽禁錮 or 重禁錮 (minor or major imprisonment).
-The picture for the primitive birdhouse doesn't match what is drawn in the stroke order. The picture is a schoolhouse and the stroke order has a drop above it.
-He seems to get confused with a lot of primitives meaning you're learning the wrong thing e.g. confusing heavens (天) with early death (夭). Confusing 氺 which is a variation of water (水) with rice (米) etc...
-He has randomly changed the meaning of primitives that he's used for over 1000 kanji i.e. shellfish/clam (貝) has become money.
-He says 校 is exam for some reason when it's the school part of any school kanji (which isn't even a keyword he uses) i.e. 高校 - high school, 学校 - school (study school), 校長 - principle (school leader), 校歌 - school song etc...
-He says 玄 is mysterious when you’d have a hard time finding anything that means that with this kanji. It’s the gen part of genkan (玄関), the area of the house where you remove your shoes, which is probably one of the first things you learn about Japan.
I guess my main problem, other than the mistakes, is that it mainly teaches you by stroke order, not grade so you'll learn high stroke count kanji for words so difficult you might not even know the English terms 1000 kanji before you learn how to write art. That just isn't how language learning works.
I don't really see a benefit to wasting a lot of time trying to memorise a complex tricky kanji that you might not even learn the Japanese reading for until you're years into your studies and by that time you'll probably have forgotten the mnemonic anyway when you could be exposing yourself to lower level ones daily and have them seared into your memory the way 私 and 名前 probably are for everyone. (for reference even at N2 you only need around 1000 kanji which I'm very quickly approaching and there are still a lot of very basic N5 kanji I haven't learned yet)
I'll probably still go through the book entirely and create mnemonics but not focus on 100% retention, then start a graded kanji book and focus on nailing them per grade when you can actually use them.
Reviewed in the United Kingdom 🇬🇧 on July 19, 2022
(I'm updating this review as I go and find problems that I remember to highlight so the review may be jumbled.)
It's definitely a controversial book as it doesn't teach you the Japanese readings but I think it is beneficial and much faster to learn kanji in your native tongue since you can start to decode Japanese words you already know.
There are a lot of good mnemonics that help the meanings stick but it's not without its faults.
He's clearly religious as he references biblical events a lot, which is a problem if you're not religious and have no idea what he's talking about. He's an American and the book is written in American English which becomes a problem for remembering i.e. graft is used for remembering bribery but in the uk it means hard work. Then there's the uncommon or downright weird choice of meanings such as using "derision" instead of ridicule, "post a bill" for 貼 which means to stick, paste, apply and "effulgent" which you'll probably never remember.
Update : I've had to knock it down 1 star as the stories have gotten ridiculous to the point where I don't even use them (see photo) [update at 800 words, he's almost completely abandoned stories] and I've noticed a couple of mistakes that should have been caught in a book that's on its 6th edition... e.g.
-He says 町 is village and 村 is town when in reality 町 is town and 村 is a village.
-He uses 里 for "ri" when that's an old outdated unit of measurement and the kanji is now used when referring to your parent's house.
-He used 条 for "twig" which I still haven't been able to figure out because it means an article.
-He says 錮 is weld when it's only used when referring to types of imprisonment and has nothing to do with welding i.e. 軽禁錮 or 重禁錮 (minor or major imprisonment).
-The picture for the primitive birdhouse doesn't match what is drawn in the stroke order. The picture is a schoolhouse and the stroke order has a drop above it.
-He seems to get confused with a lot of primitives meaning you're learning the wrong thing e.g. confusing heavens (天) with early death (夭). Confusing 氺 which is a variation of water (水) with rice (米) etc...
-He has randomly changed the meaning of primitives that he's used for over 1000 kanji i.e. shellfish/clam (貝) has become money.
-He says 校 is exam for some reason when it's the school part of any school kanji (which isn't even a keyword he uses) i.e. 高校 - high school, 学校 - school (study school), 校長 - principle (school leader), 校歌 - school song etc...
-He says 玄 is mysterious when you’d have a hard time finding anything that means that with this kanji. It’s the gen part of genkan (玄関), the area of the house where you remove your shoes, which is probably one of the first things you learn about Japan.
I guess my main problem, other than the mistakes, is that it mainly teaches you by stroke order, not grade so you'll learn high stroke count kanji for words so difficult you might not even know the English terms 1000 kanji before you learn how to write art. That just isn't how language learning works.
I don't really see a benefit to wasting a lot of time trying to memorise a complex tricky kanji that you might not even learn the Japanese reading for until you're years into your studies and by that time you'll probably have forgotten the mnemonic anyway when you could be exposing yourself to lower level ones daily and have them seared into your memory the way 私 and 名前 probably are for everyone. (for reference even at N2 you only need around 1000 kanji which I'm very quickly approaching and there are still a lot of very basic N5 kanji I haven't learned yet)
I'll probably still go through the book entirely and create mnemonics but not focus on 100% retention, then start a graded kanji book and focus on nailing them per grade when you can actually use them.
And yet I have always struggled with writing kanji. No matter what I did, I couldn't get them to stick in my brain when I wanted to write them by hand.
Until now.
A large number of my Japanese-speaking friends were using this book and so I bought it to join the bandwagon. I'm probably only 1/10 into the book but I can't believe the amount of kanji I'm able to write just like that, following this method. I use a website in conjunction with it, which has the kanji in the same order as the book and also has some alternative stories just in case you aren't happy with Heisig's ones (as I often am) and I highly recommend you use the website as well.
A great book for beginners as you will learn what those "little picture things" mean, and great for people like me with a high level of Japanese, who can start to look at kanji in a much deeper way to try and remember how to write them.









