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"The Room" is an electrifying American black comedy about love, passion, betrayal and lies. It has five major characters, Johnny, played by Tommy Wiseau is a successful banker with great respect for an dedication to the people in his life, especially his future wife Lisa. Johnny can also be a little too trusiting at times which haunts him later on. Lisa, played by Juliette Danielle, is the beautiful blonde fiance of Johnny. She has always gotten her way and will manipulate to get what she wants. She is a taker, with a double personality, and her deadly schemes lead to her own downfall. Mark, played by Greg Sestero, is a young, successful and independent best friend of Johnny. He has a good heart, but gets caught up in Lisa's dangerous web and gives in to temptation. This eventually brings him to great loss. Claudette, played by Carolyn Minnott, is the classy, sophisticated mother of Lisa who has had disappointing relationships in her life. She wants her daughter to be married as soon as possible so she can benefit. Denny, played by Philip Haldiman, is an orphan boy, naive and confused about life, love, and friendship. Denny is a very ambitions and also very grateful tot he people who are in his life. "The Room" depicts the depths of frienships and relationships in one life and raises life's ral and most asked question: "Can you ever really trust anyone? Enter "The Room" and leave forever changed!
IF YOU'VE BEEN MISSING TENNESSEE WILLIAMS FILMS....the new "Williams" is a producer/director Tommy Wiseau... -- The Tolucan Times, May 28, 2003See all Editorial Reviews
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It is, without question, the worst film ever made. Including movies made on beta max video cameras in special education high school classes. But this comment is in no way meant to be discouraging. Because while The Room is the worst movie ever made it is also the greatest way to spend a blisteringly fast 100 minutes in the dark. Simply put, `The Room' will change your life.
It's not just the dreadful acting or the sub-normal screenplay or the bewildering direction or the musical score so soaked in melodrama that you will throw up on yourself or the lunatic-making cinematography; no, there is something so magically wrong with this movie that it can only be the product of divine intervention. If you took the greatest filmmakers in history and gave them all the task of purposefully creating a film as spectacularly horrible as this not one of them, with all their knowledge and skill, could make anything that could even be considered as a contender. Not one line or scene would rival any moment in The Room.
The centerpiece of this filmic holocaust is Mr. Tommy Wiseau himself. Without him, it would still be the worst movie ever made, but with him it is the greatest worst movie ever made. Tommy has been described as a Cajun, a Croatian cyborg, possibly from Belgium, clearly a product of Denmark, or maybe even not from this world or dimension. All of these things are true at any one moment. He is a tantalizing mystery stuffed inside an enigma wrapped in bacon and smothered in cheese. You will fall in love with this man even as you are repelled by him from the first moment he steps onto screen with his long Louis the Fourteenth style black locks and thick triangular shoulders packed into an poorly fitted suit. You will even grow to love his metallic, steroid-destroyed skin. Tommy looks out of place, out of time and out of this world. There has never been anything else like him. Nor will there ever be.
The Room begins with `Johnny' (Tommy Wiseau) and his incomprehensibly evil fiancée `Lisa' (played by a woman with incongruously colored eyebrows and a propensity for removing her shirt) engaging in some light frottage, joined by, their sexually confused teenage neighbor, Denny--played with a deft sense of the absurd by Phillip Haldiman--who is clearly suffering from a cruel form of aged decrepitude. When Denny, who looks like the human version of Gleek the monkey from Superfriends, says, in a slightly creepy yet playful tone of voice, `I like to watch!' as Johnny and Lisa roll around the bed in a pre-intercourse ritual revolving around rose petals, you know you are in for a very special movie.
After a lengthy lovemaking scene (not to worry if you miss it the first time, they show it again in its entirety later in the movie) in which Tommy's bizarre, scaly torso and over-anatomized rear-end are lovingly depicted in great detail as he appears to hump Lisa's extra vagina located somewhere near her hip, we discover that Lisa, for no particular reason, decides she is bored with Tommy's incessant lovemaking and affectionate attention and decides to leave him. But not before she destroys his life.
Just when you think the movie might lapse into an ordinary, pedestrian sort of badness, Johnny's best friend Mark, who seems to have no job other than to wear James Brolin's beard from Amityville Horror, shows up and electrifies the screen with a performance so wooden that you could buy it at Home Depot and build a spice rack with it. Incidentally, Mark is played by Greg Sestero, who, in addition to being described as a department store mannequin, was also the line producer on `The Room' and one of Tommy Wiseau's five (5!!!!!) assistants on the movie. Lisa forces Mark, amid his paltry, unconvincing protests, to have an affair with her on their uncomfortable circular stairs. Lisa decides that she is evil incarnate and proceeds to torture her angelic and insanely devoted fiancé with various lies and manipulations.
Lisa receives pointed advice from her mother who casually announces that she is dying of breast cancer. And then never mentions it again! But Lisa is determined to make Johnny's life a living hell, in spite of the fact that she, according to her mother, "cannot survive on her own in the cutthroat 'computer business". But not before they recycle the sex scene from earlier in the movie where we get another bird's eye view of the insanity that is Johnny's naked body. Denny gets into trouble with a drug dealer. Mark shaves his beard. Tommy gets drunk on an unusual cocktail made from mixing whiskey and vodka. Lisa lies and tells everyone that Tommy hit her in a drunken rage.
A balding psychologist appears out of nowhere, offers some advice, then apparently dies while softly falling on the ground in an attempt to catch a football thrown by Mark.
All of these seemingly disparate events build up to two cathartic moments. The first is when Tommy expressively yells at Lisa with the line `You are tearing me apart Lisa!'. You will cheer at this line as you realize that the film has been tearing you apart the whole time. And the second is at Tommy's birthday party where the worst actor that has ever been born plays a unidentified man wearing a silk shirt who utters a phrase that perfectly describes the experience of watching The Room,
`It feels like I'm sitting on atom bomb that is going to explode!'
The shocking ending will leave you pleading and hoping for a sequel.
See this film at all costs. See it twice. Or three times. Or as one kid that I met from Woodland Hills has, 12 times! See it until you can recite every precious line of dialogue this movie has to offer. Let The Room become your new religion and Tommy Wiseau your prophet preaching the gospel according to Johnny.
My dream is to someday buy a theater and run The Room 24 hours a day, 7 days a week until the print disintegrates. I hope it becomes your dream as well.
The thing with this movie is that it isn't a miserable failure on any one axis. Cinematography, script, acting, editing, continuity, lighting, everything at one point or another fails . . . somewhat. It's like it was cut together out of all of the rejected parts of a movie instead of all the good parts.
For any aficionado of the craft, this is a hilarious compilation of what NOT to do when making a film.
For anyone else, I strongly urge you to look elsewhere. You're not going to get what's going on here and as a film, it's . . . hmmm . . . it's literally the worst film ever made.
Aside from Tommy Wiseau's uncomfortably long "love" scenes you will watch this and wonder "What was he thinking?"
Do not miss the Q&A with the director. If you thought the movie didn't make sense, the answers will make even less sense.
If Tommy Wissau is a rare comic genius, and this is a Andy Kaufman-esque ruse, I'll be the first to applaud it as pure genius. If he's not, and it's more than likely he isn't, it's still genius, because it transcends the stupidity and utter failure and somehow turns this totally awful movie into pure gold. You'll be quoting the ridiculous lines for years. Now, keep your stupid comments in your pocket and see this movie.