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4-Year Musical Instruments Accidental Protection Planfrom Warrantech
- Includes Parts and Labor for Covered Repairs plus Accidental Damages Caused by Drops and Spills
- 5 Business Day Depot Service Repair Guarantee (When Received in Depot Center, Subject to Replacement Parts Availability)
- Plan Delivered by E-mail, Register and File Claims Online or by Phone
- Repair Plans are Fully Transferable at No Cost
- See Product Description for Details Including Limitations and What is Not Covered
Rode VMPR VideoMic Pro R with Rycote Lyre Shockmount
- Compact TRRS cardioid microphone designed for iOS devices and smartphones
- High-quality directional microphone that connects directly to the iPhone TRRS microphone/headphone socket
- 3.5mm headphone output. Two step High Pass Filter (flat, 80Hz)
- Except for Iphone 7;Level Control: Three-position (-10 dB, 0, +20 dB);Output Impedance 200 ohms
- Equivalent Noise Level (A-weighted) - 20dB-A.Ultra lightweight (85g/3oz). Please refer the Quick Start Guide before use.
- 9 V battery operation.Sensitivity:-32.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
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From the manufacturer
- Rycote Lyre shock mounting onboard.
- Ultra lightweight (85g/3oz).
- 9V battery powered - over 70 hours use (alkaline).
- Integrated shock mounting & foam windscreen.
- 3.5mm stereo mini-jack output (dual mono).
- Two step High Pass Filter (flat, 80Hz).
- Three position level control (-10dB, 0, +20dB).
- Camera shoe mount with 3/8” thread for easy boompole mounting.
- 10 year warranty with online registration at our official website.
Rode VideoMic Pro
Compact Directional On-Camera Microphone with Rycote Lyre Shockmount
The RØDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio. The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery. The RØDE VideoMic is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.
At the heart of the VideoMic Pro is an all-new 1/2-inch condenser capsule that provides broadcast-quality audio via a 3.5 millimeter minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.
The integrated Rycote Lyre based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.
- Rycote Lyre shock mounting onboard
- All-new capsule with lower noise and higher sensitivity
- Broadcast recording quality condenser microphone
- Compact form factor (150mm/6” length)
- Integrated shock mounting
- Integrated foam windscreen
- Camera shoe mount with 3/8” thread for easy boompole mounting
- 10 year extended warranty when you register your microphone
Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.
Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.
The microphone uses a standard sized shoe mount for on camera use, and features a 3/8-inch thread in the base of the mount for easy boom pole mounting.
|RØDE VideoMic Me||RØDE VideoMicro||RØDE VideoMic GO||RØDE VideoMic with Rycote Lyre||RØDE VideoMic with Rycote Lyre Pack||RØDE VideoMic Pro with Rycote Lyre|
|Which VideoMic Are You?|
|Ideal For:||Smartphones||Camcorders, point and shoot, entry level DSLR||Camcorders, point & shoot, entry-level DSLR (Not compatible with Nikon D7000)||Camcorders, mid-range DSLR||Camcorders, mid-range DSLR||High-end DSLR, Full frame cameras|
|Scenarios:||Dialogue to camera, interview, movies||Dialogue to camera, interview, sports, music||Interview, dialogue to camera, sporting events, ambient audio, music||Interview, dialogue to camera||Interview, dialogue to camera||Interview, dialogue to camera, sporting events|
|Included Accessories:||Deluxe furry windshield||Deluxe furry windshield, 3.5mm TRS patch cable, Lyre shoe mount||Windshield, 3.5mm TRS patch cable||Windshield||Windshield, Boom Pole, Mic screw adaptor, Headphone extension cable (25')||Windshield|
|Output:||Mono (same output to Left and Right)||Mono (same output to Left and Right)||Mono (same output to Left and Right)||Mono (same output to Left and Right)||Mono (same output to Left and Right)||Mono (same output to Left and Right)|
|Power:||Supplied by device||Supplied by device||Supplied by camera||9V battery||9V battery||9V battery|
|Frequency Response:||100Hz – 20kHz||100Hz – 20kHz||100Hz - 16kHz||40Hz - 20kHz||40Hz - 20kHz||40Hz - 20kHz|
|High Pass Filter:||None||None||None||80Hz||80Hz||80Hz|
|Level Switch:||None||None||None||-20dB, -10dB||-20dB, -10dB||-10dB, +20dB|
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|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Item Dimensions||3 x 9 x 5 in||7.7 x 11.3 x 2.7 in||3 x 13 x 5 in||2.25 x 10.5 x 5.2 in||3 x 10 x 4 in||4.2 x 10 x 5.2 in|
The Rode VideoMic Pro R is a compact and lightweight on-camera microphone, suitable for professional setups. It is designed to be used with camcorders, SLR cameras, and portable audio receivers. Equipped with a broadcast-quality condenser capsule, combined with a supercardioid pickup pattern, this wired microphone captures precise audio from the front while blocking out distortions. It includes an integrated shock mount and windscreen for added functionality.
Top customer reviews
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It's a directional shotgun mic that is easy to use and set up. And it's passive, which means no batteries. While this may be a drawback for the more pro-user, the lack of battery or power may be better for the regular everyday user. With quality construction, it's built pretty tough - Mostly aluminum, with a bit of plastic on the back.
The Mic plugs in with a 3.5mm and is compatible with most smart devices that have the female end. There is even a passthrough connection in the back so you can listen after you record something. Heck, you can even use the Rode VideoMic Me for phone calls or FaceTime, if you want.
The kit is pretty decent and includes a dead cat and plastic clamping piece. All in all, a great device to capture better audio for Instagram, Snapchat or Facebook live, not to mention just recording memories on you device. I totally recommend this if you're in the market to increase the audio in your videos on a budget.
This is an in-depth review of the rode video micro on my Canon T3i DSLR. I apologize for the rushed footage, I was very upset to find out that the rode videomicro was a horrible choice for my T3i. Due to Canon's lousy pre-amp, the microphone has this God awful hissing noise out of the box. I tried to filter the noise out using Final Cut Pro but it only ruined the quality of the audio. I think i'll stick to using my iPhone until I find a good price on the Rode Videomic Pro, at least with that I can lower the audio levels on my camera and then use the +20Db feature to capture crisp audio. Can't blame Rode entirely for this abomination, I'm sure the mic performs a lot better on other cameras that have better built-in preamps (eg. Panasonic GH4, Sony A7S II etc.) but its just not made for Canon DSLRs.
First, the pros. The mic is very well-built. The housing is all metal, and it has a very solid feel. The included shock mount is awesome, the cable to plug the mic into your camera is very nice quality and is just the right length so that it gets the job done without flopping all over the place. It is also of course coiled, so if you need more length, it's there. Including a dead kitten wind sock was also a really nice touch. You're getting a really nice package for $50. This mic is very compact, even with the shockmount and dead kitten, making it easy to stick into your camera bag. The mic also uses your camera's plug-inpower instead of batteries, meaning that you'll never be caught out with no batteries, as you would be with some other products.
Now to the cons. The sound is simply not great. If you are trying to record sound only from your subject when filming, then this mic does OK for what it is. Expect to spend some time messing with EQ afterwards in order to improve the sound quality, though. I was watching reviews on YouTube where people were plugging it into a digital recorder and using it as a near-field mic for doing voiceover and on-camera work, and talking about how great it sounded considering how small and cheap it is. For this application (which to be fair is NOT its intended purpose), the mic is pretty poor. I only messed around with it in this fashion because, being that it uses an accessory/hot shoe mount, you can easily mount it to a tripod, microphone stand, or boom pole and use a longer 1/8" stereo cable to plug it into a digital recorder. Again, if you're willing to spend some time in post adjusting EQ levels, you can surely bring out the best in this mic, but the standard unedited audio is not going to sound impressive in any way.
Just as a warning to Canon camera users, Canon DSLRs have notoriously bad microphone pre-amps in them. If you are plugging this mic directly into the camera (which, again is its intended purpose) you are likely not going to be happy with the sound. Shooting video with a Canon necessitates the use of an external digital recorder, and if you're going to go that route, then there are plenty of other choices as far as microphones are concerned.
Personally, I bought this microphone to use with a Sony AX-53 camcorder, as the built-in mic is super omni-directional and therefore not suitable when tyring to train the camera on one particular subject (as opposed to, for instance, filming your kid's soccer game. For that application, it was a clear improvement. Just be aware of exactly what the purpose of this microphone is before purchasing it.
Most recent customer reviews
On my Canon Vixia HF S11 Camcorder it does not work, I tried several different settings on my...Read more