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Romeo & Juliet
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| Additional DVD options | Edition | Discs | Price | New from | Used from |
|
DVD
May 23, 2000 "Please retry" | — | — | $15.70 | $3.27 |
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DVD
January 1, 2013 "Please retry" | Standard Edition | 1 | $19.99 | $4.98 |
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DVD
May 23, 2000 "Please retry" | — | 1 | $29.00 | $7.78 |
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DVD
November 12, 2021 "Please retry" | — | 1 |
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| — | $13.29 |
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Purchase options and add-ons
| Genre | Romance |
| Format | Anamorphic, Multiple Formats, Widescreen, Color, Closed-captioned, NTSC |
| Contributor | Natasha Parry, Pat Heywood, Milo O'Shea, Michael York, Olivia Hussey, Robert Stephens, John McEnery, Esmeralda Ruspoli, Franco Zeffirelli, Antonio Pierfederici, Franco Brusati, Leonard Whiting, Bruce Robinson, Masolino D'Amico, Paul Hardwick, William Shakespeare See more |
| Language | English |
| Runtime | 2 hours and 18 minutes |
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Product Description
Shakespeare's classic tale of romance and tragedy. Two families of Verona, the Montagues and the Capulets, have been feuding with each other for years. Young Romeo Montague goes out with his friends to make trouble at a party the Capulets are hosting, but while there he spies the Capulet's daughter Juliet, and falls hopelessly in love with her. She returns his affections, but they both know that their families will never allow them to follow their hearts.
Product details
- Aspect Ratio : 1.66:1
- Is Discontinued By Manufacturer : No
- MPAA rating : PG (Parental Guidance Suggested)
- Product Dimensions : 7.5 x 5.25 x 0.5 inches; 2.4 ounces
- Item model number : 97360680942
- Director : Franco Zeffirelli
- Media Format : Anamorphic, Multiple Formats, Widescreen, Color, Closed-captioned, NTSC
- Run time : 2 hours and 18 minutes
- Release date : January 1, 1968
- Actors : Leonard Whiting, Olivia Hussey, John McEnery, Milo O'Shea, Pat Heywood
- Subtitles: : English
- Language : English (Dolby Digital 2.0 Mono)
- Studio : Paramount
- ASIN : 0792165055
- Writers : Franco Brusati, Franco Zeffirelli, Masolino D'Amico, William Shakespeare
- Number of discs : 1
- Best Sellers Rank: #9,063 in Movies & TV (See Top 100 in Movies & TV)
- #327 in Romance (Movies & TV)
- Customer Reviews:
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Top reviews from the United States
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Why? Because a Miata is a mass-produced appliance, while a Ferrari is a hand-made work of art that has a soul. This film is a Ferrari, and it inspires nothing but awe and fierce, passionate love even as its tail-light lenses are falling off and its door handles are loose and its chrome trim obviously isn't perfectly straight. As an English teacher, I've seen this film approximately 35 times now, and I am still entertained by finding new technical inconsistencies in it. A list of them would be almost impossible to compile, but for example, Benvolio is stabbed in the eye by Tybalt's sword at the very start of the film, and something like five minutes later he is talking to Lady Capulet, completely unwounded. Tybalt repeatedly tells Romeo to "turn and draw," despite the fact that he isn't wearing a sword, and later Romeo approaches the tomb with his sword on, then enters it with the sword having mysteriously disappeared. Juliet is put into the grave with her shroud covered in roses thrown by grieving local maidens, but later when Romeo appears to pull the shroud away, the roses have disappeared. And it goes on and on and on through the film. Technically, from the standpoint of mere careful film-making, this film is an undeniable mess.
And to my students and to me and to apparently hundreds of thousands of other people across the world, it does not matter one bit that it is. Like that 1960's Ferrari, this film is a flawed work of art - a work of art of such beauty, of such soul, of such passion, of such magnificence, that the flaws shrink into utter insignificance for all but the most anal and prejudiced of viewers. I'm not going to describe it here - that would steal from it and I couldn't do it justice. Just watch it, and if you have even a drop of hot-blooded youth left in you at all, if you aren't completely mummified, the film will explain itself. Watch it in the dark, on a big screen, with a good sound system. The music, the costuming, the casting, the setting, the lighting... all of it has that special stamp of beauty and art and aesthetic that Italy has long been known for throughout the world.
The only reason I was tempted to withhold the 5th star was for how many speeches, scenes and lines have been omitted. All the basics are there, of course. The big scenes are almost complete. But Franco Zefferelli was obviously doing his best to avoid overwhelming a non-Shakespeare-reading audience with the Bard's admittedly challenging words, words which have the ring of heaven's own stamp and which I wish were there in their entirety. Juliet's speech while she is waiting for Romeo in her bedroom and her speech before she takes the sleeping potion, for example, have both been omitted - much to the detriment of the story in my mind. Otherwise, the excellent Leonardo DeCaprio-Claire Danes film notwithstanding, this masterpiece from 1967 is still the gold standard and Olivia Hussey is still the unchallenged soul of Juliet in the hearts of most of the world.
Shakespeare never really makes clear WHY the Montagues and Capulets are involved in such a long feud, but Zeffirelli directs in such a way you understand immediately that the family feud is a danger to the entire city of Verona. The fighting scenes are all gripping and well staged. The scene where the entire city seems to meet in the public square around the dead bodies of Mercutio (John McEnery) and Tybalt (Michael York) is exceptionally powerful.
Of course, comic relief is necessary. This is chiefly supplied by John McEnery as a clownish Mercutio. Par Heywood and Milo O'Shea are both excellent as the Nurse and Friar Laurence, who act as staunch allies to the young lovers. And boy, do they ever need allies. I'd forgotten how cruel Juliet's parents are towards her. When Juliet refuses to marry Count Paris, her mother says, "I would she were married to her grave." And her dad basically says he will disown her, deny her, and she can go die. No wonder the poor girl is driven to such extreme acts as sleeping potions and suicide. The Capulet crypt, by the way, seems like an extremely foreboding and frightening place.
And I loved the "Romeo And Juliet Love Theme" sung at the Capulet masked ball. With lyrics like, "Death will come soon to hush us along" and "Cupid, he rules us all", it foreshadows the entire tragedy in a perfect nutshell.
Of interest: There is some poetically beautiful nudity. We get a full view of Leonard Whiting's bare behind and a quick flash of Hussey's bare breasts, but it's nothing beyond a mild 1968 PG rating. The PG Rating, I think, was actually, for the fights and deaths. An unbilled Laurence Olivier is heard giving the opening and closing Chorus speeches. Olivier, reportedly, also dubbed in the dialogue for some of the Italian actors. This DVD is a beautiful Widescreen presentation.
I was thrilled when I saw Christopher's Plummer's 1964 "Hamlet" from the BBC. I knew I had finally found the definitive "Hamlet." Now I need look no more for the definitive "Romeo And Juliet". Zeffirelli-- forever! BRAVO!
Top reviews from other countries
Il a du son succès à la fraicheur juvénile de ses interprètes principaux Léonard Whiting et surtout Olivia Hussey. Aussi à l’excellence du principal thème musical composé par Nino Rota et au fait qu’il ait été tourné en décors naturels.
J’ai par contre déploré que la production ait cru bon de faire une version traduite en français de la chanson interprétée dans le film car celle-ci est incomparablement inférieure à la version originale.
Honte à ceux qui ont fait les sous-titres de la version italienne originale : les dialogues ont été complètement réécrits (c’est hélas monnaie courante dans le cinéma) y compris le si beau texte de la chanson ce qui est une véritable hérésie et un scandale …
J’en signale une excellente version anglaise « A Time For Us » chantée par Andy Williams.
Ecoutez-là, c'est pour moi l'une des plus belles mélodies qui soient. Et elle m'évoque bien des souvenirs ...










