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The Rolling Stone Album Guide: Completely New Reviews: Every Essential Album, Every Essential Artist Paperback – October 27, 1992
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- Print length838 pages
- LanguageEnglish
- PublisherRandom House
- Publication dateOctober 27, 1992
- Dimensions6 x 1.25 x 9.25 inches
- ISBN-100679737294
- ISBN-13978-0679737292
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Product details
- Publisher : Random House; 3rd edition (October 27, 1992)
- Language : English
- Paperback : 838 pages
- ISBN-10 : 0679737294
- ISBN-13 : 978-0679737292
- Item Weight : 11.2 ounces
- Dimensions : 6 x 1.25 x 9.25 inches
- Best Sellers Rank: #1,308,933 in Books (See Top 100 in Books)
- #4,797 in Rock Music (Books)
- #13,062 in Music Theory, Composition & Performance (Books)
- Customer Reviews:
About the authors

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Holly George-Warren is an award-winning writer, editor, producer, and music consultant. She has contributed to more than two dozen books about rock and roll, including The New Rolling Stone Encyclopedia of Rock & Roll, The Rolling Stone Book of Women in Rock, and The Rolling Stone Illustrated History of Rock & Roll. She's also written for the New York Times, the Village Voice, the Journal of Country Music, and Rolling Stone. Ms. George-Warren lives in upstate New York with her family.
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On the whole, it has many virtues: the arguments are very sensible, the writers appear to be very well-qualified, and the selection of music included is varied enough to satisfy most listeners - especially someone like me who was looking then for music from the 1980s to listen to. There is very little outright lying: indeed most of the album reviews are very clearly written and do indeed provide an accurate description of the music being written about - something I wish I was able to do far better.
However, this book's age gives it one fatal flaw: it does not understand the real impact of music over a long period. Many albums I bought on its recommendation have proved quite useless to me even if I understood the reasons (though my narrow perceptions at that time can in no way have helped me).
Moreover, some of the albums it recommends (or at least does not condemn) would be violently condemned by critics like Joe Harrington and David Keenan whose knowledge and intelligence certainly exceeds that of those critics in this book. It is to them that I now recommend one turn for really accurate music criticism - I recommend their list to people who do not know much about msuic all the time. However, with older music I was never into back in the 1990s the book is actually more helpful and accurate due to greater hindsight, though many albums of great value were not then reissued.
Thus, read with great caution: this is introductory, but good for that. there is better criticism - the problem is finding it and seeing for yourself.
Designed to serve as a consumer guide for fans wanting knowledgeable assistance and a critical overview of artists� careers, this encyclopedic publication contains acts ranging from Abba to ZZ Top. Not quite all of them though; there is a definite slant towards the American scene and some lesser-known or cult stars from the UK are absent in these pages. That is because the editors had to restrict the entries to what was available in the United States at the time of US publication.
In addition to the alphabetical section on groups and individual artists, there are two further sections: one for Anthologies and one for Soundtracks.
It�s interesting to compare the numbers of albums by the greatest artists: Elvis comes in at 121, followed by James Brown at 88, Frank Zappa with 51, The Beatles and Bob Dylan with 36 each, while the Rolling Stones slot in at 35 and other favorites like the BeeGees and Bowie do well with 24 and 26 respectively.
Flipping through the pages amply rewards the peruser, often for the unexpected little tidbits: a band called Silly Wizard, dubbed �masters of classic Scottish folk� and the fact that Hound Dog was first recorded by Big Mama Thornton in 1954.
Grunge is well represented by Nirvana, Pearl Jam and Soul Asylum, while World Music is a bit neglected: King Sunny Ade and Youssou N�Dour are there but no Salif Keita.
Still, one can establish the exact difference between Lisa Stansfield and Taylor Dane, and read all about important but obscure singer/songwriters Laura Nyro and Gram Parsons.
In the soundtrack section, I was pleased to see Saturday Night Fever and Thank God It�s Friday rated highly while Fame and Flashdance fared poorly.
Although I sometimes disagree with the critics� assessments, they always phrase it amusingly: Meat Loaf is dismissed as �schlock rock�!
Every entry is rated with a star-system from 1 to 5 just like here on amazon, although in any piece on artists with large oeuvres (like Elvis) the emphasis is rather on a general overview rather than a detailed discussion of every album.
I would say this is a worthwhile reference work to have at hand, but shouldn�t be considered the last word in music criticism.









