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Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black)
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Purchase options and add-ons
| Brand | Rokinon |
| Focal Length Description | 3.78” (96.1mm) |
| Lens Type | Wide Angle |
| Compatible Mountings | Canon EF |
| Camera Lens Description | 14 month |
About this item
- Ultra wide-angle 14mm lens with an approximately 90° angle of view using an APS-C camera, for dramatic effects
- Lens has a minimum focusing distance of 0.9' (28 cm) for enhanced close-up shots. Lens includes a built-in petal-type lens hood.Do not soak the lens in water, and avoid water splashing onto the lens
- Maximum Diameter: 3.4”(87mm). Aperture Range: F2.8 to F22
- Focal Length: 14mm. Mounts : Canon: FE14M-C, Nikon AE: FE14AF-N. Pentax K: FE14M-P. Sony α: FE14M-S, Fuji X: FE14M-FX, Samsung NX: FE14M-NX, Sony E: FE14M-E, Four Thirds: FE14M-O, Micro 4/3: FE14M-MFT, Canon AE : AE14M-C
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Product information
| Product Dimensions | 3.78 x 3.43 x 3.43 inches |
|---|---|
| Item Weight | 1.22 pounds |
| ASIN | B003VSGQPG |
| Item model number | 134345789 |
| Customer Reviews |
4.3 out of 5 stars |
| Best Sellers Rank | #174 in SLR Camera Lenses |
| Is Discontinued By Manufacturer | No |
| Date First Available | July 14, 2010 |
| Department | Electronics |
| Manufacturer | Rokinon |
| Country of Origin | USA |
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Product Description
The Rokinon 14mm Ultra-Wide-Angle f/2.8 lens is designed to provide a dramatic 115.7° view on full frame cameras.and is perfect for astrophotography, landscapes and real estate imagery.
It also works well with DSLR and Mirrorless cameras to provide approximately an angle of view of 94° with APS-C cameras, 90° with Canon APS-C cameras and 76° with Micro 4/3 cameras
The advanced 14 element 10 group design focuses to a close 11" (0.28mm) to produce sharply defined images with a minimum of distortion and chromatic aberrations.
It utilizes 2 ED elements, 1 Hybrid Aspherical element, 3 High Refractive Index elements, and one glass Aspherical element, for outstanding, sharply defined rectilinear images.
This ultra-wide-angle Rokinon utilizes Ultra Multi Coating to reduce flare and ghost images, Includes a built-in petal-type lens hood and comes in mounts for: Canon EF, Nikon F, Sony E, MFT, Sony A, Pentax K and Fuji X.
From the manufacturer
FULL FRAME ULTRA-WIDE ANGLE
14mm F2.8
- Ultra wide-angle 14mm lens with an approximately 90° angle of view using an APS-C camera, for dramatic effects
- Lens is constructed with two ED lens elements, one hybrid aspherical lens element and one glass aspherical lens element, for outstanding, sharply defined images
FULL FRAME ULTRA-WIDE ANGLE
14mm F2.8
The 14mm Ultra Wide-Angle f/2.8 IF ED UMC Lens For Canon from Rokinon gives you approximately a 115° view with dramatic results when used with a full frame digital camera or 35mm film camera.
Technical Specifications
| Coverage | Full Frame |
| Aperture Range | F2.8 to F22 |
| Diaphragm Blades | 6 |
| Coating | Ultra Multi-Coating |
| Minimum Focusing Distance | 11” (0.28m) |
| Lens Hood | Built-in Petal Shaped |
| Maximum Diameter | 3.4” (87mm) |
| Filter Size | N/A |
| Optical Construction | 14 Elements in 10 Groups |
| Special Elements | 1 ASP, 2 ED, 3 HR, 1 H-ASP |
| Angle of View | Full Frame: 115.7° / APS-C: 93.9° / Canon APS-C: 89.9° / 4/3: 67.6° |
Customer reviews
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I have another Rok (samyang) same lens for astro photography (it's great) I didn't hesitate to order this one.
Build Quality!!! outstanding.
Sharpness - wonderful. (I've not tried it for astro but I'm sure that will be great).
HOWEVER - I shoot mostly media for church and I used it last sunday to test it and about 25% of my shots were out of focus. You can't see focus very well. (especially with 66 year old vision).
The in focus shots were great, but to many OOF. I think I need to spend a bit more for AF feature.
It is.. CONSIDERABLE wider than my 24-105 at 24mm. But I don't do much landscape (infinityfocus).
images. I don't need a super wide often, but at this price it's hard to send it back. I'll test it for milkway shots and maybe I'll love it enough to keep it around. I would have easily paid double to have AF. I'm gonna shop around and see if there is a comparible Canon or other lens with AF.
I'm shooting Canon RP full frame and it nicely filled the frame without any vignetting of fall off in the corners. Just hard to focus for anything closer than 30ft.
As I have a good number of prime lenses for portrait, macro and zoom...I wanted a lens where I'm able to capture scenery but also real estate. One that was ultra wide and one that was not a fish eye lens (although you can get a slight fisheye curve using this lens).
So, here is my review:
A. UNPACKAGING
I am familiar with Rokinon products, one of the lenses for my Canon A-1 that my father gave me had a Rokinon 28mm from the late '70s. And perusing the various photo sites and reading about how the Samyang lens that were rebranded is a newer lens that gives a solid performance, I had to give it a try. It comes in a box, well-packed with styrofoam and comes with instructions.
Inside is the lens, which is heavy and built like a tank and comes with a pouch, lens cover and cap.
B. TEST
I tested this lens on a Canon T3i and at first, I went out and took a picture of my house and the neighborhood. I was happy to see how the ultra-wide lens is what I needed but it's important to know that the lens is controlled not through the camera but the lens. So you need to turn the lens to access the aperture and the focus ring.
Although I prefer manual focusing over auto (and this is a manual prime lens), I'm so used to focusing on an object and getting what I need. But each time I turned the ring, I couldn't tell if the picture was good. I had to look on my viewfinder, increase the size to see if it was right or not and it wasn't. It was blurry.
I was a bit frustrated because I couldn't get any good photos until I went to a Samyang forum and those who owned Rokinon, Bowers and Bell's were talking about how they have their aperture set at 5.6 as they found that to be "the sweet spot".
So, I went back out...set the aperture from 2.8 to 5.6 and sure enough, I was taking clear pictures with this lens.
A few weeks later, I decided to take this lens out for another test as I was traveling to the Bay Area. Scenery, buildings....they turned out great. But I wanted to try this on people. Of course, some people are freaked out when I'm like a foot away from their face but yet, on the viewfinder I'm actually getting their whole body. But I was able to get a few good pictures. Once again, I can't tell if it's going to be clear enough because each time I manually focused, everything look the same. So, a lesson I learned is to take many shots because it's so wide that it's not easy and I have to advise, if you have an iPad or laptop nearby, it's good to see your photos and see if what you are getting is right. Or use the viewfinder and constantly increasing the size to see if its blurry or not.
I have only kept at f5.6 and a few others for aperture as many have recommended but have not been able to get great shots at f2.8. But I'm still learning this lens...
For those trying to take pictures of objects or people close-up, here are some test results:
f/4 - If distance is about 6.5 feet
f/5.6 - If distance is about 4.9 feet
f/8 - If distance is about 3.2 feet
f/11 - If distance is about 2.5 feet
f/22 - If distance is about 1.6 feet
JUDGMENT CALL:
First, the build and presentation of this lens is great. As mentioned, it's built like a tank and I was quite pleased. Especially that it came with the two caps and the pouch, which was a nice addition.
Second, I was able to get really nice shots with this lens (which I will post test shots on Amazon).
Third, you'll need to spend time with this lens. It's not as easy as a Canon 50 mm prime lens and focus and you get it right via viewfinder or screen. This one, you'll need to take a few pictures, view the photo to see if its blurry or not and you also want to have good lighting.
As mentioned, like others who used the Samyang and were able to get great pictures at 5.6 aperture but this is a lens that really does challenge you in someways. This is my first ultra wide and not sure how the more expensive ones perform compared to this lens but the good thing is that I was able to take really good photos but I would like to get better photos at 2.8 rather than keeping things at 5.6 all the time.
Overall, it's a solid lens and for its price, it's definitely worth it if you are a photographer on a budget.
Reviewed in the United States on October 15, 2011
As I have a good number of prime lenses for portrait, macro and zoom...I wanted a lens where I'm able to capture scenery but also real estate. One that was ultra wide and one that was not a fish eye lens (although you can get a slight fisheye curve using this lens).
So, here is my review:
A. UNPACKAGING
I am familiar with Rokinon products, one of the lenses for my Canon A-1 that my father gave me had a Rokinon 28mm from the late '70s. And perusing the various photo sites and reading about how the Samyang lens that were rebranded is a newer lens that gives a solid performance, I had to give it a try. It comes in a box, well-packed with styrofoam and comes with instructions.
Inside is the lens, which is heavy and built like a tank and comes with a pouch, lens cover and cap.
B. TEST
I tested this lens on a Canon T3i and at first, I went out and took a picture of my house and the neighborhood. I was happy to see how the ultra-wide lens is what I needed but it's important to know that the lens is controlled not through the camera but the lens. So you need to turn the lens to access the aperture and the focus ring.
Although I prefer manual focusing over auto (and this is a manual prime lens), I'm so used to focusing on an object and getting what I need. But each time I turned the ring, I couldn't tell if the picture was good. I had to look on my viewfinder, increase the size to see if it was right or not and it wasn't. It was blurry.
I was a bit frustrated because I couldn't get any good photos until I went to a Samyang forum and those who owned Rokinon, Bowers and Bell's were talking about how they have their aperture set at 5.6 as they found that to be "the sweet spot".
So, I went back out...set the aperture from 2.8 to 5.6 and sure enough, I was taking clear pictures with this lens.
A few weeks later, I decided to take this lens out for another test as I was traveling to the Bay Area. Scenery, buildings....they turned out great. But I wanted to try this on people. Of course, some people are freaked out when I'm like a foot away from their face but yet, on the viewfinder I'm actually getting their whole body. But I was able to get a few good pictures. Once again, I can't tell if it's going to be clear enough because each time I manually focused, everything look the same. So, a lesson I learned is to take many shots because it's so wide that it's not easy and I have to advise, if you have an iPad or laptop nearby, it's good to see your photos and see if what you are getting is right. Or use the viewfinder and constantly increasing the size to see if its blurry or not.
I have only kept at f5.6 and a few others for aperture as many have recommended but have not been able to get great shots at f2.8. But I'm still learning this lens...
For those trying to take pictures of objects or people close-up, here are some test results:
f/4 - If distance is about 6.5 feet
f/5.6 - If distance is about 4.9 feet
f/8 - If distance is about 3.2 feet
f/11 - If distance is about 2.5 feet
f/22 - If distance is about 1.6 feet
JUDGMENT CALL:
First, the build and presentation of this lens is great. As mentioned, it's built like a tank and I was quite pleased. Especially that it came with the two caps and the pouch, which was a nice addition.
Second, I was able to get really nice shots with this lens (which I will post test shots on Amazon).
Third, you'll need to spend time with this lens. It's not as easy as a Canon 50 mm prime lens and focus and you get it right via viewfinder or screen. This one, you'll need to take a few pictures, view the photo to see if its blurry or not and you also want to have good lighting.
As mentioned, like others who used the Samyang and were able to get great pictures at 5.6 aperture but this is a lens that really does challenge you in someways. This is my first ultra wide and not sure how the more expensive ones perform compared to this lens but the good thing is that I was able to take really good photos but I would like to get better photos at 2.8 rather than keeping things at 5.6 all the time.
Overall, it's a solid lens and for its price, it's definitely worth it if you are a photographer on a budget.
Using the lens to its fullest capability can be hard. I'm saying that not as a professional photographer, but as an amateur photographer that has had one SLR or another in his hands since 1992. So I've got the experience under my belt, just not the paid gigs. Or some might say, the talent. Still though, I know my way around a camera. And this lens still took me a while to get used to.
Especially hard is any type of focus at or around f/2.8, given the all-manual nature of the lens. Live View, even at 10x magnification, on the 5D Mark III sometimes does not provide enough zoom to accurately gauge focus (luckily, it does help when the subject is close to the camera - a situation that is likely if you're shooting at f/2.8). And besides, I'm not a big fan of Live View anyway because it messes up your flow by pulling your eye away from the viewfinder, making you press buttons to zoom, etc. By then the moment may have passed.
Where it really shines is in that f/5.6 to f/8 sweet spot, where you can dial in to the hyperfocal distance and just go nuts. I put a chart up a while back that shows for any given aperture, where to set the focus to reach the hyperfocal point, and what the minimum focus distance is at that point (for full-frame and for 1.6x crops). Googling the phrase "Jitterypixel Rokinon" should get you there. Once your aperture and focus is dialed in based on that chart, it will tell you how far away your subjects need to be.
For this reason, hyperfocal shooting is a bit backwards from normal lens operation: instead of aiming at a subject and attempting to focus on it, you're setting the focus and then framing the subject accordingly. Until you get accustomed to operating like this, you may find that you have a lot of stuff that looks slightly out of focus when viewed at 100% on your computer, especially if you don't have much experience with fully manual lenses. It can take some practice.
Corner sharpness (in full-frame) is not as unbelievably insanely amazing as some have touted, but it is definitely workable. Honestly, the distortion is so bad by the time you hit the corners, sharpness is the last thing you're thinking about. You're thinking that the old lady you accidentally caught in the corner of the frame is melting into the sidewalk. Center sharpness is pretty great, and the lens responds well to the judicious use of sharpening in post. Most of the distortion can be corrected (at the cost of a few pixels around the outer edges) for free using the lens profile available for both ACR and Lightroom (the page that I mentioned above also includes info for how to get that profile, and a couple of before-after photos).
Gloss-over stuff that I won't spend too much time on because hundreds of reviews before me have already gone into great detail: The build quality seems excellent, especially considering the price point. The focus is smooth and well-damped, and you won't be able to use a screw-on filter because of the lens shape and the fact that it would have to be HUGE in order to not get in the way of the ridiculously wide angle of view. The solid lens cap attaches to the permanent petal hood, and protects the glass very well.
Final word of caution: Do not under any circumstances position any female (ESPECIALLY wife or girlfriend) around the outside portion of the frame when shooting. Doing so will likely jeopardize your permission to ever photograph said female again in the future. Ever.
Reviewed in the United States on October 8, 2023
Top reviews from other countries
My only problem with this lens is the hood is fixed and can’t be removed which I find pointless and makes carrying it in my backpack more arkward and bulky
I used to be scared of manual-focus lenses, and to a certain extent, I still am...I would never use a manual-focus lens for portraits, or any professional work (that's just my workflow, I'm not saying it's not viable or that you shouldn't do it). But I've learned, particularly with this lens, that manual focus doesn't always have to be difficult. It definitely does require some testing and learning on your part in terms of figuring out the optimal focus ring position, but once you do, you can pretty much "set it and forget it" and always get great results, at least for landscape photography. For my previous non-chip version, the optimal focus ring position was just a few mm shy of the 2m marker. On this new version with the AE chip, the optimal focus ring position seems to be right on the 3m/10ft marker. I usually shoot between f/8 and f/11, so pretty much everything in the frame is in focus unless I'm shooting from a really low angle in which case the bottom edge and corners are a touch soft, but it's a sacrifice I'm happy to make given the incredible FOV that this lens offers.
The biggest drawback to this lens, which is sadly unavoidable, is that you cannot attach standard circular filters to it. I use UV filters on ALL of my lenses, as I have learned that it is much less traumatic to only have to replace a $100-200 filter, rather than having to replace a $1,000-2,000 lens. This also means that there is no easy way to use neutral density (or any other type of) filters with this lens, which is a shame, since a long-exposure shot at this wide focal length would probably look quite impressive. That isn't to say there's NO way to use filters with this lens, I'm sure that it's possible with one of the filter systems out there, but it's definitely not as simple or as convenient as being able to just screw the filter on or off like you can do with non-bulbous lenses.
If you own a full-frame camera and do any landscape or night photography, I highly recommend picking this lens up. You really can't beat the optical quality, especially for the price!













































