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The Rise Of The Creative Class: And How It's Transforming Work, Leisure, Community And Everyday Life Hardcover – May 1, 2002
Purchase options and add-ons
- Print length416 pages
- LanguageEnglish
- PublisherBasic Books
- Publication dateMay 1, 2002
- Dimensions6.25 x 1.5 x 9.75 inches
- ISBN-100465024769
- ISBN-13978-0465024766
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| Explore the Works of Richard Florida | A bracingly original work of research and analysis, The New Urban Crisis offers a compelling diagnosis of our economic ills and a bold prescription for more inclusive cities capable of ensuring growth and prosperity for all. | In the age of globalization, some claim that where you live doesn’t matter: Alaska, Idaho, and Alabama are interchangeable. The world is, after all, flat. |
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Review
"What growing numbers of people seek in their work is basically this: They want to be creative." -- Optimize Magazine
"[Florida] argues that the cities that appeal to the creative vanguard will prosper in an economy driven by inventiveness." -- Wired
About the Author
Product details
- Publisher : Basic Books; First Edition (May 1, 2002)
- Language : English
- Hardcover : 416 pages
- ISBN-10 : 0465024769
- ISBN-13 : 978-0465024766
- Item Weight : 1.65 pounds
- Dimensions : 6.25 x 1.5 x 9.75 inches
- Best Sellers Rank: #1,471,288 in Books (See Top 100 in Books)
- #27,560 in Sociology (Books)
- #38,264 in World History (Books)
- #65,774 in Social Sciences (Books)
- Customer Reviews:
About the author

Author of the bestselling The Rise of the Creative Class and Who's Your City? Richard Florida is a regular columnist for The Atlantic. He has written for the New York Times, the Wall Street Journal, The Economist, and other publications. His multiple awards and accolades include the Harvard Business Review's Breakthrough Idea of the Year. He was named one of Esquire magazine's Best and Brightest (2005) and one of BusinessWeek's Voices of Innovation (2006). He lives in Toronto, Canada.
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Customers find the book informative, insightful, and well-presented. They also appreciate the diversity and unique view.
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Customers find the book informative, insightful, and interesting. They appreciate the core arguments well-presented and supported by clever analysis. Readers also mention the book broadened their view and helps them prepare for class discussions.
"...Nevertheless, this is one of my favorite books and it all makes sense to me...." Read more
"...Community and Everyday Life (Paperback) by Richard Florida is an informative book that covers A LOT of ground and has A LOT of data....but not as..." Read more
"...Anyway, I found the book full of a lot of statistics that he used to prove his theory correct...." Read more
"...He shows with a great deal of statistics, that those cities with the greatest percentage of artists also have the greatest rates of economic growth...." Read more
Customers find the book to be unique in many ways. They also say it's a truly unique view.
"...These cities tend to value creative self-expression, diversity, vibrant street life, ethnic foods, artists, entrepreneurs, bike paths, nature, risk..." Read more
"...But look deeper, and what you discover is a truly unique view - and in my opinion, a correct analysis - of a fundamental shift in the orientation..." Read more
"Unique in many ways-will startle you with all the facts and statistics..." Read more
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* Talent (Educated and Creative Workers)
* Technology (Through Major Research Universities)
* Tolerance (For Difference and New Ideas)
Since innovation is the new holy grail of economics, creative areas are the most prosperous. Florida's top ten creative class cities in order are: Austin, San Francisco, Seattle, Boston, Raleigh-Durham, Portland OR, Minneapolis, Washington D.C., Sacramento, Denver. He considers 38 million worker, or 30% of the workforce, to be creative class workers. Creative class jobs include engineering, computer science, education, arts, design, and entertainment.
These cities tend to value creative self-expression, diversity, vibrant street life, ethnic foods, artists, entrepreneurs, bike paths, nature, risk taking, modernity, open communication, bohemia, and authenticity. Creative class workers tend to have many informal social ties, and their work requires creativity, change, flexibility and speed. (Creative people work many hours. I can attest to this.)
Perhaps I like this book because it ranks my city, Minneapolis, #7. And I like visiting the other highly ranked cites. Certainly the book has a class orientation from the get-go, and I can see how this concept can be offensive. The book could also be considered an assault against traditional values. Nevertheless, this is one of my favorite books and it all makes sense to me. For one thing, it helped me understand why I like where I live.
An interesting follow-up would be to measure the happiest cities.
A Whole New Mind: Why Right-Brainers Will Rule the Future
The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (Paperback) by Richard Florida is an informative book that covers A LOT of ground and has A LOT of data....but not as much "information" as I would have expected. Let me explain.
The premise of this book is that society today is that a new Creative Class exists and is driving the way we live today. Florida uses this creative class to explain why societal changes and patterns of living as well as why some cities are more attractive than others (e.g., Silicon Valley vs Oklahoma City).
The question behind much of the research for the book is:
How do we decide where to live and work? What really matters to us in making this kind of life decision? How has this changed - and why?
This is an interesting question...and one that Florida tries to answer throughout the book by using statistics, quotes from other authors and a good deal of words.
The first 3/4's of the book is dedicated to describing the Creative Class, how they live and work and why they are different from their 'parents'. There is a ton of data and a lot of time is spent by Florida quoting research, arguing against other theorists and using statistics to "make his case" that the Creative Class is the most important class of our time. During this portion of the book, Florida makes the argument that there is a strong correlation between those cities/regions that are more tolerant and the number of creative class works that live and work in the area.
One interesting section of the book describes the changing work environment that is making it possible for people to set their own schedules, work from home and be much less constrained by the old '8 to 5' mentality that has been a part of American business for so long.
The last quarter of the book describes how cities and regions have developed themselves into a magnet for the creative class. Florida states that in order for a city (or region) to become a 'creative class' magnet, they must have the "3T's of Economic Development"...Technology, Talent and Tolerance. A brief description of each follows.
* Technology - a city/region much have the technological infrastructure in place to fuel a creative and entrepreneurial culture.
* Talent - A city/region must have a talented and highly educated workforce
* Tolerance - A city/region much have a high tolerance level and not try to force people to 'fit in'
The topic of the book was interesting to me but the delivery was somewhat confusing and poorly constructed. Many times I got lost in the middle of a paragraph and had to start over...this from a guy who reads many many books a year on various topics. I'm used to reading dry material...but this was worst than most.
Chapters 6 through 9 are probably the most interesting and descriptive of the book. These chapters describe the reasons behind why people in my generation (and those younger than me) are looking for more than 'just a job' and why many people are tiring of the '8 to 5' experience.
With that said, I would still recommend this book to those folks interested in the topic of economic development, regional development, city planning or just a general review of social science literature. If you pick up this book, take my advice and skim it rather than read every word...there is a lot of "stuff" that isn't relevant to the overall message of the book.
Top reviews from other countries
In Table 3.1, the author points to the growth in average incomes of the creative class versus other non-creative types - like agriculture (which is demonstrably untrue in itself) - and the average worker. Those that the author deems to be in the creative class are - managers, lawyers, IT workers, health care practitioners, business and financial workers, social scientsts, sales staff (high end), artists, designers, entertainers, educators and trainers. Apart from computer science, the growth of the other categories is more likely a by-product of the bloated debt in Western countries which has allowed these mostly unproductive Mickey Mouse non-jobs to flourish. The sectors and jobs cited in the book are also overwhelmingly either reliant on, or directly financed by, the government sector which has grown large on tax receipts from asset inflation.
This book was and is a waste of money. It is analysis-lite and contains few if any useful insights.






