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3 Year Camera Accident Protection Plan

from Warrantech

  • Includes Parts and Labor coverage plus accidental damages caused by drops and spills
  • Repair or Replacement Promise on Every Product and Never a Deductible
  • 5 Day Repair Guarantee on Depot Service
  • Contract Delivered by E-mail, Register and File Claims Online or by Phone
  • Excludes Aerial Drones and Radio Controlled Devices
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Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) - Fixed

4.3 out of 5 stars 719 customer reviews
| 502 answered questions

Price: $319.00 & FREE Shipping. Details
Only 1 left in stock.
Canon
Standard Packaging
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  • Lens not Zoomable
  • Minimum Focusing Distance of 10.8 inches
  • This is the new updated UMC version
  • 14 Elements in 12 Groups, Focal Length : 10.5 -14mm
  • Aperture Rane: F/2.8 - F/22
  • 6 Diaphragm Blades
30 new 6 used from $279.12

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$319.00 & FREE Shipping. Details Only 1 left in stock. Sold by Riezinger Discounts and Fulfilled by Amazon.

Frequently Bought Together

  • Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) - Fixed
  • +
  • Neewer LCD Timer Shutter Release Remote Control for Canon 700D/T5i, 650D/T4i, 550D/T2i, 500D/T1i, 350D/XT, 400D/XTi, 1000D/XS, 450D/XSi, 60D, 100D, and Pentax
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  • Canon EF 50mm f/1.8 STM Lens
Total price: $458.99
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This item: Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) - Fixed
Customer Rating 4 out of 5 stars (719) 4 out of 5 stars (54) 4 out of 5 stars (73) 4 out of 5 stars (7)
Price $319.00 $349.95 $549.00 $499.93
Shipping FREE Shipping FREE Shipping FREE Shipping FREE Shipping
Sold By Riezinger Discounts Amazon.com Amazon.com Ornem
Compatible Mountings Canon EF Canon EF Canon EF Canon EF
Dimensions 3.43 inches x 3.78 inches x 3.43 inches 3.27 inches x 3.5 inches x 3.27 inches 83 inches x 4 inches x 83 inches 1.97 inches x 1.97 inches x 1.97 inches
Item Weight 1.22 pounds 1.29 pounds 1.4 pounds 0.88 pounds
Lens wide-angle-prime Prime lens Prime lens Fixed
Maximum Aperture 2.8 2 f Information not provided 1.6 inches
Max Focal Length 14 mm 16 mm 24 56
Min Aperture 22 22 Information not provided 1.6 inches
Min Focal Length 10.5 16 mm 24 56
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Product Description

Style: Canon | Product Packaging: Standard Packaging

Rokinon 14mm F/2.8 IF ED UMC Aspherical Ultra Wide Angle Lens for Canon; Lens is designed for full frame cameras but also works on APS-C sensors. The lens features 2 ED lens elements, one hybrid aspherical element, and one glass aspherical lens element. The lens offers an impressive 114-digree field of view on full frame cameras and 92.5-digree on APS-C cameras.

Product Information

Style:Canon  |  Product Packaging:Standard Packaging
Product Dimensions 3.8 x 3.4 x 3.4 inches
Item Weight 1.2 pounds
Shipping Weight 2 pounds (View shipping rates and policies)
ASIN B003VSGQPG
Item model number FE14M-C
Customer Reviews
4.3 out of 5 stars 719 customer reviews

4.3 out of 5 stars
Best Sellers Rank #14 in Camera & Photo > Lenses > Camera Lenses > Digital Camera Lenses
Date first available at Amazon.com July 14, 2010

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Top Customer Reviews

Style Name: CanonPackage Type: Standard Packaging Verified Purchase
Cons:

- Manual lens, but you know that, right? Thankfully its depth of field at anything over f/5.6 is deep enough to cover most situations, those close-ups require patience. Perhaps it's my eyesight, but I have a hard time seeing the image clearly enough to gauge precise focus. I usually resort to a test shot or two.
- no range rings to assist with depth of field
- even with the fixed hood, its bulbous glass makes it a big target for rain; I hike in the Pacific Northwest, so you can understand the challenge to keep it clean
- the mustache distortion begs for post-process fixing on images with long horizontal lines

Pros:
- great images -- crisp, but it gets a bit blurry right at the edges/corners
- only $350!
- fast @ f/2.8
- solid lens cap -- my lenses get bounced around a lot and I appreciate the extra protection.

Updated 10/22/2013:
I continue to believe this is one of the best lens values on the market. If you're a competent photographer and can handle a totally manual lens, you will be hard-pressed to own a better lens value for the price. I have some photos from this lens that rival or exceed the quality of Canon L-glass lenses.
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By Zudet on February 28, 2014
Style Name: CanonPackage Type: Standard Packaging Verified Purchase
This lens is wonderful. It is one of the top rated nightscape lenses that is currently available on the market. Here is what I have found:

Pros:
1. This lens is cheaper by orders of magnitude over similar lenses. To get a fast prime lens like this usually costs upwards of $2000, for a mere fraction of that price this lens blows away the competition.

2. Sharp. This lens has great optics and takes sharp pictures corner to corner by f/8. Wide open it is is a little softer in the corners, but that is just how it goes, unless you want to spend $5000 that probably won't change.

3. Almost no Coma or Chromatic Aberration. For those who don't know, coma is when points of light appear as streaks or smears. The only time this is really encountered in a practical situation is when you are photographing stars. Even on the much more expensive canon and nikon lenses the corner stars appear as ugly streaks, this lens has some of the best coma correction available

Cons:
1. Fully manual. This may or may not be a con for you, but in the age of auto-focus, and auto everything, it certainly takes some getting used to. My first 20 pictures with this lens all looked terrible because I was focusing wrong and underexposing. Once I spent some time learning how to properly use a manual lens those problems disappeared.

2. Distortion. This is not really a good lens for architecture. There is rather significant mustache distortion in this lens. This can be corrected in post processing by finding the correct lens profiles online, but that is not ideal if you are photographing buildings and man made structures for a living.
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Style Name: CanonPackage Type: Standard Packaging
I am using this lens on a Canon 5D Mark II. I have several zoom lenses in this range, but was looking for a fast, superwide prime. The choice would be this or the Canon 14L II. This is the same as the Samyang, rebranded.
After receiving the lens, I ran some tests against 16-35 2.8, and sigma 12-24, and was floored. The corner to corner sharpness of this lens is fantastic. I peaks at around 5.6, but the corners at 2.8 are better than the other 2 lenses at f11. the microcontrast and color is very good. The barrel distortion is hefty, and complex with a mustache distortion, however, often not well visible in landscape, but visible in architectural images. It is correctable using a $25 program called ptlens, and there is also a profile for acr 6.1 out there, which works great. It is an absolute bargain. I purchased a focus confirmation chip for 14 from ebay, glued it on, and I get focus confirmation too.

feb 2012 update
I have had this lens along side Nikon 14-24 2.8, adapted to canon with use on my 5d2, and at 2.8, the rokinon is sharper in the corners has less flare and less CA than the mighty Nikon. However the nikon has less distortion, and catches up by f 5.6 even in the corners. Additionally, do not rely on the distance markings on the focus ring. On my copy infinity focus is achieved at the 3 meter marking. 3 meters is achieved at 2m. for my style of shooting I dont find this troublesome at all. for landscape shooting I focus with live view anyway. for hand held, my focus is between 1 and 2 meters most of the time and it works fine.
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Style Name: Sony Alpha A MountPackage Type: Standard Packaging Verified Purchase
I currently have the A99 with the Zeiss 24-70mm. I love using the Zeiss at 24mm for my wide shots but then I rented the Zeiss 16-35mm lens and that lens at 16mm gave me a whole new perspective of the "world" I was shooting. And then I put on the Rokinon 14mm on my A99 and wow. The 2mm difference between the Rokinon and the Zeiss at 16mm actually noticeable (12%).

For landscapes or seascapes, this lens is just an absolute must - especially when you frame your shot with objects in the foreground, this lens will grab all the foreground subjects and set the stage for the scenery in the background. You will NOT get the "look" you get from this 14mm on a 24mm lens. You just can't. If you think your 24mm is the ideal landscape lens, you will be shocked at what you've been missing with the 14mm.

The lens is very sharp. I would say the sweet spot is somewhere between f/8 and f/11 but I tend to set mine at f/16 for landscape shots.

This lens is a manual lens. It does not have an "autofocus" feature. If you are looking for an ultra-wide lens with an autofocus feature, please just buy a point-and-shoot camera because any professional landscape photographer will tell you you must manually focus your landscape shots in order to get the sharpest pictures. There's just no need for autofocus for this type of lens so stop using this as a reason to not get this lens.

The only downside I see about this lens is the inability to put a filter on it. I can't even use my Cokin filter adapter on it and it's mainly due to the "bulb" shaped glass in the front. For seascape shots, this may be a tough call especially when you're trying to cut through the water in order to capture rocks, etc. Don't get me wrong.
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