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Return to Tomorrow: The Filming of Star Trek - The Motion Picture Kindle Edition
RETURN TO TOMORROW is a stunningly detailed and candid oral history, going behind the scenes of one of the most famous films in not only Star Trek history, but all of science fiction and cinema.
In 1979, Preston Neal Jones was given unparalleled access to the cast and creators of Star Trek: The Motion Picture for what was intended to be a cover story for Cinefantastique magazine. Owing to the late completion of the film and ambitious scope of the manuscript, it was never published—until now.
This book is a priceless time capsule, an epic, 672-page oral history in the words of sixty of the film’s cast and creators, interviewed as the film was being prepared for release—and nobody had any idea if it would succeed or even be finished on time.
From the stars (William Shatner, Leonard Nimoy and the entire cast) to the filmmakers (Gene Roddenberry, Robert Wise) to the brilliant visual effects artists, illustrators, model builders and technicians who realized the 23rd century on screen (costumes, sets, props, models, music, sound FX and more), no aspect of the film’s creation is overlooked.
The entire manuscript has been laboriously fact-checked and prepared for modern publication, while retaining all of the candid comments from 1979-80. The gorgeous cover art is the original painting by Roger Stine intended for Cinefantastique, courtesy of the Daren R. Dochterman Collection.
Go behind the scenes of this pivotal sci-fi masterwork and hear the unvarnished, uncensored truth of how it was created.
- LanguageEnglish
- Publication dateJuly 1, 2020
- File size2790 KB
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Product details
- ASIN : B08C9BPK5N
- Publisher : Creature Features Publishing (July 1, 2020)
- Publication date : July 1, 2020
- Language : English
- File size : 2790 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 802 pages
- Best Sellers Rank: #683,196 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
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Also by this time, Cinefantastique magazine, which was founded to treat the genres of fantasy, sci-fi and horror seriously, had already given lengthy, in depth coverage to those three films as well as Planet of the Apes and Forbidden Planet. The publication continued doing these deep dives, one such, covering the making of Psycho, was turned into Stephen Rebello's book, Alfred Hitchcock and the Making of Psycho. That's how full they were.
This was to be one of those in depth pieces, actually two, so perhaps their most in depth, set to span two issues of the magazine in 1980. The story of creating this film is told by the creators, not looking back from today, but interviewed then, when it was fresh. It's not one interview at a time, but all of them edited into a whole story, and it's a great read, which is an unusual compliment to be able to give something which is also a solid reference work.
If you want pictures, they're Googlable, or grab a volume like Star Trek: The Motion Picture: The Art and Visual Effects. Not having them is not a failing of this book.
Its only drawback is that turning the taped interviews, if they even were recorded, into this audiobook, would be a licencing and rights nightmare, but man, would I love to hear that!
Another element to consider is that the publishers did not seek clearance for the wealth of visual accompaniments that were originally gathered for this intended magazine article. The book is straight text and frequently refers to drawings or photos that aren’t included with the words. As often as not, though, a simple web search will take you to those same artworks online, so if it’s that vs not having this book at all, I for one am happy with what we got.
Recommended for fans of the movie, or anybody with an interest in what guys like Doug Trumbull were doing around this time in the world of special effects. Bonus for fans of Goldsmith’s music.
When the book is discussing the writing of the film, or the production of it, it's interesting. But once you get into the post-production, special effects heavy portion of the book, it just drags. Often there will be a lengthy quote from someone about a particular special effect, followed by a quote from someone else about the exact same thing, usually going over the same points. It's extraneous.
If you're Mark A. Altman, you'll love this book. But for the rest of us, chances are you'll be skimming through the last third of it.
Reading it also has a perhaps-odd side effect: Now I wish to first re-view the original theatrical release, then its later "Director's Edition" that principally reflects Robert Wise's decades-after ability to digitally enhance and further edit and complete scenes of the film as originally intended and described in the book while not effectively hamstrung by the studio's demand to meet a release date.
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A must read for fans, and anyone wishing to understand the Hollywood production process of the seventies.





