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The Roof: The Beatles' Final Concert Kindle Edition
There are moments in time that cause us to stop and take notice of where we were and what we were doing when they happen in order to commit the experience to memory—how it made us feel, who was there with us, why it felt important. January 30, 1969 was one of those moments.
There are those who were on the periphery of the event that day and heard what was going on; but as one of the few remaining insiders who accompanied the Beatles up onto the cold windswept roof of the Apple building, Ken Mansfield had a front row seat to the full sensory experience of the moment and witnessed what turned out to be beginning of the end. Ken shares in The Roof: The Beatles Final Concert, the sense that something special was taking place before his eyes that would live on forever in the hearts and souls of millions.
As the US manager of Apple, Ken Mansfield, was on the scene in the days, weeks, and months leading up to this monumental event. He shares his insights into the factors that brought them up onto that roof and why one of the greatest bands of all time left it all on that stage. Join Ken as he reflects on the relationships he built with the Fab Four and the Apple corps and what each player meant to this symphony of music history.
- LanguageEnglish
- Publication dateNovember 13, 2018
- File size5396 KB
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Editorial Reviews
Review
"Ken has a unique gift. He can take you in the room and you sit with the folk he knows and make you one of the gang, part of the plan. And considering these folk include the Beatles, that is some doing. I respect the affection he has for our game, and what he brought to it will get you." -- Andrew Loog Oldham, manager and producer, Rolling Stones
"Ken Mansfield brings us a new and closely personal perspective not only on the Beatles, but on a whole cast of characters. I lived through those Apple years with Ken and we became friends. It is a pleasure to experience so much of it all again through the accuracy of his storytelling and the clarity of his memory." -- Peter Asher, Peter & Gordon/A&R chief, Apple Records/producer-manager (James Taylor, Linda Ronstadt, Carole King)
"Ken Mansfield and I unknowingly shared the experience of the famous Apple rooftop session. Ken was not only working for the Beatles through their heyday, he was also their trusted friend. There is no one better equipped to tell the Beatles' story truthfully—and more important—factually, from the inside." -- Alan Parsons, Alan Parsons Project, Multi-Platinum producer and engineer to the Beatles/Pink Floyd
About the Author
Ken is the author of six books including the top selling The Beatles, The Bible and Bodega Bay (Broadman and Holman) and The White Book (Thomas Nelson). Other titles include, Between Wyomings (Thomas Nelson), Stumbling on Open Ground (Thomas Nelson), Rock and a Heart Place (Broadstreet) and Philco (Post Hill Press). Ken now lives, loves and writes on the beautiful Florida gulf coast with his wife Connie.
Product details
- ASIN : B07JMFB5RT
- Publisher : Post Hill Press (November 13, 2018)
- Publication date : November 13, 2018
- Language : English
- File size : 5396 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 206 pages
- Best Sellers Rank: #1,200,347 in Kindle Store (See Top 100 in Kindle Store)
- #1,261 in Rock Music (Kindle Store)
- #3,448 in Biographies of Actors & Entertainers
- #4,202 in Rock Band Biographies
- Customer Reviews:
About the author

Raised in the northern Idaho Panhandle, Ken Mansfield has experienced a life that most people can only imagine. He was in the heart and heat of the music industry when it was young--back when creativity and passion made the music.
As a top ten graduating senior from San Diego State University, Ken entered the space industry in a classified position on the Saturn and Surveyor space programs. Music was his first love, though, and he became the leader of the successful southern California folk group the Town Criers. His experience as an entertainer, coupled with a B.S. degree in marketing, soon led him to his role as a top music industry executive and producer in Hollywood and Nashville.
In his executive roles, Mansfield not only observed the music of the time; he also helped shape it. He had the great fortune of being part of the classic era of pop and jazz, working with artists such as Stan Kenton, Peggy Lee, George Shearing, the Four Freshmen, Nancy Wilson, Judy Garland, Lou Rawls, Glen Campbell, Bobbie Gentry, and Al Martino, as well being a part of the early careers of legendary country artists Buck Owens, Merle Haggard, and Sonny James. Later years led him to work with the Beach Boys, the Band, Quicksilver Messenger Service, Bob Seger, Eric Burdon and War, Ray Stevens, Hank Williams Jr., Michael Parks, Petula Clark, David Cassidy, Don Ho, Flying Burrito Bros, Andy Williams. Claudine Longet and eventually Waylon, Willie, and the boys during the exciting "Outlaw movement."
It was while he was a Capitol Records executive that Mansfield found himself propelled into the center of a rock 'n' roll whirlwind. The Beatles asked him in 1968 to help them plan the worldwide launch of their record company and to come aboard as United States manager of Apple Records. He was eventually asked to serve as their personal liaison between the U.K. and the U.S. Ken was "the" person in America when it came to matters related to the Beatles throughout the rise and phenomenal popularity of the band.
When the Beatles breakup seemed inevitable, Ken moved on to become a vice president at MGM Records and then president of a CBS label owned by Andy Williams. In 1973 he left CBS/Barnaby to set up his own company, Hometown Productions, Inc., where he began producing artists such as Waylon Jennings, Jessi Colter, Don Ho, David Cassidy, and the Flying Burrito Bros.
Then Ken entered a barren era in which the money, servants, family, career, and health that he took for granted went away, leaving him with little but a sense of confusion and despair. That is where he found Jesus - and from ashes came a beauty that led him on a whole new journey. As Ken writes, "Every day I thank God for loving me so much that He allowed all my worldly possessions to go away and in exchange gave me the one true gift of value--eternal life through His Son and my Savior, Jesus Christ. God is a loving Father who was kind enough to allow me to become broke so I could be broken."
In time, Mansfield was commissioned to produce the renowned Imperials and eventually earned a Grammy and a Dove Award when he produced the Gaither Vocal Band's classic Homecoming album.
Mansfield now takes these business experiences and spiritual insights on the road as he shares his stories through speaking engagements and writing.
PRODUCER AWARDS
Grammy Award
Homecoming (Gaither Vocal Band, 1991)
Dove Award
Homecoming (Gaither Vocal Band, 1991)
Two No. 1 singles
"Amanda" (Waylon Jennings, 1974)
"I'm Not Lisa" (Jessi Colter, 1975)
Five No. 1 albums
I'm Jessi Colter (Jessi Colter, 1975)
Diamond in the Rough (Jessi Colter, 1976)
Are You Ready for the Country? (Waylon Jennings, 1976)
Waylon and Willie (Waylon Jennings and Willie Nelson, 1978)
Waylon's Greatest Hits (Waylon Jennings, 1979)
One RIAA-certified gold album
Are You Ready for the Country? (Waylon Jennings, 1976)
Two RIAA-certified platinum albums
Waylon and Willie (Waylon Jennings and Willie Nelson, 1978)
Waylon's Greatest Hits (Waylon Jennings, 1979)
Record World's No. 1 Country and Western album of the year
Are You Ready for the Country? (Waylon Jennings, 1976)
ARTISTS PRODUCED
David Cassidy
Jessi Colter
The Flying Burrito Bros.
Gaither Vocal Band
Don Ho
The Imperials
Waylon Jennings
Claudine Longet
Andy Williams
and many more...
TELEVISION
700 CLUB
(2 appearances)
EO Television Network Netherlands.
Mansfield/Beatles Documentary
Fox Network News-Lauri Dhue
George Harrison Special
MSNBC-Rita Cosby Live
John Lennon Special
Fox Network News-David Asman
(three appearances)
CNN
Sunday Morning Show
Fox Network News-James Rosen
Special Edition- Wash DC
ABC Network News Now
"What's The Buzz"
Associated Press TV
(300 TV stations)
Fox Business Channel
Scoreboard
Fox Business Channel
Happy Hour
ABC News-Don Sanchez
San Francisco (two appearances)
CBS-Harry Chapman
"Talk of the Town"
Nashville, Tennessee
WPIX in NYC
Morning News
KTLN-Dave Scott
"Bridges"
San Francisco, CA
ABC-KXLY
Good Morning Northwest
Spokane, WA
Fox 59
Morning Show
Indianapolis IN
Cornerstone TV
"Focus Four"
Pittsburgh, PA
Cornerstone TV
"Getting Together"
Pittsburgh, PA
11th Hour TV
Modesto, CA
RADIO
Westwood One
Dennis Miller Show
Janet Parshall's America
Prime Time America
Moody Broadcasting
Usa Radio Network
(Nationally syndicated)
CNN Radio
CBS WCCO
Brad Scott Show (4 Appearances)
ABC Radio Network
A&E
Mancow's Morning Madness
(3 appearances)
Allstar Radio Network
(Nationally syndicated)
Associated Press Radio
(Nationally syndicated)
XM Radio
Fine Tuning Channel
United Stations/PULSE Radio
Premiere Radio
Satellite Radio Tour
National Radio Network
Frankie Boyer Show
KABC
America's Earliest Morning Show
Bloomberg Radio
Joe Franklin Show
(Nationally syndicated)
WOR
Joey Reynolds Show
(Nationally syndicated)
Allan Handelman Show -
Rock Talks
(Nationally Syndicated)
Breakfast With The Beatles
(Nationally syndicated)
Beatle Brunch
(Nationally syndicated)
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In this case your hypothetical friend is telling the story about his time with the Beatles and in close proximity. Not as a girlfriend, a fellow musician, or a fan but as someone who had professional working responsibilities as well as comradery with these four idolized giants of music.
One is more tested and, in effect, entitled when one is accountable in such high profile relationships and not simply a social friend or acquaintance. This perspective, in my opinion, brought me into the experience as a vicarious participant. You never know where life takes you until you get there. That's how Ken seems to tell his story and others at Apple. He clearly makes his story anyone's story as in "Had I been here or there at this time or that, I might have worked for The Beatles, I might have ended up on that rooftop."
Ken is at once speaking to the reader and to himself at times. He seems amazed, nostalgic, moved and even self critical at times. And isn't this what most of us do later in life and rare times of our lives that have now passed. I felt I had lived just a little bit of that time thru Ken's expressed memories with real people who became The Beatles, unexpectedly, and knew they were on an adventure of "how about we try this now?" like any other young artists in motion.
And if anything expresses how much he loved that group of cohabitants it is in his touching reflection on his friendship with Mal Evans. The piece on Mal near the end of the book is a place where you will read the clues that go backward thru the whole preceding narrative.
So I would recommend reading this as an honest unburnished memoir by someone who was close to The Beatles et al, uniquely for a fleeting moment. Fleeting in a similar way as the moment The Beatles came and went as a group.
A little bittersweet at times while also being funny and celebratory about a once in a lifetime (once in a century?) experience. The close of the story includes a moment of recorded self-discovery by the author, elements of which informed my own perspective on my life with its collection of experiences, albeit at a fair distance from "a day in the life" at Apple.
There are plenty of books about The Beatles with facts, figures, biographies, lyrics, etc. These are all inevitable by-products of fascination, respect, honor, inspiration, obligations to posterity. But if I wanted to hang out with a glass of wine in front of a fireplace with an academic or fan versus a friend with personal reminiscences, I would choose the reminiscing friend every time.
One question I would have loved to ask Ken is, "Who is the individual that pops in an out of the 'Let It Be' video documentary that has the spitting image of Woody Allen?" He appears in various scenes on the roof top, specifically, when the British Police make there way onto the roof, and appears earlier in the film while the recording of "Maxwell's Silver Hammer" is filmed as providing the talent for the hammer "bang bang" sounds earlier in the video. Caught my attention and I was hoping there would be a clue in the book. :)
Update: After reading the entire book, I believe the individual that is standing by the entrance to the roof and, as I said, looks (to me) like Woody Allen, is Mal Evans, Apple Executive. As I mentioned before, he can be seen in the "Let It Be" documentary film banging the hammer during the filming of the Beatles recording "Maxwell's Silver Hammer". I thought at first that Woody Allen was in the studio that day and always wondered if it was Woody Allen. So, although I am green with envy, I have believe I have found the answer. Now, if only Ken would confirm it is Mal :) Crazy I know, but putting together the history behind some of the 60's bands can be interesting. Ken's book is certainly a great book in my opinion!
Update (2). I just read one of the review postings confirming my suspicions. I can now sleep :) Thanks to that individual (Ken?). As I said, this book is great and a fun read.






