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"Righteous Kill" is only a slightly above average thriller given the big name talent. De Niro and Pacino both put forth great performances; De Niro as the hot headed, do whatever it takes to get a conviction cop and Pacino as a much calmer, honest detective. It seems a bit cliché, the whole good cop bad cop, but nonetheless it worked well and the duo's performances were very well balanced to convey not just an occupational partnership, but also a friendship. While the film will leave the audience thinking they know all the answers within the first twenty minutes, the plot does take some interesting turns.
It's great to see the two legendary actors are still performing. "Righteous Kill" is not completely predictable nor is it unwatchable. Give it a try.
Righteous Kill has them playing NYC detective partners who've been on the job for 30 years. A serial killer start killing criminals who gotten off on technicalities. Soon, all the evidence points to the killer being a cop. And the cop would seem to be De Niro's character, Turk, a rough-edged type who isn't above falsifying evidence to convict suspects. He's balanced out by Pacino's Rooster, a calm, soothing influence on Turk in a relationship that seems as much like a marriage as it does a professional partnership. Added to the mix are John Leguizamo and Donnie Wahlberg as younger cops investigating the killings and Carlo Gugino as a forensic specialist in a relationship with DeNiro.
The movie works well as a police drama, less so as a mystery, although the solution of the killings does take some interesting turns. If two lesser actors were playing Turk and Rooster, the film might have been touted as asking interesting questions about the nature of friendships, partnerships, and romantic relationship amid all the stresses and strains of police work. But with De Niro and Pacino in tow, the viewer expects more, and doesn't necessarily get it with this film.
However, the two greats still know how to pull off great performance, and know how to elicit sympathy, affection, and every other possible emotion from an audience. Righteous Kill isn't a complete misfire, but might require a third teaming of these great actors.
I really wanted to like Righteous Kill. I love ambiguous morality dramas like The Brave One, and was looking forward to seeing the psychology behind a police vigilante - what motivates him (revenge? justice? protection? disgust? anger?) and whether or not we would agree with his motives, if not his methods. With Pacino and De Niro, I was sure I couldn't be disappointed. In the end, I was both right and wrong. I was disappointed with the movie, but not with the acting. It was the ham-fisted plot that did it for me.
The movie starts out, promisingly enough, with De Niro performing a voice-over, video-taped confession - explaining why he murdered his victims, what motivated him, how he chose them. We flash back to 'the beginning' and are treated to the stereotypical long standing cop-partnership: De Niro is the hot-head and Pacino is the mediator, calming him down and keeping him out of trouble. Pacino cleans up De Niro's messes and holds the deep tenderness and understanding that seems to characterize long marriages and cop partnerships.
As De Niro explodes repeatedly over various incidents ranging from disputed baseball plays and criminals walking free on court technicalities, the savvy movie goer begins to find themselves on the edge of a doubt. As De Niro sweats under the inquiring gaze of the other police officers and seems constantly on the verge of discovery, it hits us between the eyes that De Niro can't be the killer, because he's just too obvious a set-up.Read more ›
Most Recent Customer Reviews
It says new. The box is worn around all the edges and the color is faded.
It says 2 disc. Upon opening, it only has 1 disc. Read more
Very bad resolution, no Spanish subtitles, am very disappointed ,Do not rent it...Published 7 months ago by yoerlandys valera hernandez
Not bad but it seems like u know the ending by the beginning ! It was still OKPublished 8 months ago by grant zajac