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Roots: The Saga of an American Family Paperback – May 3, 2016
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When Roots was first published forty years ago, the book electrified the nation: it received a Pulitzer Prize and was a #1 New York Times bestseller for 22 weeks. The celebrated miniseries that followed a year later was a coast-to-coast event-over 130 million Americans watched some or all of the broadcast. In the four decades since then, the story of the young African slave Kunta Kinte and his descendants has lost none of its power to enthrall and provoke.
Now, Roots once again bursts onto the national scene, and at a time when the race conversation has never been more charged. It is a book for the legions of earlier readers to revisit and for a new generation to discover.
To quote from the introduction by Michael Eric Dyson: "Alex Haley's Roots is unquestionably one of the nation's seminal texts. It affected events far beyond its pages and was a literary North Star.... Each generation must make up its own mind about how it will navigate the treacherous waters of our nation's racial sin. And each generation must overcome our social ills through greater knowledge and decisive action. Roots is a stirring reminder that we can achieve these goals only if we look history squarely in the face."
The star- studded cast in this new event series includes Academy Award-winners Forest Whitaker and Anna Paquin, Laurence Fishburne, Jonathan Rhys Meyers, Derek Luke, Grammy Award-winner Tip "T.I." Harris, and Mekhi Phifer. Questlove of The Roots is the executive music producer for the miniseries's stirring soundtrack.
- Print length912 pages
- LanguageEnglish
- PublisherDa Capo Press
- Publication dateMay 3, 2016
- Dimensions8.2 x 5.5 x 2.1 inches
- ISBN-100274800012
- ISBN-13978-0306824852
- Lexile measure1330L
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Editorial Reviews
Review
"The book is an act of love, and it is this which makes it haunting."New York Times
"A gripping mixture of urban confessional and political manifesto, it not only inspired a generation of black activists, but drove home the bitter realities of racism to a mainstream white liberal audience."Observer
"Groundbreaking"The Associated Press
"A Pulitzer Prize-winning story about the family ancestry of author Alex Haley [and] a symbolic chronicle of the odyssey of African Americans from the continent of Africa to a land not of their choosing."Washington Post
Philadelphia Tribune, 6/7/16
[A] landmark book.”Marian Wright Edelman
About the Author
Product details
- ASIN : 030682485X
- Publisher : Da Capo Press; Media tie-in edition (May 3, 2016)
- Language : English
- Paperback : 912 pages
- ISBN-10 : 0274800012
- ISBN-13 : 978-0306824852
- Lexile measure : 1330L
- Item Weight : 2.01 pounds
- Dimensions : 8.2 x 5.5 x 2.1 inches
- Best Sellers Rank: #48,326 in Books (See Top 100 in Books)
- #105 in Black & African American History (Books)
- #260 in Black & African American Biographies
- #1,811 in Memoirs (Books)
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4-4.5 stars - kinda dwindled towards last 1/3
The timeline moves forward more rapidly after the Kunta Kinte part, which takes up at leas the first one-third of the book. In other words theres a lot of detail about him and his life, then it speeds up during grandson George's lifetime until it is glossing over the day-to-day details of George's descendants' lives. I suppose thats inevitable - Haley could not have written the same level of detail about all the grandchildren, great-grandchildren and the numerous offspring. Haley handled this very well.
There are also several "cutoff points" where the chapter changes and the focus moves completely to the next generation. In other words, when Kizzy is taken away, we no longer hear of Kunta & Bell - the story becomes completely about Kizzy. Then when she gets old, the story refocuses to George's family. We never learn the fate of Kunta & Bell or exactly how Kizzy dies. This literary technique has a melancholy effect, but also leaves some things to the readers imagination. I like it for that.
There are some details, for example in dates of things happening versus the age of characters. But if you avoid looking for age/date contradictions, they won't detract from enjoying the book. Other little details include mentioning use of barbed wire on a plantation (invented by a Frenchman in 1865 and didn't enter widespread production until 1874-ish), George bathing in a galvanized tub before his marriage circa 1840(galvanization entered widespread use in the late 1800s), and the "old Gardener" Josephus describing Indian's teepees to young Kunta (the Eastern Woodlands tribes built wigwam huts - they did not use the conical teepees he describes of the Plains Indians, who were barely known to the colonists at that time, circa 1790)...All these are minor details, of course :)......
Please bear in mind this is a work of FICTION. Haley himself intended it that way; however the book has been spotted on library shelves in Biography or Geneaology sections. That is incorrect - the details of what happened 200 yrs prior could in no way be researched reliably enough for this work to be non-fiction or a true biography.
There have also been scholarly challenges to Haley's claims that he found his ancestral village in The Gambia, and to his genealogical research (its now known that Kunta/Toby arrived earlier than 1767 or was in fact born in America, and died years before Kizzy's birth. Also that the slave with the injured or deformed foot was a man called "Hopping George", possibly unrelated to the Haley line. And no evidence his foot was cut off as a runaway).
So Haley's claim to descendancy form Kunta/Toby is speculative. But this book will capture your imagination.
(For some details about criticism of the book, see Wikipedia. Just don't let that stop you from understanding the purpose of this fine work).
Before purchasing the book, I wanted to know a little bit more about Alex Haley and one of the things that caught my attention was that he was x-military U.S. Coast Guard. Also, I wanted to know why it took him 12 years to the research for the book. I learned not only was he researching his ancestors but he was learning about their surrounding day to day life (culture). With that said "Roots" is more like a history book that covers the life and culture of Africa during the 1700's, how husbands were able to speak a language that their wives were not allowed to speak or learn, or how there were many antislavery societies such as the Christians, Methodist and Quakers just to name a few. There is so much more in the book I found refreshing to learn of how our country was develop during the cotton gin age. There is so much more to the Civil War or the other wars within the United States that was or is not mentioned in our mainstream history books. A must read for all students sixth grade and up.
As we have learned in these pages, the roots of the Kinte family are African. I am also from an American family - with German roots. My husband is from an American family - with African roots.
I am not directly or personally responsible for any atrocities related to slavery, nor do I personally know anyone who has been the victim of slavery directly. Maybe because of that, I have had an impersonal attitude toward slavery and if I am being honest, I think I resented being lumped together with those of my race that were responsible for it.
I will confess that, although I had heard of Roots and had been aware of slavery’s impact on America, I had not given either the respect they are due until I married my African-American husband. In an effort to understand his heritage, I chose to read this haunting narrative and it will surely haunt me for the rest of my life! The images and emotions portrayed in these pages have changed me.
Having read Roots, I now have a deep conviction of the wrongs that have been committed. It is my prayer that I and those I have influence over will make every effort to do better for all generations to follow. May that be my legacy to my children and grandchildren and beyond, to in some small way, right a wrong and teach a better way.
Every American, regardless of their race, has roots from somewhere else. Every American, regardless of their roots, has a heart, a soul, a dream, a need. Every American loves, hopes, laughs, cries, hurts and suffers in their own way. May God help us all to see the things we have in common and use those things to unite us and build a future where cruelty no longer exists. Yes, that would be a legacy worth leaving!
—— Peggy Lee, Houston, TX
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Another thing that really annoyed me, was Haley's way of indicating what was happening in the wider world at the time, his way of presenting all the great historical moments (like the signing of the Declaration of Independence, the Revolutionary War, the Civil War, etc...) This dialogue, where characters would tell what news they had heard or read, was obvioulsy contrived. No slaves (or anyone at that time, actually) would have spoken about those events the way Haley has them spoken about. It sounds rediculous.
And it seems that Haley didn't do his research well here, either, but rather relied on what he had learned in high school, no matter how inaccrate. For instance, in the book the slaves are all talking about how Lincoln (before he is elected President) is going to free them. But anyone with a little knowledge of Civil War history, knows that Lincoln never said such a thing. He had no intention of freeing slaves and was hardly an abolitionist. There were other Presidential canditates who were much more likely to free the slaves. If the slaves had their hopes on anyone, it would have been Seward or Chase, not Lincoln. Lincoln was a dark horse when he was elected at the Republican convention. He was hardly known outside of Illinois. I doubt any slaves were speaking about him the way they did in this book. It doesn't make sense. And there are many other mistakes, as well. It is very poor history.
But no matter these points, at the end of the day, it is a great story. I couldn't put it down. The parts that take place before the Civil War are much more detailed and better written, then the parts after. Unfortunate really, as I would have liked to know more about his family's experience during reconstruction, but nonetheless, I was hooked, and was really sad to see the story end. For anyone who wants to learn about the Negro experience in America, this book is a must read. I would definitely recommend.








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