If you have middle school kids or grandkids, this is a great way to get them familiar with Shakespeare.
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Romeo and Juliet [VHS]
Rated: Format: VHS Tape
Unrated
IMDb7.6/10.0
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Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Package Dimensions : 7.32 x 4.19 x 1.12 inches; 14.11 ounces
- Date First Available : February 9, 2007
- ASIN : B00004CJW8
- Best Sellers Rank: #460 in Camcorder VHS Blank Media
- #4,398 in Blank Media Products
- Customer Reviews:
Customer reviews
4.7 out of 5 stars
4.7 out of 5
2,569 global ratings
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5 out of 5 stars
"Cupid, He Rules Us All"
In 1968 Franco Zeffirelli wowed critics and audiences alike with his filmed version of Shakespeare's Romeo and Juliet. He cast two unknown actors in the title roles. Romeo was played by Leonard Whiting, who captured the angst and anti-war sentiment of his generation while juxtaposing it with his all-consuming passion for Juliet. And Olivia Hussey plays Juliet to perfection by endowing her with innocence, naivety, intelligence and loving conviction. The rest of the cast is also superb especially John McEnery who lends a manic energy to Mercutio, Milo O'Shea who plays the difficult role of Friar Laurence, Pat Heywood who is spectacular as the Nurse, Michael York as the violent Tybalt and Bruce Robinson plays the loyal Benvolio. The film features a phenomenal score composed by Nino Rota. The production design is fantastic and the costumes are all lavishly created and provide the film with a sense of authenticity (even if not historically accurate). The fight choreography, though simple when compared to today's standards, is exciting and well rehearsed."Two households, both alike in dignity,In fair Verona, where we lay our scene,From ancient grudge break to new mutiny,Where civil blood makes civil hands unclean.From forth the fatal loins of these two foes...A pair of star-cross'd lovers take their life;Whose misadventur'd piteous overthrows...Do with their death bury their parents' strife."For those few who aren't familiar with the story (Go read it!), it tells the tale of Romeo, son of Montague and Juliet, daughter of Capulet. The two youths fall in love only to discover that they are sworn enemies. They hide their love from their feuding parents and are hastily wed in secret. But Juliet is to marry another, at the command of her father and Romeo is banished from Verona for killing Juliet's cousin Tybalt. Just as it seems that there's no hope that the two lovers will be united, a Franciscan Friar offers Juliet a draught, which when taken gives off the appearance of death and once her family believed her to be dead she would be free to rejoin Romeo. But Romeo hears rumor of his beloved's demise and sets off for the mausoleum where her body rests. There, too distraught to live, he drinks a vial of poison and dies but not before giving Juliet one last kiss. When the draught wears off Juliet finds her true love's body. She is so determined to be with him that she plunges his dagger into her own heart, thus either ending her anguish or reuniting them in the afterlife. When the Capulets and the Montagues discover the tragedy that has befallen them, they put aside their ancient feud and are united in grief."A glooming peace this morning with it brings.The Sun, for sorrow, will not show his head,For never was a story of more woe...Than this of Juliet and her Romeo."Though Zeffirelli takes some liberties with William Shakespeare's text (numerous lines of dialogue are omitted or altered, the confrontation between Romeo and Paris is removed, and the scene where Romeo goes to the apothecary to buy the poison is for some reason left out), he preserves the spirit of the tragic romance. The film is truly a classic and an example of acting at its finest.Unfortunately the only DVD available is rather lacking. The film has not been restored or remastered in any way and the audio track is only in 2.0. There aren't really any special features except for English subtitles, scene selection and a theatrical trailer. With this year marking the 40th anniversary of the film hopefully we can expect a more worthy DVD release, but if not this one is available at most retailers for a very reasonable price.Also recommended:Romeo & Juliet (original soundtrack with dialogue from the film)Romeo & Juliet (Nino Rota's original score without dialogue)Warner Bros. Shakespeare Collection
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Top reviews from the United States
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Reviewed in the United States on November 12, 2024
Reviewed in the United States on October 7, 2024
Use the closed caption the first time you watch this one. Then you will know what the are all saying. The best scene is when they first touch.
Reviewed in the United States on January 13, 2012
The difference between a Ferrari and a Miata is that, when the tail-light lens falls off of your Miata, you swear. When the tail-light lens falls off of your Ferrari, you carefully pick it up, wash it off in lukewarm water with a little dish soap, and go down to the Ferrari dealership to pay $47 for an original hand-made pair of Italian screws to replace the ones that vibrated out, and you screw it back on with the words "Thank goodness it wasn't broken."
Why? Because a Miata is a mass-produced appliance, while a Ferrari is a hand-made work of art that has a soul. This film is a Ferrari, and it inspires nothing but awe and fierce, passionate love even as its tail-light lenses are falling off and its door handles are loose and its chrome trim obviously isn't perfectly straight. As an English teacher, I've seen this film approximately 35 times now, and I am still entertained by finding new technical inconsistencies in it. A list of them would be almost impossible to compile, but for example, Benvolio is stabbed in the eye by Tybalt's sword at the very start of the film, and something like five minutes later he is talking to Lady Capulet, completely unwounded. Tybalt repeatedly tells Romeo to "turn and draw," despite the fact that he isn't wearing a sword, and later Romeo approaches the tomb with his sword on, then enters it with the sword having mysteriously disappeared. Juliet is put into the grave with her shroud covered in roses thrown by grieving local maidens, but later when Romeo appears to pull the shroud away, the roses have disappeared. And it goes on and on and on through the film. Technically, from the standpoint of mere careful film-making, this film is an undeniable mess.
And to my students and to me and to apparently hundreds of thousands of other people across the world, it does not matter one bit that it is. Like that 1960's Ferrari, this film is a flawed work of art - a work of art of such beauty, of such soul, of such passion, of such magnificence, that the flaws shrink into utter insignificance for all but the most anal and prejudiced of viewers. I'm not going to describe it here - that would steal from it and I couldn't do it justice. Just watch it, and if you have even a drop of hot-blooded youth left in you at all, if you aren't completely mummified, the film will explain itself. Watch it in the dark, on a big screen, with a good sound system. The music, the costuming, the casting, the setting, the lighting... all of it has that special stamp of beauty and art and aesthetic that Italy has long been known for throughout the world.
The only reason I was tempted to withhold the 5th star was for how many speeches, scenes and lines have been omitted. All the basics are there, of course. The big scenes are almost complete. But Franco Zefferelli was obviously doing his best to avoid overwhelming a non-Shakespeare-reading audience with the Bard's admittedly challenging words, words which have the ring of heaven's own stamp and which I wish were there in their entirety. Juliet's speech while she is waiting for Romeo in her bedroom and her speech before she takes the sleeping potion, for example, have both been omitted - much to the detriment of the story in my mind. Otherwise, the excellent Leonardo DeCaprio-Claire Danes film notwithstanding, this masterpiece from 1967 is still the gold standard and Olivia Hussey is still the unchallenged soul of Juliet in the hearts of most of the world.
Why? Because a Miata is a mass-produced appliance, while a Ferrari is a hand-made work of art that has a soul. This film is a Ferrari, and it inspires nothing but awe and fierce, passionate love even as its tail-light lenses are falling off and its door handles are loose and its chrome trim obviously isn't perfectly straight. As an English teacher, I've seen this film approximately 35 times now, and I am still entertained by finding new technical inconsistencies in it. A list of them would be almost impossible to compile, but for example, Benvolio is stabbed in the eye by Tybalt's sword at the very start of the film, and something like five minutes later he is talking to Lady Capulet, completely unwounded. Tybalt repeatedly tells Romeo to "turn and draw," despite the fact that he isn't wearing a sword, and later Romeo approaches the tomb with his sword on, then enters it with the sword having mysteriously disappeared. Juliet is put into the grave with her shroud covered in roses thrown by grieving local maidens, but later when Romeo appears to pull the shroud away, the roses have disappeared. And it goes on and on and on through the film. Technically, from the standpoint of mere careful film-making, this film is an undeniable mess.
And to my students and to me and to apparently hundreds of thousands of other people across the world, it does not matter one bit that it is. Like that 1960's Ferrari, this film is a flawed work of art - a work of art of such beauty, of such soul, of such passion, of such magnificence, that the flaws shrink into utter insignificance for all but the most anal and prejudiced of viewers. I'm not going to describe it here - that would steal from it and I couldn't do it justice. Just watch it, and if you have even a drop of hot-blooded youth left in you at all, if you aren't completely mummified, the film will explain itself. Watch it in the dark, on a big screen, with a good sound system. The music, the costuming, the casting, the setting, the lighting... all of it has that special stamp of beauty and art and aesthetic that Italy has long been known for throughout the world.
The only reason I was tempted to withhold the 5th star was for how many speeches, scenes and lines have been omitted. All the basics are there, of course. The big scenes are almost complete. But Franco Zefferelli was obviously doing his best to avoid overwhelming a non-Shakespeare-reading audience with the Bard's admittedly challenging words, words which have the ring of heaven's own stamp and which I wish were there in their entirety. Juliet's speech while she is waiting for Romeo in her bedroom and her speech before she takes the sleeping potion, for example, have both been omitted - much to the detriment of the story in my mind. Otherwise, the excellent Leonardo DeCaprio-Claire Danes film notwithstanding, this masterpiece from 1967 is still the gold standard and Olivia Hussey is still the unchallenged soul of Juliet in the hearts of most of the world.
Reviewed in the United States on September 18, 2024
I love everything about this version. The cinematography is outstanding and beautiful, the costumes are stunning and the acting is real and touching.
Reviewed in the United States on May 25, 2016
Franco Zeffirelli's "Romeo And Juliet" is the version that towers over all other movie versions of Shakespeare's tragedy. With good reason. This is "respectful and faithful Shakespeare" without being "stuffy Shakespeare." The actors don't act like, "Oh, here's my big speech. Watch me. Listen to me." Zeffirelli makes "Romeo And Juliet" accessible by keeping the story and the action moving. His masterstroke, of course, was casting 17 year old Leonard Whiting and 15 year old Olivia Hussey as a Romeo And Juliet we can actually BELIEVE in and with. Whiting looks exactly the right age for Romeo. Juliet is said to be about two weeks away from her 14th Birthday, so 15 year old Hussey is perfect! Hussey is lovely, and Whiting is absolutely some gorgeous dream. Whiting and Hussey play Romeo And Juliet as teenagers who can barely keep their hands off each other. They kiss, they touch, they feel. In short, Zeffirelli makes them real. He also, obviously, directed towards the strengths of his young stars with great understanding and sensitivity. It seems so simple: but teenage passions, as well as rash acts of behavior, play out more believably when actually played by teenagers. Hussey does give one odd line reading. When Juliet wonders, "Where fore art thou, Romeo?", Hussey puts emphasis on "fore", which seems strange to me. But this is an extremely minor quibble.
Shakespeare never really makes clear WHY the Montagues and Capulets are involved in such a long feud, but Zeffirelli directs in such a way you understand immediately that the family feud is a danger to the entire city of Verona. The fighting scenes are all gripping and well staged. The scene where the entire city seems to meet in the public square around the dead bodies of Mercutio (John McEnery) and Tybalt (Michael York) is exceptionally powerful.
Of course, comic relief is necessary. This is chiefly supplied by John McEnery as a clownish Mercutio. Par Heywood and Milo O'Shea are both excellent as the Nurse and Friar Laurence, who act as staunch allies to the young lovers. And boy, do they ever need allies. I'd forgotten how cruel Juliet's parents are towards her. When Juliet refuses to marry Count Paris, her mother says, "I would she were married to her grave." And her dad basically says he will disown her, deny her, and she can go die. No wonder the poor girl is driven to such extreme acts as sleeping potions and suicide. The Capulet crypt, by the way, seems like an extremely foreboding and frightening place.
And I loved the "Romeo And Juliet Love Theme" sung at the Capulet masked ball. With lyrics like, "Death will come soon to hush us along" and "Cupid, he rules us all", it foreshadows the entire tragedy in a perfect nutshell.
Of interest: There is some poetically beautiful nudity. We get a full view of Leonard Whiting's bare behind and a quick flash of Hussey's bare breasts, but it's nothing beyond a mild 1968 PG rating. The PG Rating, I think, was actually, for the fights and deaths. An unbilled Laurence Olivier is heard giving the opening and closing Chorus speeches. Olivier, reportedly, also dubbed in the dialogue for some of the Italian actors. This DVD is a beautiful Widescreen presentation.
I was thrilled when I saw Christopher's Plummer's 1964 "Hamlet" from the BBC. I knew I had finally found the definitive "Hamlet." Now I need look no more for the definitive "Romeo And Juliet". Zeffirelli-- forever! BRAVO!
Shakespeare never really makes clear WHY the Montagues and Capulets are involved in such a long feud, but Zeffirelli directs in such a way you understand immediately that the family feud is a danger to the entire city of Verona. The fighting scenes are all gripping and well staged. The scene where the entire city seems to meet in the public square around the dead bodies of Mercutio (John McEnery) and Tybalt (Michael York) is exceptionally powerful.
Of course, comic relief is necessary. This is chiefly supplied by John McEnery as a clownish Mercutio. Par Heywood and Milo O'Shea are both excellent as the Nurse and Friar Laurence, who act as staunch allies to the young lovers. And boy, do they ever need allies. I'd forgotten how cruel Juliet's parents are towards her. When Juliet refuses to marry Count Paris, her mother says, "I would she were married to her grave." And her dad basically says he will disown her, deny her, and she can go die. No wonder the poor girl is driven to such extreme acts as sleeping potions and suicide. The Capulet crypt, by the way, seems like an extremely foreboding and frightening place.
And I loved the "Romeo And Juliet Love Theme" sung at the Capulet masked ball. With lyrics like, "Death will come soon to hush us along" and "Cupid, he rules us all", it foreshadows the entire tragedy in a perfect nutshell.
Of interest: There is some poetically beautiful nudity. We get a full view of Leonard Whiting's bare behind and a quick flash of Hussey's bare breasts, but it's nothing beyond a mild 1968 PG rating. The PG Rating, I think, was actually, for the fights and deaths. An unbilled Laurence Olivier is heard giving the opening and closing Chorus speeches. Olivier, reportedly, also dubbed in the dialogue for some of the Italian actors. This DVD is a beautiful Widescreen presentation.
I was thrilled when I saw Christopher's Plummer's 1964 "Hamlet" from the BBC. I knew I had finally found the definitive "Hamlet." Now I need look no more for the definitive "Romeo And Juliet". Zeffirelli-- forever! BRAVO!
Top reviews from other countries
Sweet Tooth
5.0 out of 5 stars
First Class - Pure Brilliance - Best Version Ever
Reviewed in the United Kingdom on April 29, 2023
I BLAME THE PARENTS - Seriously though..., Shakespeare's brilliance and genius in all its glory! I first saw this film when I was at school studying for my CSE exams, (oldies will remember those, you did them before the GCE;s, which were taken a couple of years later) it was part of the English curriculum along with the just as popular film "Love Story" at the time. The English teacher took about 8 of us girls to see both films at Leicester Square Odeon (it was 8 bob I think just to get in, so no sweets at that price) and she had sat next to me on this one and squeezed my hand when I started quietly blubbering towards the end. Thankfully Mum had insisted I take a cloth hanky with me, I thought she was bonkers at the time and then I realised she knew me well indeed. I remember, I was as engrossed and mesmerised then as I was again today. This film will keep you glued to the screen even though the style of language might leave you frustrated and wishing they'd just speak modern English and be done with it. Whilst I understood what was being said and meant right the way through, I had to use the subtitles to keep in step so to speak with what was going on on the screen. But don't let that put you off, the whole production, sound, picture, story etc is excellent, with superb acting throughout, there are really no other words for it. In my world this is a MUST BUY and I highly recommend.
Anblo
5.0 out of 5 stars
Amoureux pour la vie.
Reviewed in Canada on June 14, 2024
Dirigé par Franco Zeffirelli. Deux jeunes amoureux, une fin tragique.
Jaamuna
5.0 out of 5 stars
La meilleure version de ces amours tragiques
Reviewed in France on January 2, 2018
Ce film (1968) de Franco Zeffirelli est pour moi la meilleure illustration de ce drame illustre parmi les adaptations fidèles au lieu, Vérone et à l’époque, le Moyen âge.
Il a du son succès à la fraicheur juvénile de ses interprètes principaux Léonard Whiting et surtout Olivia Hussey. Aussi à l’excellence du principal thème musical composé par Nino Rota et au fait qu’il ait été tourné en décors naturels.
J’ai par contre déploré que la production ait cru bon de faire une version traduite en français de la chanson interprétée dans le film car celle-ci est incomparablement inférieure à la version originale.
Honte à ceux qui ont fait les sous-titres de la version italienne originale : les dialogues ont été complètement réécrits (c’est hélas monnaie courante dans le cinéma) y compris le si beau texte de la chanson ce qui est une véritable hérésie et un scandale …
J’en signale une excellente version anglaise « A Time For Us » chantée par Andy Williams.
Ecoutez-là, c'est pour moi l'une des plus belles mélodies qui soient. Et elle m'évoque bien des souvenirs ...
Il a du son succès à la fraicheur juvénile de ses interprètes principaux Léonard Whiting et surtout Olivia Hussey. Aussi à l’excellence du principal thème musical composé par Nino Rota et au fait qu’il ait été tourné en décors naturels.
J’ai par contre déploré que la production ait cru bon de faire une version traduite en français de la chanson interprétée dans le film car celle-ci est incomparablement inférieure à la version originale.
Honte à ceux qui ont fait les sous-titres de la version italienne originale : les dialogues ont été complètement réécrits (c’est hélas monnaie courante dans le cinéma) y compris le si beau texte de la chanson ce qui est une véritable hérésie et un scandale …
J’en signale une excellente version anglaise « A Time For Us » chantée par Andy Williams.
Ecoutez-là, c'est pour moi l'une des plus belles mélodies qui soient. Et elle m'évoque bien des souvenirs ...
Filmfan
5.0 out of 5 stars
5 stars for the movie
Reviewed in Canada on November 27, 2021
This is for the Romeo & Juliet Blu-ray released by Umbrella Entertainment. This is a a region free disc and plays perfectly on my Region A locked Sony Blu-ray player. Unfortunately the Blu-ray transfer is underwhelming and just slightly better than the DVD. It has an overall soft appearance with many murky or muddy scenes such as during the opening credits. There are many speckles, white spots and dirt on the transfer. This movie is arguably the best film adaptation of Romeo and Juliet and I'm pleased to finally have it on Blu-ray. The acting, direction, cinematography, costumes and set design are all excellent. Perhaps someday it will be given the full 4K restoration it deserves.
William Twigger
5.0 out of 5 stars
VIEWED THIS ON RELEASE IN THE LATE SIXTIES
Reviewed in the United Kingdom on October 24, 2023
As above I have seen in at first Showing. It was Controversial then but more acceptable now. These were Innocents just like thousands of others Dipping their Toes in an Adventure. Just as an Expression of Life in many respects for Life.
William Twigger
William Twigger

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