- Paperback: 352 pages
- Publisher: Christian Crusade Publications; 1st edition (1966)
- ASIN: B001MJ8M3U
- Package Dimensions: 6.3 x 4.1 x 0.7 inches
- Shipping Weight: 6.4 ounces
- Average Customer Review: 2 customer reviews
- Amazon Best Sellers Rank: #5,702,755 in Books (See Top 100 in Books)
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Rhythm, Riots, and Revolution: An Analysis of the Communist Use of Music, the Communist Master Music Plan Paperback – 1966
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Rhythm, Riots, and Revolution, An Analysis of the Communist Use of Music- The Communist Master Music Plan (1966) by David A Noebel
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The theme: Communist agents strumming guitars and singing folk tunes are a threat to the U.S. way of life. Well, about this book:
1966, roughly 3"x 5" pocket paperback, total 352 pages deep. 249 pages of book, balance of the pages thereafter various appendixes. Miniscule print. This book was reprinted/reissued verbatim as the 1974 title THE MARXIST MINSRELS, A HANDBOOK ON COMMUNIST SUBVERSION OF MUSIC, larger book, larger type. The only difference between the two books/editions lies in Part Three of Parts 1-8, which rejiggers chapters 3-5 (three chapters in the 1966 edition) of Part Three into six chapters in the later MARXIST MINSTRELS, updating the 1966 chapters of the early Beatles into rock music generally going into the early `70s.
Folk, then rock, music is mind control. Chapter 1, "Communist Use of Mind Control." Brainwashing, mind-control, diabolical intrigues, "menticide" - a lethal psychological process that produces a literal suicide of the mind! - footnoted to Edward Hunter's book, BRAINWASHING, nerve-jamming, retardation, hypnotism....
Indoctrination begins for babies as early as ages one or two, via communist educational records with titles such as MUFFIN IN THE COUNTRY, SLEEPY FAMILY, THE LITTLE FIREMAN, THE LITTLE COWBOY, OUT OF DOORS, THE LITTLE PUPPET, and WHEN I GROW UP, via Young Peoples Records and Pram Records labels, Book of the Month Club, and the Children's Record Guild, "...subsidized no doubt by Moscow...." By Part 3, it's rock `n' roll for teenagers; Noebel's description on page 78, "The full truth is that it goes still deeper--the heart of Africa, where it was used to incite warriors to such a frenzy that by nightfall neighbors were cooked to carnage in pots! The music is a designed reversion to savagery!" Following this, examples of thousands of rioting teenagers overwhelming law enforcement. Beatles mania is a communist conditioned response (Pavlov); "the Beatles, Animals, or the Mindbenders, for example, need only mass-hypnotize thousands of American youth...." The Beatles' anti-religion statementss are showcased, Beatles incite juvenile delinquency, venereal diseases, teenage suicides, paganism, etc....
Part Four: Communist Use of Folk Music
Pete Seeger, Woody Guthrie, Folkways Records, SING OUT!, Phil Ochs, Bob Dylan, Joan Baez, Communist thermonuclear holocaust fear propaganda, Ewan MacColl. P. 177, "The folksong, `We Shall Overcome,' was introduced into the Communist-planned ... revolution through the Highlander Folk School in Monteagle, Tennessee." Martin Luther King came to prominence via the Highlander Folk School, which was co-founded by "...a district director of the Communist Party in North Carolina." John Hammond, Jr., of Columbia Records fame, is listed as a communist.
Part Five: Communist Use of Rock `N' Folk
Shellacing Bob Dylan, Phil Ochs, "The Eve of Destruction."
Part Six: Conclusion
Hot Jazz puts people in mental hospitals, "...very closely resembles the music of primitive savages...harsh, ear-splitting percussion music, which inflames, intoxicates, and brutalizes." In chapter III, "Spiritual Implications," a pitch for Christianity, and thereafter an appeal to remove the offending "mentally contaminating products."
The final section are the appendixes that concentrate on various photocopies of publications from the U.S. Senate Fact-Finding Committee on Un-American Activities.
If you read this, beware of committing "menticide" - er, "bibliocide"?