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Right Ho, Jeeves Kindle Edition
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- LanguageEnglish
- Publication dateMay 17, 2012
- File size393 KB
- Jeeves and the Wedding Bells: An Homage to P.G. Wodehouse (Jeeves and Wooster Book 16)16
Kindle Edition$11.99$11.99
Product details
- ASIN : B0084BMM62
- Publication date : May 17, 2012
- Language : English
- File size : 393 KB
- Simultaneous device usage : Unlimited
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 130 pages
- Best Sellers Rank: #18,247 Free in Kindle Store (See Top 100 in Kindle Store)
- #16,797 in Kindle eBooks
- Customer Reviews:
About the author

Sir Pelham Grenville Wodehouse, KBE (/ˈwʊdhaʊs/; 15 October 1881 – 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school he was employed by a bank but disliked the work and turned to writing in his spare time. His early novels were mostly school stories, but he later switched to comic fiction, creating several regular characters who became familiar to the public over the years. They include the feather-brained Bertie Wooster and his sagacious valet, Jeeves; the immaculate and loquacious Psmith; the feeble-minded Lord Emsworth and the Blandings Castle set; the loquacious Oldest Member, with stories about golf; and the equally loquacious Mr Mulliner, with tall tales on subjects ranging from bibulous bishops to megalomaniac movie moguls.
Although most of Wodehouse's fiction is set in England, he spent much of his life in the US and used New York and Hollywood as settings for some of his novels and short stories. During and after the First World War, together with Guy Bolton and Jerome Kern, he wrote a series of Broadway musical comedies that were an important part of the development of the American musical. He began the 1930s writing for MGM in Hollywood. In a 1931 interview, his naïve revelations of incompetence and extravagance at Hollywood studios caused a furore. In the same decade, his literary career reached a new peak.
In 1934 Wodehouse moved to France for tax reasons; in 1940 he was taken prisoner at Le Touquet by the invading Germans and interned for nearly a year. After his release he made six broadcasts from German radio in Berlin to the US, which had not yet entered the war. The talks were comic and apolitical, but his broadcasting over enemy radio prompted anger and strident controversy in Britain, and a threat of prosecution. Wodehouse never returned to England. From 1947 until his death he lived in the US, taking dual British-American citizenship in 1955. He was a prolific writer throughout his life, publishing more than ninety books, forty plays, two hundred short stories and other writings between 1902 and 1974. He died in 1975, at the age of 93, in Southampton, New York.
Wodehouse worked extensively on his books, sometimes having two or more in preparation simultaneously. He would take up to two years to build a plot and write a scenario of about thirty thousand words. After the scenario was complete he would write the story. Early in his career he would produce a novel in about three months, but he slowed in old age to around six months. He used a mixture of Edwardian slang, quotations from and allusions to numerous poets, and several literary techniques to produce a prose style that has been compared with comic poetry and musical comedy. Some critics of Wodehouse have considered his work flippant, but among his fans are former British prime ministers and many of his fellow writers.
Bio from Wikipedia, the free encyclopedia. Photo by Unlisted photographer for Screenland (Screenland, August 1930 (Vol XXI, No 4); p. 20) [Public domain], via Wikimedia Commons.
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I've gotten many hours of enjoyment reading about Bertie Wooster, Jeeves, and all of the many characters in his stories. It's been a joy discovering P. G. Wodehouse.
As so many of my fellow reviewers have noted, these books are pure, unadulterated joy. This one and Joy in the Morning are probably my all-time favorites, but you can't go wrong with any of the Jeeves novels.
PG Wodehouse's creations are as close to a foolproof mood lifter as exists outside of chocolate and prescription drugs, and no doubt healthier than either. :) They're not just goofy, shallow fun, though; nearly every one of Wodehouse's books can also serve as a master class on how to write. His sentence structure, dialogue, and sneakily intricate plotting are all sublime. No one 'turns a phrase' like Wodehouse, so if you're a language lover, these are the books for you.
You'll also find a surprising amount of insight in these books, albeit insight that's deliciously sugar-coated and smoothly slipped in amidst the wacky fun. Wodehouse understands certain truths about human nature even as his protagonist, the well-meaning yet addle-brained Bertie, remains merrily oblivious.
I've reread these books an embarrassing number of times, but they haven't lost any of their power to charm, delight and remind me of just how sublimely pleasurable reading can and should be. I work with teens, and I'm happy to report that even a few who were averse to reading anything written pre-Twilight have embraced Wodehouse. I'm envious of those who haven't yet discovered these treasures...hours of book-inspired bliss awaits you!
Cecil's character voices are pitch perfect. If you've ever heard Madeline Bassett's voice in your head saying that "the stars are God's daisy chain," it probably sounds exactly like Cecil's breathless falsetto. And he perfectly captures Aunt Dahlia's purring timbre as she sardonically instructs Bertie on the steps he must take to drown himself in the kitchen garden pond.
Cecil manages to slip seamlessly from one voice to another. Though the scene of Gussie Fink-Nottle awarding prizes at Market Snodsbury Grammar School is generally ranked as one of the funniest scenes in literature and Cecil's impersonation of the normally abstemious Gussie now slurring drunk at the podium was certainly inspired, the real high point of this audio version is Cecil's virtuoso reenactment of star chef Anatole's fit of the vapors spoken in some sort of "Provence-anglais," with Bertie, Aunt Dahlia, Gussie, and Seppings the uptight butler taking seamless part in the conversation. Listen and you will gain a new appreciation of the genius of Wodehouse - and Cecil.
I've listened to other Wodehouse audio stylists and Cecil's performances are by far the best. Unlike many other readers, each voice sounds absolutely unique - I often wonder what Cecil's real voice sounds like.
If you're interested in trying Wooster on audio, try this one first. Best heard while driving to work - it's always great to start the day with a laugh.
Top reviews from other countries
There are a lot of things one can say about 's books - immature, very childish, total unworldly, lacking in any political or ecological conscience … It is difficult to challenge any of those judgements (and I should know because most of them have been applied, regularly, to me, too). However, I prefer to think of them as exquisite, beautifully written, faultlessly constructed, charming and ceaselessly entertaining. Sadly all too few of those epithets have ever been applied to me!
[Right Ho, Jeeves] is, to my mind, the apotheosis of Wodehouse's world. His plots are always full of Byzantine twists, his characters are usually hilarious, but in this novel he excelled his own extremely high standards and brought off a comedy classic.
There are two set pieces in particular (Gussie Fink-Nottle's address when presenting the prizes at Market Snodsbury School's Speech Day, and the stream of outrage from Anatole, the sublimely talented yet extremely temperamental French chef, when Gussie appears to be pulling faces at him through the skylight of his bedroom) which must rank among the finest examples of humorous writing. If one is prepared briefly to suspend disbelief and enter Wodehouse's world the rewards are enormous. This particular book was first published in 1934, but is already looking back to an unspecified Corinthian past, largely of Wodehouse's own imagining.
In this world, gentlemen always wear suits, and occasionally spats though never (in England, anyway) white mess jackets, or not, at least, if Jeeves has his way. They also never bandy a lady's name or break an engagement, no matter how disastrously they might view the prospect of nuptials. Bertie Wooster, though not the brightest chap ever to have ventured into metropolitan life, is a stickler for such correct behaviour, and frequently finds himself beset as a consequence.
Wodehouse's writing is a joy - always grammatically perfect, yet he is able to capture the different voices with clinical precision. Bertie rambles in a manner now reminiscent of Boris Johnson (though without the egregious narcissism) [though, of course, in reality it is the other way round with Johnson trying to be like Wooster, but lacking the charm to pull it off] while Jeeves favours a cultured orotundity of speech, peppered with a mixture of highly scholarly references to poetry and philosophy contrasted with bathetic allusions to his rather bizarre-sounding family. The plots are immensely intricate, to the extent that they make Agatha Christie's novel seem entirely transparent, but Wodehouse always ties up every loose end, no matter how impossible that might seem even just one or two chapters from the end of the book.
I have read this novel several times before, and am confident that I will read it several times again, as it never fails to cheer me up.
The ‘hardcover’ Mint Edition that I received is a fair job. However, it is not as good as the Everyman editions. The margins are somewhat tight and the cover not very inspired. I was especially disappointed with the binding, which is essentially a hot-glue bind of sheets inside a cardboard cover. Sheets are not sewed, and will therefore probably not last as long as a real hardcover.
Nevertheless, it’s good value for money, if you can’t get hold of an Everyman edition, which is similarly priced, but out of stock.


























