- Paperback: 244 pages
- Publisher: McFarland (September 9, 2010)
- Language: English
- ISBN-10: 0786442948
- ISBN-13: 978-0786442942
- Product Dimensions: 5.9 x 0.6 x 8.8 inches
- Shipping Weight: 12 ounces (View shipping rates and policies)
- Average Customer Review: 1 customer review
- Amazon Best Sellers Rank: #3,161,899 in Books (See Top 100 in Books)
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form
Use the Amazon App to scan ISBNs and compare prices.
Rare Books by Legendary Authors
Discover collectible books by legendary authors on AbeBooks, an Amazon Company. Learn More on AbeBooks.com.
About the Author
Joyce Goggin teaches literature, film and new media at the University of Amsterdam, where she is currently the acting chair of the English literature. Dan Hassler-Forest teaches media studies and English literature at the University of Amsterdam, where he is currently finishing his dissertation on superheroes in post-9/11 popular culture.
Browse award-winning titles. See more
Top customer reviews
There was a problem filtering reviews right now. Please try again later.
As for the articles themselves, they are a mixed bag but do offer a fairly good representation of the kind of scholarly work being written on comic books these days. Some, such as Dnaiel Yezbick's piece on Jingle Jangle Comics and Joyce Goggin's on William Hogarth, are smart, informative pieces of well-executed research whose subject matter will nevertheless likely fail to interest most non-academic readers. Others, such as Karin Kukkonen's analysis of Planetray and Julia Round's "Barthesian" reading of From Hell are compelling close readings of individual series and may interest non-academic fans of those series. The worst here, however, are quite bad and will likely please no one. An article on "superhero crossovers" with the graphic novel, for instance, even gets basic publication facts wrong (Watchmen was originally published as a 12-issue series, not a graphic novel).
Overall, this is a decent enough collection that is worth checking out if you're a comic book scholar, but it does nothing to advance or even help standardize the field. If you're not a scholar, however, it's definitely not worth your money. Pick up The Power of Comics: History, Form and Culture instead--it makes for a better-researched and more comprehensive read.