-
-
6 VIDEOS
-
-

Image Unavailable
Color:
-
-
-
- To view this video download Flash Player
Rode RodeLink FM Digital Wireless Filmmaker System
We don't know when or if this item will be back in stock.
Recommended Uses For Product | Singing |
Brand | Rode |
Model Name | RODELINKFM |
Connectivity Technology | Wireless |
Special Feature | Stand |
Compatible Devices | Lav-Headset Headset mount for Lavalier Microphones invisiLav Discreet lavalier mounting system Vampire Clip Double-Toothed Clothing Pin Mount for Lavalier LAV-CLIP Microphone Mounting Clip VXLR Minijack to XLR Adaptor See more |
Color | Black |
Included Components | Transmitter, Receiver, Lavalier Microphone |
Polar Pattern | Omnidirectional |
Audio Sensitivity | 35 dB |
About this item
- Provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone
- Able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 meters
- The receiver features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection
- Can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and the shoe mount can be located in one of two positions
- The lightweight transmitter can be fitted to a belt or clothing and features a locking thread to ensure the mic connection is as secure as possible
- Includes an omnidirectional lavalier microphone in the kit to provide the highest possible audio reproduction quality
Featured items you may like
- Amazon Basics microSDXC Memory Card with Full Size Adapter, A2, U3, Read Speed up to 100 MB/s, 256 GB, Black/CustomizedAmazon's Choicein Micro SD Memory Cards
- Amazon Basics Adjustable Boom Height Microphone Stand with Tripod Base, Up to 85.75 Inches - BlackAmazon's Choicein Microphone Stands
Product information
Item Weight | 1 pounds |
---|---|
Product Dimensions | 5 x 2 x 3 inches |
ASIN | B00TV90DX0 |
Item model number | RODELINKFM |
Batteries | 2 AA batteries required. |
Customer Reviews |
4.6 out of 5 stars |
Best Sellers Rank | #285 in Professional Video Microphones |
Is Discontinued By Manufacturer | No |
Date First Available | February 18, 2015 |
Color Name | Black |
Compatible Devices | Lav-Headset Headset mount for Lavalier Microphones invisiLav Discreet lavalier mounting system Vampire Clip Double-Toothed Clothing Pin Mount for Lavalier LAV-CLIP Microphone Mounting Clip VXLR Minijack to XLR Adaptor |
Material Type | Oled |
Size | Filmmaker |
Color Screen | No |
Hardware Platform | Camera |
Power Source | Battery Powered |
Standing screen display size | 1 Inches |
Warranty & Support
Feedback
Product guides and documents
Consumer Alert
What's in the box
Videos
Videos for this product
3:18
Click to play video
Rodelink Wireless System Honest Review
Nic Fitzgerald
Videos for this product
3:30
Click to play video
This mic dramatically upped my YouTube game!
Spencer Mecham
Videos for this product
3:52
Click to play video
RodeLink Wireless Microphone - Field Test
Drone Valley
Videos for this product
3:05
Click to play video
Rode RodeLink FM Digital Wireless Filmmaker System
Merchant Video
Videos for this product
14:56
Click to play video
Rodelink Wireless Microphone - Hands On Overview
Drone Valley
Product Description
RODELink represents the next generation of digital wireless systems. Using a series II 2. 4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 meters (over 100 yards). The RODELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RODE's omnidirectional Lavalier microphone is included in the kit to provide the highest possible audio reproduction quality.
Compare with similar items
![]() This item Rode RodeLink FM Digital Wireless Filmmaker System | ![]() BOYA by M1 Lavalier Microphone for Smartphones Canon Nikon DSLR Cameras Camcorders Audio Recorder PC | ![]() DJI Mic (2 TX + 1 RX + Charging Case), Wireless Lavalier Microphone, 250m (820 ft.) Range, 15-Hour Battery, Noise Cancellation, Wireless Microphone for PC, iPhone, Andriod, Record Interview, Vlogs | ![]() Rode VideoMic Pro+ Camera-Mount Shotgun Microphone | |
---|---|---|---|---|
Customer Rating | 4.6 out of 5 stars (1221) | 4.3 out of 5 stars (6688) | 4.8 out of 5 stars (1473) | 4.7 out of 5 stars (775) |
Price | Unavailable | $14.94$14.94 | $329.00$329.00 | $299.00$299.00 |
Shipping | — | FREE Shipping on orders over $25.00 shipped by Amazon or get Fast, Free Shipping with Amazon Prime | FREE Shipping. Details | FREE Shipping. Details |
Sold By | — | SOUNDSGREAT | Amazon.com | Amazon.com |
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon
Reviewed in the United States on July 19, 2020
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Dead-simple brainless hookup -- "it just works" (after you figure out how to put the batteries in) without any pairing magic or channel selection issues. Unlike other solutions below this price point, this is a *digital* transmission, which translates to a lower noise floor -- less hum, hiss, dropouts, and spurious noise than with analog transmission. I tried the Movo kit, and the level of hiss and hum compared to the Rode was unacceptable. Didn't try the Azden kit, I jumped straight to the Rode after watching a youtube head-to-head comparison review.
The lavalier (lapel) mic sounds fantastic -- rich bass for nice chest tone, and picks up pleasant high-end sibilance from collar region. Includes spring-loaded pin mount, foam cover, and outdoor "dead mouse" wind sock. No instructions on how to attach the pin or covers to the mic cord, but given a diagram of the "finished" look you can puzzle out how to do it. Yes, the ultra-thin lightweight cord from the mic to the transmitter is fragile, but that also makes it easy to thread through clothing and minimizes cable rubbing noise. Love the positive-lock screw-in 1/8" mini-plug connectors -- you don't *have* to screw them in, but that avoids problems with talent or camera operators accidentally pulling out plugs and having no audio. Love the status display on the receiver -- shows battery level of *both* units, and indicates when talent unit is muted or shut off. Weight is heavier than cheaper units, but still fine to mount on camcorders or DSLRs (I measured 0.41 lbs for each unit). For use with a SONY 4K handycam and its recessed multi-interface shoe, I needed more room for my fingers to fit underneath the receiver, so I used a cold shoe adapter JJC MSA-MIS Standard Cold Shoe Adapter Converter for Sony Multi Interface Shoe Camcorder (Black) to gain an extra inch of height. There are internal level settings (0, 10db, 20db) on transmitter and receiver -- I like that, this setting is rarely changed (default is 0db on both and works fine) and there's no risk of accidentally hitting an external switch.
On the negative side, the manual is super-dense (you'll need a magnifying glass) and basically useless, and Rode is the WORST at designing battery compartments. I had to search for a youtube video on how to put in the batteries!! You push in a plastic button on the back and then *slide* the *larger* piece to open -- very non-intuitive. Inside, the battery springs are *crazy* tight, if you don't have long fingernails you will need a small tool like a mini-screwdriver to pry out used batteries. Rode suggests Energizer Ultimate Lithium batteries for max life; but just be disciplined about shutting off units right after an interview and they seem to last a long time.
Pros who want more channel options and XLR connectors and level/tone controls have lots of options starting at about 2x the price of this unit, but for hobbyists and semi-pros who want great wireless sound quality from a single mic without any fuss, this really is the best solution.
I have always used Sennheiser wireless mics with a H6 (or previous models) recorder. Despite having to adjust the levels manually, the Sennheiser with the H6 sounds a little bit better...has a more "full" sound to it. So with that said, this RodeLink Wireless setup sounds a little more hollow...but not by much. In post editing... I adjust the EQ a little and that helps.
The only reason why I give it a 4 star is because the lapel mic and cable is a little cheap compared to a Sennheiser lapel mic. The clip broke off only after a few uses. I might have been too rough with it though trying to bend it back a little...but it broke off with little movement. I ending up attaching my Sennheiser lapel mic/cable onto this Rode Wireless set up.
Other than that, price point is decent. The audio levels adjust very well with different point talking at different levels. Batteries last at least full day when used here and there. Very good mic for a "One man band" videographer. Just be careful with the mic clip and you'll be good.
these mics are easy to use, easy to set up and seem to be well built and will last a long time with reasonably careful handling. The audio is clear and crisp and does the job very well. I use a cable that converts the 3.5mm output into a XLR male cable and I have had no problems with this arrangement.
If there are any negatives, I would submit two items:
1- The lavaliere mic wire is very thin and I have concerns for its long-term durability. This might be a psychological problem I have because it works very well, but it's appearance indicates it may not be tough enough to last the life of the system after years of tugs, yanks and pulls.
2- Each receiver/transmitter box is much thicker than its competition in size. I hesitate to call this a criticism- instead, I'd term it an observation. A belt pouch might also work better than the spring wire clip that comes with the unit as the size can make it awkward to carry around.
Overall, a strong purchase for those seeking a clean audio transmitting system.
Top reviews from other countries

After a year of VERY light use, I've had the following issues and have two useless units.
1. AA battery spring snapped off (even though I was always really careful with it).
2. Mic cover foam tore away from ring clip.
3. Interference comes and goes all the time with one of the units.
4. Audio crackles if the mic plug is touched in the slightest in the transmitter (on both units!).
5. Locking ring on 3.5mm jack has disappeared.
Such a shame because these are great, it's just that the build quality isn't there and I'm not a heavy user and probably use them once or twice a month.
I've contacted Rode, let's see how they can help me.

Ce kit est très simple, on a un récepteur d’un côté et un émetteur de l’autre, auquel on va brancher un micro-cravate.
L’intérêt de ce système, c’est de ne pas être relié par un fil à la caméra. On va pouvoir se déplacer et prendre de la distance par rapport à la caméra, tout en conservant le niveau de la voix avec le micro-cravate.
Dans la boite, on a un récepteur monté déjà avec un sabot de fixation avec vis, permettant de le monter sur pied ou directement sur la griffe de la caméra et comme le sabot est rond, on peut orienter le récepteur dans le sens qu’on souhaite, donc c'est plutôt pratique. On a également un câble jack reliant le récepteur à un enregistreur.
Ensuite on a le transmetteur, d'ailleurs on ne pas se tromper, il y a Rx sur le récepteur et Tx sur le transmetteur. Et puis on a une petite pochette de rangement, avec le micro-cravate, la pince, la petite bonnette et même un windjammer pour protéger le micro du vent en extérieur.
Les boitiers sont assez imposant, même plus grand qu’un seinheiser g3, mais avec ceux là, on a pas l’antenne qui dépasse, elle est directement intégrée.
Pour utiliser le Kit HF, c'est très simple, il suffit d’allumer les deux boitiers et ils devraient automatiquement se reconnaitre. Si ce n’est pas le cas, vérifier qu’ils soient bien sur le même canal. Sans quoi vous pouvez appairer les deux boitiers en appuyant sur les deux boutons à l’intérieur des boitiers. Si les deux boitiers sont bien connectés, en principe, ça ne clignote plus.
Au niveau des réglages, j’ai trouvé qu’avec +20db sur le transmetteur et -10db sur le récepteur, le rapport signal bruit avait l’air assez correcte. En tout cas, si vous l'utilisez avec une caméra, il est important descendre le gain au minimum, les préamplis des caméras étant rarement très bon.
Côté portée, elle est annoncée à 100m en condition optimale.
Jusqu'à présent je n'ai eu aucun souci particulier avec ce système, la qualité audio est très correcte, et le signal étant cryptée en 2.4GHz, il évite la plupart des interférences.
Je l'utilise en prestation, pour des interviews ou pour des vidéos YouTube. Je recommande.
ps: Vous pouvez voir mon test du kit RodeLink Filmmaker sur ma chaîne "Derrière La Caméra".
Je tiendrais ce commentaire un jour, si des problèmes viennent à apparaitre.
Si vous avez jugé ce commentaire utile, merci de cliquer sur oui, vous me ferez plaisir :)


Reviewed in France 🇫🇷 on September 30, 2018
Ce kit est très simple, on a un récepteur d’un côté et un émetteur de l’autre, auquel on va brancher un micro-cravate.
L’intérêt de ce système, c’est de ne pas être relié par un fil à la caméra. On va pouvoir se déplacer et prendre de la distance par rapport à la caméra, tout en conservant le niveau de la voix avec le micro-cravate.
Dans la boite, on a un récepteur monté déjà avec un sabot de fixation avec vis, permettant de le monter sur pied ou directement sur la griffe de la caméra et comme le sabot est rond, on peut orienter le récepteur dans le sens qu’on souhaite, donc c'est plutôt pratique. On a également un câble jack reliant le récepteur à un enregistreur.
Ensuite on a le transmetteur, d'ailleurs on ne pas se tromper, il y a Rx sur le récepteur et Tx sur le transmetteur. Et puis on a une petite pochette de rangement, avec le micro-cravate, la pince, la petite bonnette et même un windjammer pour protéger le micro du vent en extérieur.
Les boitiers sont assez imposant, même plus grand qu’un seinheiser g3, mais avec ceux là, on a pas l’antenne qui dépasse, elle est directement intégrée.
Pour utiliser le Kit HF, c'est très simple, il suffit d’allumer les deux boitiers et ils devraient automatiquement se reconnaitre. Si ce n’est pas le cas, vérifier qu’ils soient bien sur le même canal. Sans quoi vous pouvez appairer les deux boitiers en appuyant sur les deux boutons à l’intérieur des boitiers. Si les deux boitiers sont bien connectés, en principe, ça ne clignote plus.
Au niveau des réglages, j’ai trouvé qu’avec +20db sur le transmetteur et -10db sur le récepteur, le rapport signal bruit avait l’air assez correcte. En tout cas, si vous l'utilisez avec une caméra, il est important descendre le gain au minimum, les préamplis des caméras étant rarement très bon.
Côté portée, elle est annoncée à 100m en condition optimale.
Jusqu'à présent je n'ai eu aucun souci particulier avec ce système, la qualité audio est très correcte, et le signal étant cryptée en 2.4GHz, il évite la plupart des interférences.
Je l'utilise en prestation, pour des interviews ou pour des vidéos YouTube. Je recommande.
ps: Vous pouvez voir mon test du kit RodeLink Filmmaker sur ma chaîne "Derrière La Caméra".
Je tiendrais ce commentaire un jour, si des problèmes viennent à apparaitre.
Si vous avez jugé ce commentaire utile, merci de cliquer sur oui, vous me ferez plaisir :)








For the record, I've spent decades working in IT, so figuring out electronics is second nature to me. This product had me scratching my head from the minute I received it!
Firstly, the packaging on this is horrible. Both transmitter and receiver are packaged as if you were buying them separately and then put into a sleeve that keeps them together. Stickers with void marks - you need a knife to get in them. They both sit in a vinyl holder. Why this isn't packaged in cardboard boxes like their other products is mystifying.
Once you've done the surgery to get all the parts out, you've got to put batteries in. No they didn't include any. Also, there's a warning to be careful when taking out the batteries. If you read the reviews from others on Amazon, you'll discover that the design for removing batteries isn't foolproof. One battery is easy to remove, but the other isn't because the cover and the opposing spring makes it difficult. So you're now discovering a huge design flaw - both on the transmitter AND receiver. Had they had any design sense, both batteries would have pointed the same way and it would have cost them the expense of two inches of wire. Incidentally, unlike their video mic's and shotgun mic's that come with a 10 year warranty, the Rodelink comes with a TWO year warranty - now you know why.
Now you've got the batteries in, you need to pair them. You'd think someone with Rode's reputation would a) have the two paired up before it shipped to you, and b) have simple and quick step documentation in the box telling you how to do this without actually having to go to YouTube to figure it out! Yeah, it's not straightforward, it's not fool proof, and given the potential for having to re-program in the field (if there's interference on the channel you're using) then there's a potential to forget how to redo this when under pressure.
There's also the issue that the transmitter and receiver are huge and to be fair they're not particularly well built either. To be honest, based on how Rode builds their other gear, this stuff looks like rebadged gear from the Far East. The receiver has a plastic mount for a cold-shoe. Why plastic when their Videomic's are metal? So I tried exchanging a metal one from my old Video mic mount and it didn't fit. Grrrr.
Now for the icing on the cake. The lav microphone. If you're thinking this looks exactly like the Rode Lavalier Microphone (minus the case), then you'd be in good company. The only way you'd find this out is apparently to look at Rode's FAQ section for that exact question. No it's not the same as this is an all-in-one lookalike that doesn't appear to be nearly as sturdy and so you cannot change the Micon-1 connection end. For me this was the last straw as I was looking for the option to use XLR directly with their own Micon-5 connector (i.e. switch from Micon-1 to 5 as necessary). For me this was a deal breaker, as I'd have to spend another third more over the cost of this. Note that the screw on the Micon-1 lookalike comes off - which is great if you want that, but not if it comes off and you lose it.
Rode has since come out with a newer wireless Go mic, which might work better for what I want and at a more reasonable price point. But to be honest, even after owning two of their shotgun mics, I'm now pretty annoyed at them for these cheap shortcuts.
Sound quality is good - not great, but we're already taking a hit talking via wireless. A wired connection would always be preferable and based on Rode's own videos - they imply these wireless connections often need careful placement in a crowded area to reduce interference anyway. I came to the conclusion that for my needs, I'd rather buy a long XLR cable and hook up that way.
If you absolutely need wireless lav mics, then I'd suggest trying Rode's Go system instead and get a better lavalier microphone

Without doubt this has been the best film kit purchase I've made in recent years.
Update: have now bought a second - no hesitation either.
Combining this set with the tascam dr60d ii and setting the levels relatively low It's meant that you have 'set and forget'. Even mobile, out on foot, with the reciever and recorder tucked into the top of a small camera bag, add an earpiece for monitoring & you're free to concentrate on the visuals, whether or not you link directly into the camera. Quality is very good indeed - eminently usable in broacast terms - and battery life is amazing; the current set has been in both receiver and transmitter for over four hours' woth of recording. Being able to monitor battery life on both units by looking at the receiver box screen just gives you more reassurance.
The only down sides are i) the size - slightly larger than competitors and ii) occasional dropouts if you're in a building and separated by more than one wall. But the range of 30m plus, and out to 90m in the right conditions is fabulous. Very glad I bought this. Will add another one as soon as budget becomes available.
I can't think of a reason why you would want to pay twice as much for a unit.
Highly commended.
