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Rewired: The Post-Cyberpunk Anthology Paperback – October 1, 2007
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Time to stop flipping the channel.
These sixteen extreme stories reveal a government ninja routed by a bicycle repairman, the inventor of digitized paper hijacked by his college crush, a dead boy trapped in a warped storybook paradise, and the queen of England attacked with the deadliest of forbidden technology: a working modem. You’ll meet Manfred Macx, renegade meme-broker, Red Sonja, virtual reality sex-goddess, and Felix, humble sys-admin and post-apocalyptic hero.
Editors James Patrick Kelly and John Kessel (Feeling Very Strange: The Slipstream Anthology) have united cyberpunk visionaries William Gibson, Bruce Sterling, and Pat Cadigan with the new post-cyberpunk vanguard, including Cory Doctorow, Charles Stross, and Jonathan Lethem. Including a canon-establishing introduction and excerpts from a hotly contested online debate, Rewired is the first anthology to define and capture the crackling excitement of the post-cyberpunks.
From the grittiness of Mirrorshades to the Singularity and beyond, it’s time to revive the revolution.
- Print length425 pages
- LanguageEnglish
- PublisherTachyon Publications
- Publication dateOctober 1, 2007
- Dimensions6.08 x 1.2 x 8.96 inches
- ISBN-101892391538
- ISBN-13978-1892391537
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Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“Sixteen inspiring, mind-altering stories...and every story in the bunch is a knockout.”
―Boing Boing
“Fascinating, and indispensable to any serious SF reader...Rewired is one of the best imaginable anthologies covering what SF is doing right now.”
―Andrew Wheeler
“Cyberpunk has grown past its rebel stage and is now not only capable of dazzling us with surfaces but also of speaking of the human condition....”
―Tangent
“An excellent collection and a reminder that the short story is often the best venue for new ideas in the field.”
―SF Crowsnest
About the Author
John Kessel is a Nebula, Sturgeon, and Locus award winner and the author of Corrupting Dr. Nice, Good News From Outer Space, and The Pure Product. He teaches courses in science fiction, fantasy, and fiction writing at North Carolina State University. His criticism has appeared in Foundation, the Los Angeles Times Book Review, the New York Review of Science Fiction, and Science Fiction Age.
Excerpt. © Reprinted by permission. All rights reserved.
Rewired
the post-cyberpunk anthology
By James Patrick Kelly, John KesselTachyon Publications
Copyright © 2007 James Patrick Kelly & John KesselAll rights reserved.
ISBN: 978-1-892391-53-7
Contents
INTRODUCTION: Hacking Cyberpunk | James Patrick Kelly & John Kessel,Sterling-Kessel Correspondence,
Bruce Sterling | "Bicycle Repairman",
Gwyneth Jones | "Red Sonja and Lessingham in Dreamland",
Jonathan Lethem | "How We Got in Town and out Again",
Greg Egan | "Yeyuka",
Pat Cadigan | "The Final Remake of The Return of Little Latin Larry with a Completely Remastered Soundtrack and the Original Audience",
William Gibson | "Thirteen Views of a Cardboard City",
David Marusek | "The Wedding Album",
Walter Jon Williams | "Daddy's World",
Michael Swanwick | "The Dog Said Bow-Wow",
Charles Stross | "Lobsters",
Paul Di Filippo | "What's Up, Tiger Lily?",
Christopher Rowe | "The Voluntary State",
Elizabeth Bear | "Two Dreams on Trains",
Paolo Bacigalupi | "The Calorie Man",
Mary Rosenblum | "Search Engine",
Cory Doctorow | "When Sysadmins Ruled the Earth",
CHAPTER 1
Bicycle Repairman
Bruce Sterling
Accompanying CP'S fascination with the "street" came the assumption that, outside of middle-class social structures, new things can be done. Here Chairman Bruce himself observes that the middle class exerts its pull and the outsiders move toward the ordinary. Ten years after the conclusion of this story Lyle will be running a business and Deep Eddy will be a media commentator, both married (and probably divorced) with children.
This PCP story consciously reverses many cyberpunk clichés: it abjures sex and gives the hero a mother. Most amusing of all, Sterling dismantles the myth of the ninja black ops secret agent, a character helpless here in the face of a streetwise community and a social worker.
Repeated tinny banging woke Lyle in his hammock. Lyle groaned, sat up, and slid free into the tool-crowded aisle of his bike shop.
Lyle hitched up the black elastic of his skintight shorts and plucked yesterday's grease-stained sleeveless off the workbench. He glanced blearily at his chronometer as he picked his way toward the door. It was 10:04.38 in the morning, June 27, 2037.
Lyle hopped over a stray can of primer and the floor boomed gently beneath his feet. With all the press of work, he'd collapsed into sleep without properly cleaning the shop. Doing custom enameling paid okay, but it ate up time like crazy. Working and living alone was wearing him out.
Lyle opened the shop door, revealing a long sheer drop to dusty tiling far below. Pigeons darted beneath the hull of his shop through a soot-stained hole in the broken atrium glass, and wheeled off to their rookery somewhere in the darkened guts of the high-rise.
More banging. Far below, a uniformed delivery kid stood by his cargo tricycle, yanking rhythmically at the long dangling string of Lyle's spot-welded doorknocker.
Lyle waved, yawning. From his vantage point below the huge girders of the cavernous atrium, Lyle had a fine overview of three burnt-out interior levels of the old Tsatanuga Archiplat. Once elegant handrails and battered pedestrian overlooks fronted on the great airy cavity of the atrium. Behind the handrails was a three-floor wilderness of jury-rigged lights, chicken coops, water tanks, and squatters' flags. The fire-damaged floors, walls, and ceilings were riddled with handmade descent-chutes, long coiling staircases, and rickety ladders.
Lyle took note of a crew of Chattanooga demolition workers in their yellow detox suits. The repair crew was deploying vacuum scrubbers and a high-pressure hose-off by the vandal-proofed western elevators of Floor 34. Two or three days a week, the city crew meandered into the damage zone to pretend to work, with a great hypocritical show of sawhorses and barrier tape. The lazy sons of bitches were all on the take.
Lyle thumbed the brake switches in their big metal box by the flywheel. The bike shop slithered, with a subtle hiss of cable-clamps, down three stories, to dock with a grating crunch onto four concrete-filled metal drums.
The delivery kid looked real familiar. He was in and out of the zone pretty often. Lyle had once done some custom work on the kid's cargo trike, new shocks and some granny-gearing as he recalled, but he couldn't remember the kid's name. Lyle was terrible with names. "What's up, zude?"
"Hard night, Lyle?"
"Just real busy."
The kid's nose wrinkled at the stench from the shop. "Doin' a lot of paint work, huh?" He glanced at his palmtop notepad. "You still taking deliveries for Edward Dertouzas?"
"Yeah. I guess so." Lyle rubbed the gear tattoo on one stubbled cheek. "If I have to."
The kid offered a stylus, reaching up. "Can you sign for him?"
Lyle folded his bare arms warily. "Naw, man, I can't sign for Deep Eddy. Eddy's in Europe somewhere. Eddy left months ago. Haven't seen Eddy in ages."
The delivery kid scratched his sweating head below his billed fabric cap. He turned to check for any possible sneak-ups by snatch-and-grab artists out of the squatter warrens. The government simply refused to do postal delivery on the Thirty-second, Thirty-third, and Thirty-fourth floors. You never saw many cops inside the zone, either. Except for the city demolition crew, about the only official functionaries who ever showed up in the zone were a few psychotically empathetic NAFTA social workers.
"I'll get a bonus if you sign for this thing." The kid gazed up in squint-eyed appeal. "It's gotta be worth something, Lyle. It's a really weird kind of routing, they paid a lot of money to send it just that way."
Lyle crouched down in the open doorway. "Let's have a look at it."
The package was a heavy shockproof rectangle in heat-sealed plastic shrink-wrap, with a plethora of intra-European routing stickers. To judge by all the overlays, the package had been passed from postal system to postal system at least eight times before officially arriving in the legal custody of any human being. The return address, if there had ever been one, was completely obscured. Someplace in France, maybe.
Lyle held the box up two-handed to his ear and shook it. Hardware.
"You gonna sign, or not?"
"Yeah." Lyle scratched illegibly at the little signature panel, then looked at the delivery trike. "You oughta get that front wheel trued."
The kid shrugged. "Got anything to send out today?"
"Naw," Lyle grumbled, "I'm not doing mail-order repair work anymore; it's too complicated and I get ripped off too much."
"Suit yourself." The kid clambered into the recumbent seat of his trike and pedaled off across the heat-cracked ceramic tiles of the atrium plaza.
Lyle hung his hand-lettered Open for Business sign outside the door. He walked to his left, stamped up the pedaled lid of a jumbo garbage can, and dropped the package in with the rest of Dertouzas's stuff.
The can's lid wouldn't close. Deep Eddy's junk had finally reached critical mass. Deep Eddy never got much mail at the shop from other people, but he was always sending mail to himself. Big packets of encrypted diskettes were always arriving from Eddy's road jaunts in Toulouse, Marseilles, Valencia, and Nice. And especially Barcelona. Eddy had sent enough gigabyte-age out of Barcelona to outfit a pirate data-haven.
Eddy used Lyle's bike shop as his safety-deposit box. This arrangement was okay by Lyle. He owed Eddy; Eddy had installed the phones and virching in the bike shop, and had also wangled the shop's electrical hookup. A thick elastic curly-cable snaked out the access-crawlspace of Floor 35, right through the ceiling of Floor 34, and directly through a ragged punch-hole in the aluminum roof of Lyle's cable-mounted mobile home. Some unknown contact of Eddy's was paying the real bills on that electrical feed. Lyle cheerfully covered the expenses by paying cash into an anonymous post-office box. The setup was a rare and valuable contact with the world of organized authority.
During his stays in the shop, Eddy had spent much of his time buried in marathon long-distance virtuality sessions, swaddled head to foot in lumpy strap-on gear. Eddy had been painfully involved with some older woman in Germany. A virtual romance in its full-scale thumping, heaving, grappling progress was an embarrassment to witness. Under the circumstances, Lyle wasn't too surprised that Eddy had left his parents' condo to set up in a squat.
Eddy had lived in the bicycle repair shop, off and on, for almost a year. It had been a good deal for Lyle, because Deep Eddy had enjoyed a certain clout and prestige with the local squatters. Eddy had been a major organizer of the legendary Chattanooga Wende of December '35, a monster street-party that had climaxed in a spectacular looting-and-arson rampage that had torched the three floors of the Archiplat.
Lyle had gone to school with Eddy and had known him for years; they'd grown up together in the Archiplat. Eddy Dertouzas was a deep zude for a kid his age, with political contacts and heavy-duty network connections. The squat had been a good deal for both of them, until Eddy had finally coaxed the German woman into coming through for him in real life. Then Eddy had jumped the next plane to Europe.
Since they'd parted friends, Eddy was welcome to mail his European data-junk to the bike shop. After all, the disks were heavily encrypted, so it wasn't as if anybody in authority was ever gonna be able to read them. Storing a few thousand disks was a minor challenge, compared to Eddy's complex, machine-assisted love life.
After Eddy's sudden departure, Lyle had sold Eddy's possessions, and wired the money to Eddy in Spain. Lyle had kept the screen TV, Eddy's mediator, and the cheaper virching helmet. The way Lyle figured it—the way he remembered the deal— any stray hardware of Eddy's in the shop was rightfully his, for disposal at his own discretion. By now it was pretty clear that Deep Eddy Dertouzas was never coming back to Tennessee. And Lyle had certain debts.
Lyle snicked the blade from a roadkit multitool and cut open Eddy's package. It contained, of all things, a television cable settop box. A laughable infobahn antique. You'd never see a cablebox like that in NAFTA; this was the sort of primeval junk one might find in the home of a semiliterate Basque grandmother, or maybe in the armed bunker of some backward Albanian.
Lyle tossed the archaic cablebox onto the beanbag in front of the wallscreen. No time now for irrelevant media toys; he had to get on with real life. Lyle ducked into the tiny curtained privy and urinated at length into a crockery jar. He scraped his teeth with a flossing spudger and misted some fresh water onto his face and hands. He wiped clean with a towelette, then smeared his armpits, crotch, and feet with deodorant.
Back when he'd lived with his mom up on Floor 41, Lyle had used old-fashioned antiseptic deodorants. Lyle had wised up about a lot of things once he'd escaped his mom's condo. Nowadays, Lyle used a gel roll-on of skin-friendly bacteria that greedily devoured human sweat and exuded as their metabolic byproduct a pleasantly harmless reek rather like ripe bananas. Life was a lot easier when you came to proper terms with your microscopic flora.
Back at his workbench, Lyle plugged in the hot plate and boiled some Thai noodles with flaked sardines. He packed down breakfast with 400 cc's of Dr. Breasaire's Bioactive Bowel Putty. Then he checked last night's enamel job on the clamped frame in the workstand. The frame looked good. At three in the morning, Lyle was able to get into painted detail work with just the right kind of hallucinatory clarity.
Enameling paid well, and he needed the money bad. But this wasn't real bike work. It lacked authenticity. Enameling was all about the owner's ego—that was what really stank about enameling. There were a few rich kids up in the penthouse levels who were way into "street aesthetic," and would pay good money to have some treadhead decorate their machine. But flash art didn't help the bike. What helped the bike was frame alignment and sound cable-housings and proper tension in the derailleurs.
Lyle fitted the chain of his stationary bike to the shop's flywheel, straddled up, strapped on his gloves and virching helmet, and did half an hour on the 2033 Tour de France. He stayed back in the pack for the uphill grind, and then, for three glorious minutes, he broke free from the domestiques in the peloton and came right up at the shoulder of Aldo Cipollini. The champion was a monster, posthuman. Calves like cinderblocks. Even in a cheap simulation with no full-impact bodysuit, Lyle knew better than to try to take Cipollini.
Lyle devirched, checked his heart-rate record on the chronometer, then dismounted from his stationary trainer and drained a half-liter squeezebottle of antioxidant carbo refresher. Life had been easier when he'd had a partner in crime. The shop's flywheel was slowly losing its storage of inertia power these days, with just one zude pumping it.
Lyle's disastrous second roommate had come from the biking crowd. She was a criterium racer from Kentucky named Brigitte Rohannon. Lyle himself had been a wannabe criterium racer for a while, before he'd blown out a kidney on steroids. He hadn't expected any trouble from Brigitte, because Brigitte knew about bikes, and she needed his technical help for her racer, and she wouldn't mind pumping the flywheel, and besides, Brigitte was lesbian. In the training gym and out at racing events, Brigitte came across as a quiet and disciplined little politicized treadhead person.
Life inside the zone, though, massively fertilized Brigitte's eccentricities. First, she started breaking training. Then she stopped eating right. Pretty soon the shop was creaking and rocking with all-night girl-on-girl hot-oil sessions, which degenerated into hooting pill-orgies with heavily tattooed zone chyx who played klaxonized bongo music and beat each other up, and stole Lyle's tools. It had been a big relief when Brigitte finally left the zone to shack up with some well-to-do admirer on Floor 37. The debacle had left Lyle's tenuous finances in ruin.
Lyle laid down a new tracery of scarlet enamel on the bike's chainstay, seat post, and stem. He had to wait for the work to cure, so he left the workbench, picked up Eddy's settopper and popped the shell with a hexkey. Lyle was no electrician, but the insides looked harmless enough: lots of bit-eating caterpillars and cheap Algerian silicon.
He flicked on Eddy's mediator, to boot the wallscreen. Before he could try anything with the cablebox, his mother's mook pounced upon the screen. On Eddy's giant wallscreen, the mook's waxy, computer-generated face looked like a plump satin pillowcase. Its bowtie was as big as a racing shoe.
"Please hold for an incoming vidcall from Andrea Schweik of Carnac Instruments," the mook uttered unctuously.
Lyle cordially despised all low-down, phone-tagging, artificially intelligent mooks. For a while, in his teenage years, Lyle himself had owned a mook, an off-the-shelf shareware job that he'd installed in the condo's phone. Like most mooks, Lyle's mook had one primary role: dealing with unsolicited phone calls from other people's mooks. In Lyle's case these were the creepy mooks of career counselors, school psychiatrists, truancy cops, and other official hindrances. When Lyle's mook launched and ran, it appeared online as a sly warty dwarf that drooled green ichor and talked in a basso grumble.
But Lyle hadn't given his mook the properly meticulous care and debugging that such fragile little constructs demanded, and eventually his cheap mook had collapsed into artificial insanity.
Once Lyle had escaped his mom's place to the squat, he had gone for the low-tech gambit and simply left his phone unplugged most of the time. But that was no real solution. He couldn't hide from his mother's capable and well-financed corporate mook, which watched with sleepless mechanical patience for the least flicker of video dial-tone off Lyle's number.
Lyle sighed and wiped the dust from the video nozzle on Eddy's mediator.
"Your mother is coming online right away," the mook assured him.
"Yeah, sure," Lyle muttered, smearing his hair into some semblance of order.
"She specifically instructed me to page her remotely at any time for an immediate response. She really wants to chat with you, Lyle."
"That's just great." Lyle couldn't remember what his mother's mook called itself. "Mr. Billy," or "Mr. Ripley," or something else really stupid.
"Did you know that Marco Cengialta has just won the Liege Summer Classic?"
Lyle blinked and sat up in the beanbag. "Yeah?"
"Mr. Cengialta used a three-spoked ceramic wheel with internal liquid weighting and buckyball hubshocks." The mook paused, politely awaiting a possible conversational response. "He wore breathe-thru kevlar microlock cleatshoes," it added.
Lyle hated the way a mook cataloged your personal interests and then generated relevant conversation. The machine-made intercourse was completely unhuman and yet perversely interesting, like being grabbed and buttonholed by a glossy magazine ad. It had probably taken his mother's mook all of three seconds to snag and download every conceivable statistic about the summer race in Liege.
His mother came on. She'd caught him during lunch in her office. "Lyle?"
"Hi, Mom." Lyle sternly reminded himself that this was the one person in the world who might conceivably put up bail for him. "What's on your mind?"
"Oh, nothing much, just the usual." Lyle's mother shoved aside her platter of sprouts and tilapia. "I was idly wondering if you were still alive."
(Continues...)Excerpted from Rewired by James Patrick Kelly, John Kessel. Copyright © 2007 James Patrick Kelly & John Kessel. Excerpted by permission of Tachyon Publications.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Tachyon Publications; First Edition (October 1, 2007)
- Language : English
- Paperback : 425 pages
- ISBN-10 : 1892391538
- ISBN-13 : 978-1892391537
- Item Weight : 1.06 pounds
- Dimensions : 6.08 x 1.2 x 8.96 inches
- Best Sellers Rank: #484,384 in Books (See Top 100 in Books)
- #1,242 in Science Fiction Short Stories
- #1,311 in Cyberpunk Science Fiction (Books)
- #5,291 in Short Stories Anthologies
- Customer Reviews:
About the authors

James Patrick Kelly has had an eclectic writing career. He has written novels, short stories, essays, reviews, poetry, plays and planetarium shows. His most recent writing project is James Patrick Kelly's Strangeways, a series of ebooks for Kindle featuring some of his best stories. His short novel Burn won the Science Fiction Writers of America's Nebula Award in 2007. He has won the World Science Fiction Society's Hugo Award twice: in 1996, for his novelette "Think Like A Dinosaur" and in 2000, for his novelette, "Ten to the Sixteenth to One." His fiction has been translated into eighteen languages. With John Kessel he is co-editor of Kafkaesque: Stories Inspired by Franz Kafka, The Secret History Of Science Fiction, Feeling Very Strange: The Slipstream Anthology and Rewired: The Post Cyberpunk Anthology. He writes a column on the internet for Asimov's Science Fiction Magazine and is on the faculty of the Stonecoast Creative Writing MFA Program at the University of Southern Maine and the Board of Directors of the Clarion Foundation. He produces two podcasts: James Patrick Kelly's StoryPod on Audible and the Free Reads Podcast. His website is www.jimkelly.net.

The Encyclopedia of Science Fiction calls John Kessel, "one of the writers capable of bending the tools of science fiction upon the human psyche." In a starred review of his 1997 story collection The Pure Product, Publisher's Weekly said, "Kessel is our American Brian Aldiss, capable of the most artful and rigorous literary composition, but with a mischievous genius that inclines him toward speculative fiction . . . he writes with subtlety and great wit . . . plus, his sense of comedy is remarkable."
A writer of erudite comic and satiric short fiction, Kessel received the Nebula Award for his early novella "Another Orphan", a fantasy about a commodities broker who awakes one morning to find himself trapped in the novel Moby Dick, and for "Pride and Prometheus", in which Mary Bennet from Jane Austen's Pride and Prejudice meets Mary Shelley's Victor Frankenstein. His short fiction has been collected in three volumes, Meeting In Infinity (which contains "Another Orphan"), The Pure Product, and The Baum Plan for Financial Independence (which contains "Pride and Prometheus").
Kessel has published five novels: "Freedom Beach" (with James Patrick Kelly), "Good News from Outer Space," "Corrupting Dr. Nice" (which writer Kim Stanley Robinson has called, "the best time travel novel ever written"), "The Moon and the Other," and "Pride and Prometheus" (an expansion of his Nebula-Award winning story).
Kessel's story "A Clean Escape" was dramatized as the first episode of the 2007 ABC TV series Masters of Science Fiction, starring Sam Waterston and Judy Davis. Though he's taken time out to write plays and perform a role in the independent film "The Delicate Art of the Rifle," Kessel teaches literature and creative writing at North Carolina State University in Raleigh. He is married to Therese Anne Fowler, author of the best-selling "Z: A Novel of Zelda Fitzgerald."
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- Reviewed in the United States on July 28, 2008I only occasionally dip into science-fiction and when I do I'm looking for things that stretch my head, that challenge my world-view and that open realms of possibility. This anthology met those needs and more.
Every story was well worth reading (no duds) and several were excellent.
Admittedly the anthology has a rather dark cast (as expected, given the cyberpunk focus) and some of the auxiliary material has a bit of an attitude (again, a cp staple), but the stories were wholly engrossing.
This is one of the best anthologies I've read in years
- Reviewed in the United States on December 13, 2009So the editors of this SF anthology believe that cyberpunk became, after more than twenty years, too much of a popular cliche, or brand, to continue as a useful SF subgenre, and present these stories as stories that move beyond cyberpunk to a new paradigm. They feel pretty much like cyberpunk to me, but perhaps a bit off-beat. There are some very memorable stories by famous and less-noted authors, I especially enjoyed Swanwick's "The Dog Said Bow-Wow", Bacigalupi's "The Calorie Man", and Doctorow's "When Sysadmins Ruled the Earth". Even the stories that started out slowly and were hard to relate to for a while ended up being very interesting by their ends. I'll definitely hope for a second anthology from these editors.
- Reviewed in the United States on November 19, 2012I've read through the first six stories and it was a chore. I'm bored.
The stories are weak both in plot and prose. Worse, the thinking of the authors shows glaring weakness in general knowledge and vision. The usual discriminatory attitudes, such as chauvinism, still pervades many of these stories though it does seem that such attitudes are pretty much par the course for CP much like the expected grime found in filthy toilet stalls... admittedly, that is part of the allure of CP but really this is just a low.
Only 2 or 3 of the stories contained here are of good quality - "When sys admins rule the world" is one such exception. Worse, a number of these stories, like the exception I mentioned, can be found in other sci-fi anthologies.
Coming from the genre that spawned cyberpunk... there is more multi-colored laser lighted vapor here than actual sci-fi substance.
- Reviewed in the United States on March 6, 2008I found this an enjoyable collection, but the quality was a bit inconsistent. One story, in particular, was knock-your-socks-off fantastic: "The Wedding Album" by Marusek. Wow!
Charles Stross' "Lobsters" is also here, but so far I've found it in two anthologies, published online, and of course, as part of Accelerando. I'm getting a bit tired of seeing it reproduced everywhere, despite it being very good.
- Reviewed in the United States on June 26, 2011For fans of the Cyberpunk genre only. Everone else should look elsewhere. Some big name writers but just not worth the effort.
- Reviewed in the United States on September 25, 2008I was suckered into buying this by the 'Top' writers in this anthology, Paul di Filippo, Sterling, Gibson, Cadigan.., but I already own all these stories in other collections.
Even the work of most of the lesser known writer I already knew.
The remaining stories were good and enjoyable, but I would not label them cyberpunk or even 'post' cyberpunk in any way.
I should have known from the title (REwired...)that it's trying to ride the long-broken remains of the cyberpunk wave.
Some excellent writing in there, but still flogging a dead horse, IMHO.
Top reviews from other countries
janlotharReviewed in Canada on September 22, 20165.0 out of 5 stars Five Stars
Amazing collection of stories
Mr. D. J. MarsalaReviewed in the United Kingdom on October 17, 20243.0 out of 5 stars A few decent stories, but most were average or bad
Of the 16 short stories in this book, here are my reviews:
5* – 2 stories
4* – 4 stories
3* – 3 stories
2* – 4 stories
1* – 3 stories
Overall, I’d give this book a 5/10.
William Gibson – the “godfather of post-cyberpunk" – his ‘story’ was the worst by far. It wasn’t even a story – just a meaningless description of a future urban world.
My favourite story was the last one – "When Sysadmins Ruled the Earth" by Cory Doctorow.
Fraser SimonsReviewed in Canada on March 18, 20174.0 out of 5 stars Excellent anthology of post-cyberpunk short fiction
This collection of short fiction curated for post-cyberpunk fiction is very well curated. Though some of the stories weren't my jam, I could tell why they were there because with each selection of short fiction there is a correspondence between two people talking about the genre. Interspersed throughout are quotes from some cyberpunk heavy hitters we know today. Just so, lots off the short fiction are from the same people. Gibson, Sterling, Stross, Bacigalupi, Doctorow, loads of people on most people's radar.
Usually post-cyberpunk stuff focuses on the human condition and some of these stories do that, others not. They're just there to put a stark contrast between cyberpunk fiction that was well known and how that focus was shifting before anyone started throwing a different label on them. Overall it's a very good anthology and I think I only skipped one story, which was not to my taste...I'm pretty sure it was Gibson's actually..
"Bicycle Repairman" by Bruce Sterling
"Red Sonja and Lessingham in Dreamland" by Gwyneth Jones
"How We Got in Town and Out Again" by Jonathan Lethem
"Yeyuka" by Greg Egan
"The Final Remake of The Return of Little Latin Larry With a Completely Remastered Soundtrack and the Original Audience" by Pat Cadigan
"Thirteen Views of a Cardboard City" by William Gibson
"The Wedding Album" by David Marusek
"Daddy’s World" by Walter Jon Williams
"The Dog Said Bow-Wow" by Michael Swanwick
"Lobsters " by Charles Stross
"What’s Up, Tiger Lily" by Paul Di Filippo
"The Voluntary State” by Christopher Rowe
"Two Dreams on a Train” by Elizabeth Bear
"The Calorie Man” by Paolo Bacigalupi
"Search Engine” by Mary Rosenblum
"When Sysadmins Ruled the Earth” by Cory Doctorow
I really enjoyed The Bicycle Repairman, which highlighted some really cool aspects of communal living and just what kind of ingenuity technology could give us and subverted the version of what a "bad guy" in cyberpunk traditionally looked like. Was overall really engaging and good.
I also loved The Calorie Man, by Bacigalupi because I JUST finished reading The Windup Girl and it was super interesting to dive back into that world from another perspective. This story coupled with the other anthology I've read with him in it makes it pretty clear he's interested in going straight into some dark places, which I so far have dug very much.
While I think all of them were good, Padigan and Gibson's one's were the weakest in my eyes. I think both stories aren't very good reflections of their work and were there to instead highlight an overall concept that were pitted against cyberpunk defaultism. So their purpose is good, but I just weren't into them very much.
Otherwise, I'd have given it 5 stars --give it a shot if you're interested in seeing the rise of post-cyberpunk and what was cast aside from "traditional" cyberpunk. It's really interesting and even more compelling with the correspondence between writers introducing and discussing interesting subject matter.
