Road to Perdition [Blu-ray]
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Also starring Academy Award® winner Paul Newman and Oscar® nominee Jude law, Road to Perdition weaves a mesmerizing tale of a father and son bound together by tragedy and betrayal. On an unforgettable journey of honor, vengeance and redemption, they confront overwhelming odds – and forge an indestructible bond. Hailed for the powerhouse performances of its stars and the stunning impact of its story, Road to Perdition is an electrifying experience that will stay with you for a lifetime.
Commentary by Director Sam Mendes
A Cinematic Life: The Art & Influence of Conrad Hall HD
The Library: A Further Exploration of the World of Road to Perdition Additional Scenes
Deleted Scenes (with optional commentary by Director Sam Mendes)
The Making of Road to Perdition
Theatrical Trailer HD
Top Customer Reviews
It's 1931, and Hanks plays Michael Sullivan, an enforcer working for crime family head John Rooney (Paul Newman). Though Rooney has an adult son, Connor (Daniel Craig), he regards Michael with the affection reserved for the son he wishes he'd had. Sullivan himself has a wife and two boys. In the film's first half-hour, Connor botches a job assigned to him and Michael by the elder Rooney. In the aftermath of the debacle, Connor kills Michael's wife and his youngest (and favorite) son for reasons too complicated to explain here. For the remainder of the film, Sullivan goes on the lam with Michael, Jr. (Tyler Hoechlin) seeking revenge against Connor while evading a hit man named Maguire (Jude Law) reluctantly hired by John Rooney to pre-empt the reprisal slaying of his own badly behaved offspring.
Those who are turned off by ROAD TO PERDITION because of the bloody deeds performed by Hollywood Good Fella Hanks, akin to watching Jimmy Stewart in the role of someone who kicks puppies, are perhaps missing the point. This is a powerful tale of the dynamic that exists between fathers and sons: John and Connor, Michael and Michael, Jr., and John and Michael. This is a Guy Story to be sure. Indeed, in the entire film there's no female lead worth mentioning and very little softness. Much of the magnificent cinematography is done in the dark, brooding atmospheres that one could expect in the Male's Cave. That's not to say that there's no humor.Read more ›
Subsequently, the Sullivans, father and son, take off for Chicago to meet with Frank Nitti (Stanley Tucci), underworld lieutenant to Al Capone. Mike Sullivan, Sr. is also hoping to get to Perdition, an appropriately named Midwestern town, so he can leave is son with his sister-in-law. Sadistic hitman Harlan Maguire (Jude Law), who enjoys photographing the death throes of his victims, is soon on the Sullivans' trail to through the midwest.
Conrad L. Hall, to whom the film is dedicated, uses photography to its fullest advantage winning a posthumous Academy Award for his cinematography. Shot in winter, the film preserves the flavor of early black and white films, with sharp contrasts, and the use of dark, somber colors, when colors are used at all. Snow, ice, rain, and fog perpetuate the cold darkness of the scenes, and Hall's use of architectural framing is stunning, particularly his repeated use of windows. He keeps the scenes simple, often focusing on individual characters in contexts which reveal their emotional states. In one memorable scene, for example, light from a streetlight outside a window casts the shadow of rain on an interior wall, suggesting both tears and cleansing.
Newman is terrific as an aging mob boss, playing his part with just the right mix of frailty and cruelty (for which he was nominated for an Academy Award).Read more ›
Michael Sullivan (Tom Hanks) is a family man (2 sons, Michael Jr. and Peter) who works for John Rooney (Paul Newman) as a bodyguard and hit man. John has a son, Connor (David Craig)who is intensely jealous of his father's relationship with Michael. It is obvious that John prefers Michael: strong, obedient, intelligent, over his natural son, Connor: weak, smarmy, conniving, underhanded, hotheaded.
One evening, Michael Jr., eager and curious to find out what exactly his father does for a living, hides in his father's car while Michael Sr. goes out on a "business call" with Connor to strong arm an associate that ends with Connor recklessly killing the associate with Michael Jr. witnessing the entire event.
This proves to be the turning point in the film and the event that sets the remainder of the film in motion: can Michael Jr. be trusted to keep his mouth shut? Connor has some definite ideas about this.
One of the most impressive set pieces of the film is a showdown between Michael and John Rooney and his henchman on a public street at night in the pouring rain, shot with absolutely no sound nor blood in sight.Read more ›
Most Recent Customer Reviews
I choose this rating because the movie is good. What I like about the movie is that “A triumph!” (Peter Travers, Rolling Stone) and “Two thumbs up! Read morePublished 5 days ago by Nathan Shepherd
Tom Hanks always delivers and this movie is no different. Plus to see him play a different kind of character was refreshing.Published 7 days ago by Edward Smith
Not for the squeamish. Hard to see Tom Hanks in this type of film. Jude Law's character was both amazing and disturbing. Overall, a good film but again, not for the squeamish.Published 9 days ago by Moonlightlady339
My family likes this movie and I liked it better the second time I wathed it than the first. Good yarn and one of Tom Hanks better movies IMHo.Published 16 days ago by R. L. Hume
Why 2 stars? There are so many many horrid movies out there, you can't possibly put this one as low as 2 (and all the 1 star reviews I read, they actually watched it, which means... Read morePublished 22 days ago by asdf
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