This is an important and wide-ranging study of creative invention in science and mathematics from the early modern period to the present day, showing how the development of ideas arises from the necessarily semiotic ambiguity in different kinds of representation.
Case studies in geometry, mechanics, topology and algebra, are examined to demonstrate that historical analysis and logical abstraction cooperate in understanding the epistemological processes involved in scientific discovery.
Grosholz’ work will be of interest to philosophers of science and mathematics, and to those who see the history of mathematics and science as an important contribution to informing teaching and motivating learning.
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