Biting, brilliant, and marvelously witty, From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity." Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel
From the Back Cover
'From Reverence to Rape is an incisive, exceedingly thoughtful look at the distorted lens through which Hollywood has historically viewed women. It is a valuable contribution not just to film criticism but to a society in which the vital role of women is just beginning to emerge.' - Christian Science Monitor
About the Author
Molly Haskell has written for many publications, including the Village Voice, New York Times, Ms., Saturday Review, and Vogue. She is the author, most recently, of My Brother My Sister: A Story of Transformation.
Excerpt. © Reprinted by permission. All rights reserved.
In no more than one out of a thousand movies was a woman allowed to sacrifice love for career rather than the other way around. Yet, in real life, the stars did it all the time, either by choice or by default-the result of devoting so much time and energy to a career and of achieving such fame that marriage suffered and the home fell apart. Even with allowances made for the general instability of Hollywood, the nature and number of these breakups suggest that no man could stand being overshadowed by a successful wife. The male ego was sacred; the woman's was presumed nonexistent. And yet, what was the "star" but a woman supremely driven to survive, a barely clothed ego on display for all the world to see.
