- Hardcover: 324 pages
- Publisher: The Museum of Contemporary Art, Los Angeles (November 15, 2005)
- Language: English
- ISBN-10: 3865211453
- ISBN-13: 978-3865211453
- Product Dimensions: 10 x 1.8 x 12.2 inches
- Shipping Weight: 5.4 pounds
- Average Customer Review: 10 customer reviews
- Amazon Best Sellers Rank: #2,290,519 in Books (See Top 100 in Books)
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Robert Rauschenberg: Combines Hardcover – November 15, 2005
Customers who viewed this item also viewed
Customers who bought this item also bought
Showing 1-8 of 10 reviews
There was a problem filtering reviews right now. Please try again later.
and I teach Art and design on the College level. There are repro's of works I have never seen- color balanced and very sharp resolution.
I saw it in an exclusive store in NYC- saw the stores price, went home /online and got a better deal through Amazon. Excellent!
Rauschenberg's art has always had secondary messages - political, anti-war, ethnic, sexual, and ecological statements - housed in the fascinatingly complex assemblages that are part of the collections of the major museums around the world. This fine book limits its survey to the prescient years 1954 to 1964, that period during which Rauschenberg became well known and highly respected for his art and beliefs. Curator Paul Schimmel writes a fine essay about this period and accompanies his own perceptions with those garnered from a very informative shared conversation with Rauschenberg himself. Likewise Thomas Crow writes an immensely readable chapter on just how Rauschenberg came in this realm of artistic expression and from Crow's writing we learn much about the mid-century changes in American art.
The reproductions of the art works are excellent and if there aren't as many images as one would wish, it is because of the self-imposed limited time frame in Rauschenberg's career of the exhibition. A fine volume, highly recommended for all art history majors and for those under the spell of this great artist. Grady Harp, February 06
As installed at the Metropolitan Museum of art, the show is stunning. It's astonishing that this exhibit is the first time these works from the 1950's have been shown together. These "combines" -- art somewhere between painting, collage, and sculpture -- are a foundation of modern art, so much so that art of the second half of the century is hardly conceivable without them. This makes looking at the work afresh more difficult than usual, since seeing these pieces together in 2006 means also viewing through a legacy and school of influence.
But what phenomenal pieces they are! You can see Rauschenberg gobbling down visual techniques whole - collage, assemblage, juxtaposing printed images, materials, sculpture. They are daringly junky and breathtakingly beautiful. I have know idea whether you'd call this conceptual art, or the most luscious, messy opposite of conceptual art you've ever seen. The works are fearlessness. Really inspiring.
The catalogue has excellent reproductions, and the photography is quite good at conveying the depth of the pieces - some of the works are presented from several angles so the more sculptural pieces are well conveyed.